20/07/2017

Legacy of a decision


This is what Thom Yorke said at their show in Tel Aviv: “A lot was said about this, but in the end we played some music”... Before playing 'Karma Police.

Come someone who says he knows all is need about the Israeli / Palestinian situation, who doesn't want to be lectured, such a lack of understanding is appalling.

Every musician is free of movement, expression and choice. But as a long-time fan of their music, I must say, I'm really, really disappointed. 

We all change and evolve. In better or worst. I'm not going to be able to listen at Thom Yorke's preaching on the so numerous issues he addresses the same way as I did perviously. Because it comes down at where you draw the line. For him, as long a subject touch their little comfort as a band, as Colin Greenwood is married to an Israeli artist and has many projects ongoing with Israeli musicians, their so-called moral can be on pause. 

Well, don't call yourself committed to anything then. And don't go rag with an eco-friendly record packaging... 

Again, really, really disappointing. 

Quoting Pitchfork:


Artists for Palestine UK—the group who organized the petition against Radiohead’s concert—released a follow-up statement, saying Yorke “once again fails to make any mention of the Palestinians who suffer under Israel’s regime.” Film director Mike Leigh later released his own personal statement in critique of Yorke’s defensiveness. The Palestinian Campaign for the Academic and Cultural Boycott of Israel (PACBI) also took a shot at the band, accusing them of “professing to know better than [Palestinian people], in a classic colonial attitude.”

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You can read more on how the right-wing press and politicians used the show to promote their idea of domination on Artists for Palestine's website. Just one example: 


 Radiohead gig promoted by Israeli diplomatic missions around the world

July 29, 2017

Radiohead are a band that many had associated with progressive politics. But now it turns out they have an extraordinary following among Israeli diplomats and right-wing conservatives. From US radio host Glenn Beck and Tea Party Patriots co-founder Mark Meckler, a range of around twenty Israel lobby groups, and thirteen Israeli diplomatic missions around the world from Ireland to Colombia, these groups are united in their explicit contempt for the indigenous Palestinian people’s lives.

The Jerusalem Post described Radiohead’s Israel gig and Thom Yorke’s rejection of the Palestinian call for BDS as “the best hasbara [advocacy] Israel has received lately”. Thom Yorke has defended their decision saying that “playing in a country isn’t the same as endorsing its government”, but the Israeli government and its supporters certainly do endorse Radiohead.Palestinian, Israeli and UK artists and activists have repeatedly pointed to the inevitable instrumentalisation of the band’s appearance in Tel Aviv by Israel and its supporters.

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More here:



Into "The God Of Small Things"


 As much as I love travelling, there is one thing that home is good for... it is efficiently writing. As much as I write everywhere, all the time, when it comes to get things ordered, mastered, edited and full-time invested, Paris and my flat is the place for me. Despite the noise and hectic-ness.

And writing is an activity that implies reading, re-reading, proofreading but also simply reading others.... Reading and loving it passionately.

Luckily, this month, I'm spending a glorious time with The God Of Small Things, published in 1997 by Arundhati Roy, thanks to my dear friend Amy whom I visited in London last month.

It is a compelling story set in India, involving a whole family and especially two twin brother and sister, Estha and Rahel, too soon separated by life, and unable to live a fulfilled life without the other...

..."He couldn't be expected to understand that. That the emptiness in one twin was only a version of the quietness in the other. That the two things fitted together. Like stacked spoons. Like familiar lovers' bodies".






2017, yet, has been a difficult year for writing.

First, there is the international political (disastrous) context, impacting me, as always, and my work (as a journalist).

Second, writers' worst enemy, I learnt cruelly, is not laziness or distraction, or the 'white page' fear. It is the publisher. Most of them have turnt into socks sellers, or maybe have they always been. Most stories with depth are stopped even before they reach the stage of a draft because publishers discourage writers to be ambitious, daring, to renew themselves and their writing.

I was lucky enough to find a wonderfully indulgent protection in my first experience in publishing, thanks to Editions Anne Carrière and my friend Bertrand Dicale. My editor has been incredibly helpful.

But since then, so many projects have been killed in the way. And, just like in 2013/14 when I was looking for publishers to get interest in my novel, judgement, nepotism and discouragement.

Now I never thought I'd face this again so violently. Apparently, the most important person involved in making a book exist is not the writer or the person inspiring the book, it is the one paying the bill to get it out. They have the right to criticise your writing even before they read your manuscript! To suggest to shorten it or change the title, and to correct your research with their (wrong) suggestions...

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Now why do I still want to write in this world where everyone is too busy to leave their phone for more than a few minutes? Video, sound, online streaming are everywhere in the western World. Who needs a book? And even if some needed, there are so many products on the tables now. Publishers are releasing so many items, looking for the bestseller or simply to fill in the void and renew their offer, than even the reader keen to look for a good book might struggle to find it.

I don't think I can answer to my own question in this post. Too tired. And too busy still dreaming of my next book! You cannot take the passion out of a naturally passionate person. And I won't really try to apologise for that.

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Maybe, it is about looking for the "small things" that really matter. Peace, joy, friendship, poetry in the prose and the right, simple words. The story of everyday people who managed to build and create some things really, truly great, magical, powerful and inspirational. The story of people going through life to come back changed and to learn the most important values, to grow and help themselves understand who they are and what is the meaning behind this senseless world.

But what do I know?

You should maybe ask a publisher instead. They'll tell you what a story really is: some suspens, a good construction that can keep the busy reader long enough for them to buy another product.

Or you can choose your own reason. And feel free to share it.


19/07/2017

'Her'


What do we actually love when we love?



'Her' 

Movie - with Joaquin Phoenix, Scarlett Johansson 


By Spike Jonze

TRAILER 1 (2013)  





A lonely writer develops an unlikely relationship with his newly-purchased operating system that's designed to meet his every need.


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Bristol à Faugères, le 23 août 2017



Prochaine rencontre consacré à Bristol et Massive Attack, autour de mon livre, En dehors de la zone de confort, dans l'Hérault cet été!





Les détails:





A partir de 19h au Trois Tours – Moulins de Faugères

« Les Transversales des Moulins »

(Littérature, musique, artistes peintres, dégustations avec les vignerons, produits du terroir, possibilité de restauration dans un lieu unique)

Mercredi 23 août

Nous refermons cette 3ème édition avec la journaliste Melissa Chemam qui nous entraînera 
« hors de la zone de confort », dans une plongée romanesque dans le Bristol des années 1990 à la rencontre de Massive Attack, Portishead et Banksy. 

La soirée se clôturera en musique avec un DJ set consacré à ces artistes bristoliens.

Nous accueillons également le Groupe Téquila Sunrise : trois musiciens et chanteuse style Reggae et Soft Rock.



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Tout le programme des Transversales 2017 :

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A bientôt à Faugères, ou Lyon. Suivra peut-être un autre événement à Paris ou Bordeaux, ville jumelée avec Bristol,  durant l'automne... Mais chaque chose en son temps!


'Electric Blue' / Everything Now


Word for word I could have written these lyrics...
"Electric blue" is a key colour in one of my short stories. On January the 31st, 2015, I even wrote a poem named 'Sing Your Blues', inspired by my coming travel to Bristol.

Thank you Arcade Fire. You are always relevant to me!
Just like The Suburbs was when I was living in Kenya and Reflektor was when I came back from Central African Republic... What an album! Inspired by the myth of Orpheus and Eurydice. masterpiece full of soul-ness..
Looking forward to hearing Everything Now.

Here is 'Electric Blue':



Arcade Fire - 'Electric Blue' (Official Video)




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Published on 13 Jul 2017

Listen to or download 'Electric Blue': http://smarturl.it/AFElectricBlue?IQi...
From the upcoming album 'Everything Now', available for pre-order now: http://smarturl.it/EverythingNow?IQid=yt

Directed by Cousin Club
Produced by Julia Simpson


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Lyrics


[Verse 1]
Summer's gone and so are you
See the sky electrocute
A thousand boys that look like you
Cover my eyes electric blue

[Refrain]
Now I can't get my head around it
I thought I found it
But I found out I don't know shit
Now I can't get my head around it
I thought I found it
But I found out

[Verse 2]
A thousand girls that look like me
Staring out at the open sea
Repeat the words until they're true
Cover my eyes electric blue

[Refrain]
Now I can't get my head around it
I thought I found it
But I found out I don't know shit
Now I can't get my head around it
I thought I found it
But I found out

[Verse 3]
Now you've got me so confused
'Cause I don't know how to sing your blues
Jesus Christ, what could I do?
I don't know how to sing your blues

[Refrain]
Now I can't get my head around it
I thought I found it, but I found out

[Outro]
Cover my eyes electric blue
Cover my eyes electric blue
Every single night I dream about you
Every single night I dream about you
Cover my eyes electric blue
Cover my eyes electric blue
Every single night I dream about you
Every single night I dream about you
Cover my eyes electric blue
Cover my eyes electric blue
Every single night I dream about you
Every single night I dream about you
Cover my eyes electric blue
Cover my eyes electric blue
Every single night I dream about you
Every single night I dream about you
Cover my eyes electric blue
Cover my eyes electric blue
Every single night I dream about you
Every single night I dream about you
Cover my eyes electric blue
Cover my eyes electric blue
Every single night I dream about you
Every single night I dream about you
Cover my eyes electric blue
Cover my eyes electric blue
Every single night I dream about you
Every single night I dream about you


'Miracles'


Sharing this on Nelson Mandela Day, July 18.

Doesn't it sound simple...?
The world we could live in...
Or just a song:


Coldplay & Big Sean - 'Miracles' (Someone Special) 

- Official Lyric Video





Published on 15 Jul 2017

Taken from the Kaleidoscope EP, out now (digital) / August 4 (CD & vinyl). Get the EP now: https://parlopho.ne/KaleidoscopeEP.


Final Credits:
Production Company: Pulse Films
Director: Ben Mor
Executive Producer: Alli Maxwell
Producer: Adriana Cebada Mora
Cinematographer: Todd Heater
B-Cam: Jamie Lagerhausen & Simon Steuri
Editor: Patrick Tuck
Post Supervisor: Dina Ciccotello
VFX supervisor (Los Angeles) - Uzi Mor
VFX supervisor (Tel Aviv) - Yaron Yashinski
Visual Effects by Yashinski Studio: Shay Wax, Elad Naim, Or Terry


13/07/2017

Rencontre à Lyon le 20 octobre prochain : "Capitales Musiques : Bristol"



Très honorée de cette invitation. A bientôt, en octobre, à Lyon !



CONFÉRENCE MUSICALE - MUSIQUE - TOUS PUBLICS

CYCLE : CAPITALES MUSIQUES

Capitales Musiques : Bristol

Le vendredi 20 octobre de 18h30 à 20h00 - bibliothèque de la Part-Dieu
Rencontre avec Mélissa Chemam autour de son livre "En dehors de la zone de confort : De Massive Attack à Banksy, l’histoire d’un groupe d’artistes, de leur ville, Bristol, et de leurs révolutions"
Qu’ont en commun le Pont suspendu d’Isambart Brunel, l’acteur Cary Grant, le groupe Massive Attack et l’artiste de rue Banksy ? Ils sont tous originaires de Bristol, une ville moyenne de l’ouest de l’Angleterre. Une ville marquée par une histoire riche et complexe, mais encore jamais racontée. Marquée par une fortune précoce liée à l’ouverture de l’Angleterre vers l’Amérique, elle devient aussi un des points névralgiques du commerce triangulaire. C’est justement cette histoire qui va nourrir, de manière inédite et radicale, la génération d’artistes éclose à Bristol à partir de la fin des années 1970.
Tout prend forme lorsque qu’un jeune graffeur anglo-italien du nom de Robert Del Naja signe du pseudonyme « 3D » sa première oeuvre de rue sur un mur de la ville en 1983. Avant de fonder le groupe Massive Attack en 1988 avec les DJs noirs Grantley Marshall (Daddy G) et Andrew Vowles (Mushroom), il rencontrera les pionniers du post-punk de Londres et Bristol, les passionnées de reggae antillais du quartier de Saint Pauls, puis la chanteuse Neneh Cherryet le rappeur Tricky. Creuset inattendu mêlant hip-pop, reggae, soul et guitares rebelles, le premier album de Massive AttackBlue Lines, sort en 1991 et provoque une révolution dans la culture populaire britannique. Massive Attack devient l’incarnation du succès d’un métissage à la britannique, et parviendra à toujours se renouveler, tenter de nouvelles révolutions et durer au-delà de nombreux mouvements musicaux des années 1990 et 2000.
Dans le sillage de cette créativité débridée mêlant musique, art et implication sociale profonde, naissent aussi les groupes Portishead et Roni Size, les mouvements nommés trip-hop, jungle et dubstep, et le génial Banksy. Depuis, la profondeur artistique de ces artistes et leur engagement n’ont fait que se renforcer, tout comme leur lien avec leur ville. Ce lien va devenir le tremplin qui les porte jusqu’à l’autre bout du monde, de l’Amérique à Gaza. Rébellion, art, musique, engagement, Bristol synthétise ainsi une autre histoire du Royaume-Uni. Une histoire qui amène au sommet des charts et sur le devant de la scène de parfaits autodidactes, et la part plurielle et afro-antillaise de la culture britannique.

Intervenant(s) : 
Mélissa Chemam - journaliste et auteure
Titulaire d'une maîtrise en littérature comparée et du diplôme de l'Ecole de journalisme de Sciences Po, Mélissa Chemam est journaliste depuis 2004. Elle a travaillé pour France 24, la BBC, RFI, France Culture et pour des magazines dont Le Monde des Religions, la Public Art Review ou encore Transfuge. Née à Paris, elle a vécu à Prague, puis a été correspondante à Miami, Londres, puis Nairobi. Après plusieurs années passées à travailler sur l'actualité internationale puis africaine, inspirée par la visite de Massive Attack au Liban en 2014, Mélissa est allée à la rencontre des artistes de Bristol, chez eux et sur les routes qu’ils parcourent. En dehors de la zone de confort est son premier livre. Elle écrit aujourd'hui sur l'art, la musique, les liens post-coloniaux et le changement social.

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  • Condition d'accès

    Entrée libre dans la limite des places disponibles
    Gratuit

    Lieu

    bibliothèque de la Part-Dieu
    30 Boulevard Marius Vivier Merle - 69003 Lyon
    • Renseignement

      04 78 62 18 00

About "the point of cultural boycotts"...



Friends of friends have been asking me about "the point of cultural boycotts"... Regarding Radiohead's coming show in Israel. 

This question betrays so much lack of understanding of the situation in Palestine, in former colonies and in Apartheid South Africa...

Just willing to add a few arguments here that I shared elsewhere on social media.

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The point is that such a band cannot play for Palestians too, and more over that most Palestinians have no access to safety, electricity, basic human rights or even a passport nowadays. Adding the blocus of Gaza, the constant grabbing of their lands in the West Bank, and the millions of refugees stuck in Lebanon and beyond, there are no situation more unfair in this world. Millions of people have no right at all, on in the name of Israel obsession with security, building higher walls. The right-wing Israeli press has been using Radiohead's little show as the best example of the Netanyahu government's respectability for months now.

"It's worth remembering that ... the cultural boycott was incredibly important when it came to South Africa," said Naomi Klein, among others. The BDS movement, she added to different media, "comes from a very, very broad cross-section of Palestinian civil society, and with very, very few tactics at their disposal."

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I can't believe they cannot think again on this! Like they live in a bubble and refuse to see the consequences of this decision. Just reading the Israeli right wing media gives an idea of how their coming is used as a victory for the current regime! And he should know as their guitarist is married to an Israeli. It is so oddly not relevant to insist on remaining blind on the situation for Palestinians!

I think they care to show they know better. Having read some comments from Jonny Greenwood's wife, defending Jewish people's rights in Israel, criticizing Arab governments, they do think their views on the issue are clever than from people advocating for a cultural boycott. And they then do believe the situation is not harmful enough for the Palestinians. Yorke is comparing Netanyahu to Trump, which can be relevant for some issues, but I find that the situation for Palestinians is much more serious. It is a unique case in current politics.

To me, this goes way beyond Radiohead. 

For two decades, Palestinians were resorting to terrorism to get their voices heard. Since 2006, the support of Western artists helped the part of civil society which refused violence to get their point out there pacifically. This is what it is about. And a show like this one is just screaming: "we don't care, we have no responsibility in this world as artists, we just do what pleases us". It is very selfish, very childish, dangerous and heartbreaking, especially compared the the severe amount of suffering for real, normal, disrespected and abandoned people. 

If it makes some feel better: Let's call it a "cultural, responsible SUPPORT" to those in need.

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Don't get me wrong. I've been to Israel, with my journalism school, which was willing to reopen a dialogue, but that was before the Lebanon war in 2006! And before this wave of extra building operations in the West Bank. One of my best friends is also Israeli.

Radiohead could totally go to Israel with a project to open a dialogue, but that is not at all what this is about.


Watch Benjamin Clementine's video for 'Phantom of Aleppoville'



So many people are waking up!! 

Musicians, writers and artists always come first. 

Join! 

We must resist the world the most powerful leaders of the richest countries want to build for tomorrow. 

We always have the choice!! 

We chose this system; we can change it!!

Another exemple:


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Benjamin Clementine - 'Phantom Of Aleppoville'




The song was accompanied by a video shot by photographer Craig McDean and filmmaker Masha Vasyukova. 

 

Algiers present their new video for 'Cleveland'



Who could imagine, from my generation, who read American history inside out, that we would get here today? 
Powerful voice of truth:

Algiers - 'Cleveland' (Official Video)




Published on 12 Jul 2017

Directed by Marisa Gesualdi & Franklin James Fisher
Edited by Sam Campbell


"A recurring theme in our music is the idea of injustice and the bitter understanding that obtaining justice in this world is all but impossible--particularly for black and brown people.” 

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You can follow the links below, shared by the band, for more information and to see how you can help:



BLACK LIVES MATTER: 
http://blacklivesmatter.com/