I really loved this film: it is very emotional and inspirational, without ignoring the hardship and the final nail in the coffin from the city council. Interesting talk afterwards, a lot more to be said.
The documentary film 'The Republic' retraces some of the conflict between developers and communities in Stokes Croft and St Paul's, in Bristol, UK, over the past 40 years.
It was being shown at The Watershed yesterday, on 18th August, followed by an interesting Q&A with local actors on this scene including Chris Chalkley, founder of the People's Republic of Stokes Croft (known here as the PRSC), about the shaping of cities.
Directed by Quincy Andrews, with cinematography by Leo Plunkett, the film is about gentrification and the ongoing struggle against it, about developers and about weak politicians, but it is mostly about community and just protests.
-
This part of Bristol means a lot to me too. I arrived in town by the Bear Pit myself in the dark in February 2015 to write about the city's graffiti and music scene, looking for my room in Stokes Croft for the first week... And I was immediately hooked. The Ursa Bear, the raw energy of the place and the multilayered history of the neighbourhood St Paul's was what I didn't know I needed all these years...
Stokes Croft is actually firstly a street, part of St Paul's, starting above the Beat Pit (real name: St James Barton roundabout), crossing Jamaica Street, City Road, Hepburn Road, and up to Ashley Road and Cheltenham Road.
From the 1950's, St Paul's became the home of a growing number of immigrant workers, with a strong Jamaican community. They helped in reconstruction after WWII, they joined the hospitality and hospital jobs, they worked as drivers, factory workers, builders... They were part of what is nationally known as the Windrush generation.
In Bristol, the community grew and stayed close in the 1960s and 1970s, and the area also became known for its blues parties, where music lovers would put on reggae, lovers' rock and soul music. Out of that trend were born amazing night and music clubs, then St Paul's Carnival from 1968, and later on some proto-hip hop producers, then one of the most known collective today, The Wild Bunch.
A cultural explosion then occurred, giving us what is sometimes called The Bristol Sound, a strong graffiti scene and later in the 1990s, Banksy.
Banksy left Bristol for London in 1999 and left a mural on the wall of Hamilton House, The Mild Mild West, which is still iconic and has generated deep conversations among artists, locals and art lovers...
-
I wrote a lot about that part of Bristol's history. The on the explosion of street art over the past 40 years.
But the film mostly followed what happened 10 years later, from 2007/8 and especially in 2011: the infamous 'Tesco Riots'. And it shows how this independently minded multicultural neighbourhood faced a push from big corporate companies and a wave of gentrification.
Producers wrote: "The Republic" documents the story of Stokes Croft, portraying a diverse community that dares to defy the cold winds of corporate power and globalisation. But their greatest challenge looms as developers target this quarter and ready their wrecking balls.
Filmed over six years, with access to twenty years of personal archives, this compelling story of our times recounts the fight by locals to retain some control over their destiny in an increasingly monocultural world.
Chris Chalkley founded the People’s Republic of Stokes Croft as an arts-based initiative looking to stake a claim to takeover the main street and fill it with street art., but things didn't really go as planned...
-
When I came to Bristol, the PRSC and the Bear Pit as imagined by Chalkley were still operating in full mode. Now, they are not.
-
I'm so happy I bought the ticket early for this screening, as it was fully booked soon after and a packed event.
I think this film shows that part of Bristol's history as a very relatable case study for the whole of Europe. It should be seen widely.
It will be screened again in Bristol, notably at the PRSC.
Good luck to the filmmaker for the journey.



