09/03/2015

March 8: Women's march in Istanbul


March 8: Women's International Day 2015

It has always been very cynical to me that mankind dared giving half of humanity, us, women, one "international day" out of 365, the this half giving birth and standing for the ones remaining after conflict, but what life can teach to a journalist, as well as an activist or an everyday philosopher, is that you gotta take what you're given, as a start of any fight, and "be thankful for what you've go", as some would say.

This day though also means a lot to me, as of personal achievement, as I passed an important university test on a March 8, opening the road for my entrance in a master in political sciences and journalism.

Si every year on March 8, I try to do what I can to raised a little of awareness on Women's empowerment, as we remain, half of us, humanity.

Today I was in Istanbul. This is a glimpse of what I witness:

Women's march from Taksim to Galata, Beyoglu, Istanbul. 

"We want the streets and the nights", they claimed!





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More details about Turkish feminists from Anadolu press agency here:

International Women's Day event dedicated to memory of Ozgecan Aslan, the 20-year-old student whose recent murder outraged Turkey.

ISTANBUL
More than 3,000 women have gathered for a females-only rally in Istanbul to mark International Women’s Day and denounce domestic and sexual violence in Turkey.
The women-only crowd met at 12:00 (1000 GMT) in Kadikoy on Istanbul's Anatolian side.
Organizers dedicated this year’s event to the memory of Ozgecan Aslan, the 20-year-old student whose murder in Mersin last month sparked outrage across Turkey, catapulting violence against women to the top of the domestic agenda.
The Istanbul March 8 Woman Platform -- an umbrella organization bringing together Turkish women’s rights groups -- said the rally was also dedicated to the "thousands of women who lost their lives at home, in streets or wars as a result of male-state violence."  
However, opinion was split over the female-only nature of today's event.
One organizer, Hande Yanar, 28, whose job was to prevent men from entering the event area, said: “They [men] say they are here for women and there is no difference between man and woman.
“But today is Women’s Day and this is our struggle. We do not want men to have any initiative in his event,” she said.
However, 51-year-old Mehmet Zeytin claimed that he was there “to protect women in the event area from any provocation outside.”
He said, “as it is Women’s Day today it is women’s right to have their own celebration,” while waiting just a couple steps outside the event area.
Speaking to the crowd during the rally, pro-Kurdish People’s Democracy Party deputy chair Pervin Buldan said: “Women are subjected to violence at home, at the workplace, in the streets and squares.
“Everybody should know very well that we are not anyone’s daughter, sister, wife or honor,” Buldan said, adding: “We are women, we exist with our power, with our own identity.”
Referring to the ongoing peace talks between the Turkish government and the outlawed Kurdistan Workers’ Party, Buldan said that women would bring peace to Turkey.
Prime Minister Ahmet Davutoglu has also called on women all across the country to embrace the solution process, through which he said "no more cries of mothers will be heard."
In Kadikoy, another member of the March 8 platform, Zeynep Derya, read out a joint statement saying that women’s right to equal representation in all areas of life should be recognized.
According to information gathered from Turkish press reports by the Istanbul Human Rights Association, 28 women were killed and 38 women were injured by men in January while in February, 24 women were murdered and 17 were injured.
International Women’s Day was born after the labor movements’ activities in the U.S. and Europe at the beginning of twentieth century. 

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Read also:

International Women’s Day 2015: The shameful statistics that show why it is still important




Globally, about one in three women will be beaten or raped during their lifetime. About 44 per cent of all UK women have experienced either physical or sexual violence since they were 15-years-old. Britain ranks among the worst countries in Europe when it comes to women being violently abused.
On average, 30 per cent of women who have been in a relationship report that they have experienced some form of physical or sexual violence by their partner. One in four women will experience domestic violence in their lifetime.
In England, two people are killed every week by a former or current partner. Thirty-eight per cent of all murders of women worldwide are committed by a woman's intimate partner.
A UN report found 99.3 per cent of women and girls in Egypt had been subjected to sexual harassment.


Over 130 million women living in the world today have undergone Female Genital Mutilation, a non-medical practice involving the partial or total removal of the external female genitalia. The procedure is usually carried out without aesthetic.
As many as 24,000 girls are at risk of cutting in the UK. There were almost 500 new cases of FGM identified in English hospitals in November 2014.

Marriage

Around 15 million girls, some as young as eight years old, will be forced into marriage in 2015.
An estimated 1.2m children are trafficked into slavery each year; 80 per cent are girls.
Women in ten countries around the world are legally bound to obey their husbands. In March last year, the UK's only forced marriage and honour-based abuse helpline received a record number calls, stretching capacity so far that some were going unanswered.
Only 76 countries have legislation that specifically addresses domestic violence – and just 57 of them include sexual abuse.
A documentary filmed in India recently saw the rapist of a woman who was brutally gang raped and killed on a Delhi bus blame his victim for the appalling attack: "A girl is more responsible for rape than a boy."

Working rights

In the UK, the gender pay gap stands at 17.5 per cent, with women on average earning £5,000 less a year than their male colleagues.
Globally only a 24 per cent of senior management roles are now filled by women.
The Equalities and Human Rights Commission estimates it will take 70 years at the current rate of progress to see an equal number of female and male directors of FTSE 100 companies.
This hurts everyone. The gender gap in certain industries is even more apparent and damaging. Zemach Getahun estimates that closing the gender gap in agriculture could reduce the number of hungry people in the world by up to 17 per cent.
If the skills and qualifications of women who are currently out of work in the UK were fully utilised, the UK could deliver economic benefits of between £15 to £21 billion pounds per year – more than double the value of all our annual exports to China.
Gender discrimination doesn't stop there. Pregnant mothers face even more of challenge when they try and return to the work place, with one in ten of those in low paid work demoted to a more junior role.

This article appeared in its original form in The Independent in March 2014.


08/03/2015

Istanbul Day 7: the obvious. From Samatya to Sultanahmet



Sunday morning in Samatya

Saint George Armenian apostolic church, Sunday mass with Archibishop Aram:




Sunday (grey) afternoon in Sultanahmet:




View on the Hagia Sofia church / museum / mosque



And the Blue Mosque












07/03/2015

Music in Blue


People have different ideas of what they estimate is great music. But what is sure is that we wouldn't be human without it... I believe at least. I think great music is the one that moves you the most, that talks to you directly and brings meaning in a world full of nonsense and blurred values.

Friends have asked me why I listen to such melancholic music while reporting and travelling, as I already work on such gloomy topics (genocides, civil war, haunting ghosts of unspoken pasts...).

My favourite musician explained it perfectly in a interview:

"Everyone says we're dark, but I think our music's a safer place to be than pop music. Pop's fucking cold, mechanical and scary – that really terrifies me. I find most sad music warmer, because it's an outlet, isn't it? Emotional music is cathartic. Sad music is the true spirit of the people, melancholic music, whereas pop is just a transient thing to keep your mind off the shit"...


(In Rock's Backpages, 3rd February 2003: 3D talks to Stephen Dalton about war, melancholia and the duo's new 100th Window)


I could choose many songs to illustrate this feeling, yet today is one for this one, because it's "blue" (my favourite colour), you know?




"Bullet Boy" soundtrack, 2003

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More on the film:

Bullet Boy is a 2004 British drama film directed by Saul Dibb, written by Saul Dibb and Catherine Johnson, and stars Ashley Walters. The film’s original music was composed and performed by Robert Del Naja of Massive Attack, who released it as an album. The film is about a family in crime ridden east London, the eldest son’s involvement in gun crime, and the effects of this on his younger brother. Filming took place in the summer of 2003.


Music: Armenian band from Istanbul Vomank on stage at Araf


 Great evening yesterday at Araf, sponsored by DurDe, an organisation fighting against racism in Turkey.

Playing was Armenian band from Istanbul Vomank on stage at the Araf concert venue, Balo Sk, near Istiklal, Beyoglu :



Photos by Benjamin Bechet


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More on Durde:

Page of Say Stop to Racism and Nationalism (DurDe), which is an antiracist platform combating racism, nationalism, hate crimes and antisemitism:
https://www.facebook.com/durde.international/info?tab=page_info

Website:
http://www.durde.org/english/



06/03/2015

Istanbul - Day 5 at Samatya


Beautiful weather today in Istanbul. It was the perfect day to have a walk in Samatya, old neighbourhood near the sea..



Samatya
 — Stop at Seyran Cafe & Restaurant and visit of the Saint George Church and its school :


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More soon.



Istanbul - Day 5: And tonight, some music!


Going to Araf club to listen to a young local band and more!
A great place for music according to the Guardian:



10 of the best clubs in Istanbul

Araf

Araf
 Photograph: ampersandyslexia on Flickrsome rights reserved. Photograph: Picasa 3.0
With its live in-house Gypsy band, cheap beer on tap, and location – just off the perpetually buzzing Nevizade Sokak – it's little wonder that Araf is a student favourite. It's perched at the top of a dilapidated BeyoÄŸlu building (it takes numerous flights of stairs to reach the bar) and its large windows look out over the run-down mansion houses of TarlabaÅŸi. Expect throngs of local and international students dancing to authentic Gypsy sounds, while the DJs play reggae, funk, soul and rock'n'roll. Thursday night has dependable music; celebrated Roma clarinettist Selim Sesler plays on Tuesdays. Avoid the madness of the weekend, when the DJ plays more generic tracks and the club swells to two floors.
 HüseyinaÄŸa Mahallesi, Balo Sokak 32, BeyoÄŸlu, +90 212 244 8301, araf.com.tr
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On Araf's website: 


Getting its name from the imaginary land between Heaven and Hell, on real a land between East and West, Araf has been one of the most popular clubs of Istanbul for five years. The cosy atmosphere, live performances, the music choices that appreciate the fortune of alternative world music might be the reason for creating a bunch of regular costumers who ask for the 'regular' each night. People comes from all around the world meet at Araf. Because neither Heaven nor Hell, we are all in Araf!.

Kirkor SahakoÄŸlu -"Eksik" ("Absent") exhibition in Istanbul Gallery DEPO



Kirkor SahakoÄŸlu - Absent

A glimpse into tonight's opening at Depo Gallery in Istanbul:









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"Eksik" (Absent) is an homage to those missing in every Armenian home... where "you feel an absence even at the happiest table": 




My favourite painting:






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Left, the artist:




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Lovely evening. Thank you everyone!


05/03/2015

Tonight in Istanbul: Kirkor SahakoÄŸlu - "Absent" Exhibition opening at Depo




Upcoming Exhibition: Kirkor SahakoÄŸlu - Absent
  • Opening: Thursday 5 March, 18:30
  • Dates: 5 March 2015 - 29 March 2015


Absent

Kirkor SahakoÄŸlu

6 - 29 March 2015
Opening: Thursday 5 March, 18:30

Depo hosts Kirkor SahakoÄŸlu's exhibition titled "Absent" comprised of 39 paintings and one video. SahakoÄŸlu's works are manifestations of a surprising rush of emotions, a profound anguish of the soul... Paintings of "Absent", created through improvisation with intense and free brushstrokes, bear the tokens of a soot-black reticence and a bleeding void. Coalescing with these paintings the video presents a disquieting reality, a harsh insurgence that questions life and death.
SahakoÄŸlu notes that in "Absent" he expresses a state of being left wanting, a loss not duly lamented, a sorrow passed on from one generation to the next: "These paintings are a bond that I established with the ones I have lost. This is why they do not each have a separate name. If they did, they would probably be called Artin, Agop, Sarkis, YeranuÅŸ, Hripsime, BoÄŸos. But for me the name of all of these paintings is Absent. Yes, this century is the story of an absence, of being left wanting. And even the stirrings of those who persist to exist despite these."

Born in İstanbul, Kirkor Sahakoğlu attended Getronagan High School, after which he graduated from the School of National Applied Fine Arts Advertising Graphics Department. Later he received his master's degree at Istituto Europeo Di Design in Milan. He also studied at Domus Academy and participated in workshops. As of 1985 Sahakoğlu worked as art director and creative director in prominent advertising agencies of Turkey, and later founded his own agency. He assisted numerous institutions and products in their branding processes. Recipient of innumerable Crystal Apple awards of the Association of Advertising Agencies, since 2010 Sahakoğlu has been working freelance, as well as teaching undergraduate and graduate students at Marmara University Faculty of Fine Arts. Sahakoğlu also organizes seminars and workshops in various universities.

Address: DEPO / Tütün Deposu Lüleci Hendek Caddesi No.12 
Tophane 34425 İstanbul 


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Past exhibition:


Exhibition: Helen Sheehan - Armenian Family Stories and Lost Landscapes
This is Irish photographer Helen Sheehan's second exhibition in Turkey. In May 2014 she showed her projected photographic sound pieces inside the restored Armenian church of St. Giragos in Diyarbakır with the organization of Diyarbakır Sanat Merkezi and as part of the Second Photography Days held by DIFAK. Sheehan's interest in Armenia and its diaspora was triggered by working as a teacher in the Mechitarist Seminary school on the Armenian Island of St. Lazzaro in Venice in the 1990s. However this interest was re-awakened again in 2009 when she decided to narrate stories of Armenians in diaspora, both in Paris and London, where she was able to forge relationships with descendants of the exiles. By sheer co-incidence most of the families could trace their ancestors back to the Eastern Anatolian city of Diyarbakır, known to them as Digranagerd. Others have connections to Marash, Zeytun and Van region. Sheehan tries to connect with their lost landscape and also attempts to engage with the people now living in these places and how they have transformed them into their own spaces.

Sheehan's background is a fusion of photojournalist and fine art sensibilities which were forged in the context of attending Art college in the Republic of Ireland in the 1980s. For two decades she has returned again and again to diaspora narratives and in particular to the experience of being forcibly displaced. In the 1990s she photographed the break up of three formally multi-ethnic towns and cities in the Former Yugoslavia - Sarajevo, Vukovar and Mostar. This forged her commitment to human rights issues and she has exhibited with Amnesty International in Slovenia, Dublin and London. Other work includes commissions from Elle Magazine, The Independent, London and radio work for the BBC World Service.