29/02/2020

My homage to Tokyo's biggest fan of Bristol Music


I wrote this piece after the passing of Naoki Iijima, mid-February, and after talking to most of the Bristol musicians who befriended him in Tokyo over the years, building a bridge between the tow cities, countries, continents... For the love of music and underground cultures.

Published on Public Pressure:  https://www.publicpressure.org/farewell-to-naoki-the-man-who-brought-the-bristol-sound-to-japan/


When I first came to Bristol to start writing about the music scene, in February 2015, I knew the city had made an international name for itself. What I discovered quickly though, going through the bands’ archives and memorabilia, was that one city, in particular, had a strong love for the Bristol Sound: Tokyo.

The love was reciprocal. And one of the most special of all the Bristol lovers in Japan was the record shop owner, writer and DJ Naoki Iijima, of Disc Shop Zero in Tokyo. Unfortunately, after becoming suddenly extremely ill in November, Naoki, 48, passed away on 11 February this year. 
Now, musicians from Bristol, including Smith & Mighty, Rider Shafique, Andy Jenks, Guy Calhoun, Mark Stewart, Kahn and Neek from the Young Echo Crew, and many more, are raising funds to honour this extraordinary man, who helped music from Bristol arrive in Japan and help his wife Miwako save the shop.
From 1985, the band Chaos UK went to Japan for gigs; and in the mid-1980s the DJ Miles Johnson, of the Wild Bunch fame, had a keen interest for the city and organised a series of events for the collective in 1986. 
“I went to Tokyo for the first time in 1985! I was one of the first ones from Bristol to go! Wild Bunch was after us (laugh),” Gabba, from Chaos UK, told me at a fundraising event at Trinity earlier in February. “I went with my punk band Chaos UK to play there. A lot of people would come to our gigs constantly. Just the very first time, we played to about one or two thousand people. Then we became part of the furniture there! We always have a great crowd there. I met Naoki in Tokyo, then when he visited here. He’s always been so good to the Bristol people; in his shop, he had records and even sold some old issues of Venue magazine!”
Photo: Bristol Evening Post archives
Naoki Iijima started collecting records from the Bristol music scene in the 80s and wrote about it as a music journalist, and organised music nights with local artists. Becoming a sort of “Fat Paul” of Tokyo… And in 1993, he opened his Disc Shop Zero, which over the years became the biggest archive centre of music from Bristol outside of the UK. He visited the city for the first time in 1994. In 1998, he and his wife even travelled to Bristol for their honeymoon and saw one of the favourite bands, The Moonflowers, at the Thekla. Later on, dubstep crews like Dubkasm – Digistep and DJ Stryda – regularly went to Tokyo for parties and events.
“Naoki was an amiable guy, such a fan of Bristol,” Ray Mighty, from Smith and Mighty, told me. “When I went to Tokyo, I met all his family, so every time I go to Japan, or when he came over to Bristol, I met him and his family at one point. In Tokyo, he and his family always took time to take us out for a meal. What I remember from the shop is this weird feeling: being in the middle of Japan, and seeing all the records from Bristol, all sort of music, not only hip hop, really everything, from punk to all sort of genres, it’s amazing.” 
Andy Jenks, from Alpha and The Flies, also went to his record store regularly over the past two decades. “I remember the first time I went to Naoki’s shop, with Rob Smith and Mad Professor. I was there with my band Alpha, promoting an album released by a Japanese label called Toy Factory. We did a little DJ tour and went to a few festivals around Japan. We were in Tokyo and did a few interviews, and then we went to Naoki’s shop to take some photos. It is an amazing place, just like a treasure trove of good music and all Bristol music, finding records we didn’t even know existed! It’s one of the best record shops I’ve ever been to. We also saw him when he came to Bristol and took him to our studio in Christchurch and to the Attic Bar, only a few years ago. Naoki’s passion and his knowledge of bass music were infectious.” 
Alpha visits Disc Zero Shop
Disc Shop Zero has its walls covered with posters from the Bristol bands, like More Rockers, Flynn & Flora, Massive Attack, and copies of Banksy’s art. But the shop also always had its pulse on Bristol’s new music and the underground scene. That’s how it started, Naoki and his wife Miwako collecting records from punk bands and early hip hop crews, later on discovering like Young Echo and Dub From Atlantis in the 2010s.
Kahn, from Young Echo, aka Joe McGann remembers: “I’ve been to Tokyo once, in 2015, only once for now but I would love to go back. I remember it was really busy; I went there touring with Neek, and we had a lot of dates. We stayed at Naoki’s house in Tokyo, and he was so welcoming. I had met him in 2011 or 12 when he was in Bristol, and he used to come to London to see Young Echo play, in Shoreditch; that was a really great night with him. 
Naoki has always been so supportive everything Young Echo has been involved in and every artist from Bristol, especially all the culture around dub and grime music. He just loved Bristol and tuned in to our shows online, so we always gave him a shout out. He was just such a great person.” 
Photo: BSO by KōLAB Studios
In 2015, Naoki also co-founded the label BS0, which was dedicated to “the spirit of Bristolians and music from Bristol”.
Now his Bristol friends have set up a Facebook page, to raise funds for Naoki, supported by the Save Bristol Nightlife campaign. 
“We are so sad that everything happened so quickly and we couldn’t get there in time to give you our message of love and blessings,” the page wrote on their wall on 11 February, “but we know you feel the love and that you will rest in blessed peace. You were someone very special, and we love you and thank you for your friendship and dedication to the music. Nobody knows and understands our music like you. We send love and sympathy to all Naoki’s friends and family and especially the girls and his beloved wife, Miwako.” 
A special tribute compilation of music by Bristol-based artists Naoki championed during his lifetime is in the making, with all the proceeds from the record going directly to his family.

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27/02/2020

Massive Attack tour schedule for 2020


Update on 3 April 2020: this tour will have to be entirely rescheduled, due to the current events and health crisis.


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A message from, you know, Massive Attack:

link to website: https://www.massiveattack.co.uk



In light of the Climate Emergency, the Massive Attack tour schedule for 2020 has now been redesigned and reduced. 
Science tells us that if global warming emissions peak in 2020, every country and every sector must reduce emissions by around 15% each year (through to 2040) if we are to then limit planetary warming to the critical 1.5°C figure.
Mezzanine XXI in Glasgow, Scotland, in January 2019 - photo by myself
In this context, and in advance of the comprehensive report into decarbonisation and smart touring we’ve commissioned from Tyndall Centre Climate Scientists, we’ve also decided to take immediate steps to reduce any high-carbon activities generated by the band - aviation being the key area where those emissions are generated.
In real terms, our 2020 tour cycle will achieve an immediate 31% (tour-by-tour) reduction in our use of aviation.
This reduction will be achieved by switching transportation of band, crew and equipment to rail wherever physically possible, and by curtailing tour cycles. Unfortunately, this does mean taking the tough decision to decline multiple show offers in North America and Australia.
The immediate 31% reduction in the most carbon intensive band activity will sit alongside the first ever super-low carbon live show, where working with Liverpool City Council we will achieve unprecedented reductions in the emissions generated by audience travel – the highest offending area of carbon emissions for any large live music event - at an event powered entirely by 100% renewable energy.
The combination of the Liverpool show model, and the roadmap generated by our wider collaboration with Tyndall Centre Climate Scientists will then form the framework for all Massive Attacks tours going forward, allowing us to achieve greater and faster emissions reductions year on year.
Massive Attack will continue to explore & incorporate innovations to eradicate or greatly reduce any negative carbon impact from our shows, and contribute to the systemic change of our sector overall.

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To complement, Robert's column in the Guardian:

We’ve toured the world for years. To help save the planet we’ll have to change


Among these dates:
Massive Attack announce playing Rock en Seine Festival on Paris - in late August.
Complete list:

26/02/2020

UK: Durham Coal Mine Blockade


Miners and former miners joined this protest in North East England to protest against opening, expanding or reopening mines!

People are more and more away of the need to decarbonise electricity production!


Durham Coal Mine Blockade | Extinction Rebellion on BBC Politics Live 





Broadcast on 26 February 2020. 26th – 28th February, Extinction Rebellion UK will be joining forces with local campaigners to hold a three-day mass action at the Bradley open-cast coal mine site in County Durham. Press release here: https://rebellion.earth/2020/02/25/th... Join the Rebellion: https://Rebellion.Earth/ International: https://Rebellion.Global/ 1. #TellTheTruth 2. #ActNow 3. #BeyondPolitics World Map of Extinction Rebellion Groups: https://Rebellion.Global/branches/ Twitter: https://twitter.com/ExtinctionR Facebook: https://www.facebook.com/ExtinctionRe... Instagram: https://www.instagram.com/ExtinctionR...


25/02/2020

Bristol Youth Strike 4 Climate // 28 Feb. 2020



A youth protest is scheduled in Bristol on Friday 28 February, starting at 11am on on College Green. 


The protest organised by Bristol Youth Strike 4 Climate, which published details on travels their website:

https://www.getasnap.com/college-green-bristol-44-college-green-bristol-bs1/bristol-youth-strike-4-climate-with-greta-thunberg/event/e6436cd9-da61-48a0-a7a0-3c5d4758ad3c

Journeys only run if enough people want them - holding down carbon impact. Once you've booked, share with others to ensure enough demand. 
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Activists will come from different places, including Sweden, in the case of young Greta Thunberg, 17, who gained fame after starting a school strike in 2018 in front of the Swedish Parliament.  
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Bristol was awarded the title of European Green Capital in 2015, when I first came here, and reported about these issues:
For RFI: Bristol European Green Capital 2015 series 
In 2018, the city became the first UK authority to declare a “climate emergency”, with the council unanimously backing a commitment to be carbon neutral by 2030, and last month, Bristol's city council declared an ecological emergency because of the local decline of many birds, insects and some mammals. 
By contrast, the British government has only committed to net zero carbon emissions in the UK by 2050. 
Yet, few concrete actions have been taken by the public authorities in Bristol and the region. So activists, including Bristol Youth Strike 4 Climate and Extinction Rebellion, are still leading the fight on these issues. 
I posted about them here: 
and here:
A lot of Bristolians, including artists like Robert Del Naja, have supported these actions, marches, protests and movements.
The band Massive Attack are actually working with the Tyndall Centre For Climate Change Research to help improve the research on the music industry's carbon emissions, using their next tour to test out different methods and ways of making a show as environmentally friendly as possible.  
The band also recently opposed the extension of Bristol Airport, a project that has finally been voted against earlier in February by the North Somerset Council after a long series of consultations. 


24/02/2020

New Book Review


This book came out a year ago...
With the minimal promo. But it's still getting so much heartwarming feedback!
I received a message from Quite, Ecuador, in Latin America, from a reader who ordered three books, and this new review came up on Amazon.

(I still recommend to find it in a proper bookshop though!)

Thanks Ian!

Massive Attack: Out of The Comfort Zone 

new review on Amazon


Thought this was an excellent read. It is well researched, knew many of the names and locations from my own youth (largely spent at the Dugout) and the descriptions were accurate and authentic. It was interesting to read how the band developed, especially around the art, politics and meaning of the lyrics.



For more on the book, read here:


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Melissa Chemam is a freelance journalist, associate lecturer in journalism at UWE Bristol and author of the book Massive Attack - Out of the Comfort Zone (2019). She has reported on migrations issues in East/Central Africa and Western Europe for the BBC World Service and other international broadcasters for many years.
We met through her book really, I arranged a phone interview with her because the subject looked amazing, a subject that has never really been written about before. The interview turned into a lovely conversation leading to a friendship and I'm honoured to have her contributing to Phacemag.  

Dora Maar exhibition at the Tate Modern: My review


My latest review on the Dora Maar exhibition at the Tate Modern, London, a highlight of French Surrealism and a powerful female artist who used photography, painting and inspired many other artists inside the movement - for the website thisistomorrow:






thisistomorrow
Contemporary Art Magazine


Tate Modern, Bankside, London SE1 9TG



Dora Maar

Tate Modern

20 November 2019 - 15 March 2020

Review by Melissa Chemam

Art made by women is gaining the space it deserves in international museums and galleries. Tate Modern receiving this Dora Maar exhibition is a high point in this attempt to unearth treasures from some of the world’s greatest artists, until now too often overshadowed by art history. It also stands as a mesmerising voyage across artistic periods of the 20th century.
This exhibition has been long anticipated and is the largest retrospective of Surrealist artist Dora Maar ever held in the UK, after a first showing at the Centre Pompidou in Paris in summer 2019. Known for her intense relationship with Pablo Picasso, having inspired some of his most famous colourful cubist portraits including ‘The Weeping Woman’, Henriette Theodora Markovitch (daughter of Croatian architect Joseph Markovitch, 1874–1969 who took his family to Argentina in 1910) was a talented photographer, painter, experimenter and an early activist, close to the Surrealists’ circle. One of her closest friends was the artist Nusch Eluard, married to the celebrated French poet Paul, author of the poem ‘Liberty’ among many other unforgettable texts of the deeply troubled 1930s and 40s. Dora Maar, which became her pseudonym after her first years working as an acclaimed fashion and advertisement photographer in Paris, produced some of her first strong personal work by photographing Nusch and experimenting with superimposition and collage, as seen in the second room of the exhibition. 
Tate Modern here highlights how vast, rich and varied Maar’s work was, over five decades, in striking curatorial choices. It powerfully repairs an injustice in the history of art. Moving chronologically from her first photographs to her experimental return to the dark room, the exhibition displays different phases of a sublime career, kick-started in an iconic place and time: Paris in the 1930s within the Surrealist movement. 
Maar’s first provocative photomontages naturally stand out, from her self-portraits to her pioneering advertising photographs. Her eye for the unusual becomes prominent in her next steps, when she embraced street photography in like Paris’ outskirts, war-torn Barcelona and impoverished parts of London. The fourth and fifth rooms are dedicated to Maar’s love for the “everyday strange” and plunge into Surrealism, at a time where her political consciousness grew deeply. Like most of the Surrealists she chose to focus her art on the subconscious power of the mind and its visual representation, through poetic montages and collages - of shells and hands, legs and city views, most of them untitled but inspired by theories on dreams and the unconscious. 
Arriving in the room that explores her connections to Picasso, it is evident how much Maar’s work influenced Picasso as much as he influenced her, if not more so. Documenting the evolution of Picasso’s sketches for ‘Guernica’ in 1937, Maar directly inspired ideas for the composition of what became his first political piece. The last rooms focus on Maar’s painting and her late return to photography, through experimental manipulation of images away from the camera and the outside world, inside her own rich mind. The strength of her body of work and the scale of her career and its influence is undoubted. 
One wonders how many other female artists remain in the shadows of history, a place designated not only by art historians and curators but by their male peers also.
Published on 



23/02/2020

Tricky - in The Phacemag.com


I've met for the 3rd time with Knowle West boy Tricky, a few months ago, here in our beloved Bristol, and that interview was published in France in the brilliant music magazine Tsugi.

I promised myself to write something in English about the man when his next release was about to come. There it is: new EP out on March 6. Latest track linked in this article. 

For all the Tricky fans - link here:
https://www.phacemag.com/82038203tricky-talks-to-melissa-chemam-on-the-release-of-his-much-acclaimed-autobiography-hell-is-around-the-corner.html?fbclid=IwAR1ax1ISJhw6dkaHIJRE9IL4mJvuTR5oIl24JbvtaZykiFNWWTtQcE8NEgI





​Tricky


Tricky is one of the legends of the 1990s British music scene, pioneer in experimentations and in breaking down boundaries. He is back with a new EP baptised '20,20', out on 6 March 2020‘Lonely Dancer’, recorded with the female singer Anika, who collaborated with Geoff Barrow of Portishead’s fame in Bristol in 2010, is the first song to be released.

Stream & download ‘Lonely Dancer’, featuring Anika, and
 pre-order the EP here
Melissa Chemam, journalist & author of the best selling 'Massive Attack Out Of The Comfort Zone',  met with Tricky a few weeks ago in his hometown of Bristol for the release of his highly acclaimed autobiography : 'Hell Is Around the Corner'Read their incredibly enlightening conversation below.  ​Best pp 

Tricky
talks to
Melissa Chemam

How the hell did I get where I am?’ This question repeatedly comes back in this book retelling Adrian Thaws’ life, more known under his nickname: Tricky. He’s one of the rappers/producers who changed the sound of British music in the mid-1990s, along with his mates from Bristol, Massive Attack, Smith & Mighty, Roni Size, Alpha and Portishead. Since his first album, Maxinquaye, nominated for a Mercury Prize in 1995, he has released 12 others LP, as set up his own label, False Idols, and put out countless EPs. 

The latest is due out in early March, and will be followed by a European tour in the spring, a great occasion to look back at Tricky’s amazing journey, representative on the UK’s brilliant diversity.
His recent biography is a thrilling look at his troubled youth in an impoverished area of Bristol, Knowle West, at his incredible rise to fame, and the making of his ever-evolving groundbreaking sound. After writing a book about the Bristol scene, Out of the Comfort Zone, released in March 2019, for which I met Tricky in Paris twice, I sat with him again, this time in his hometown the day before the book release. He was then finishing the EP coming out next week.

What sparked the desire to write your autobiography?

Somebody asked me if I wanted to do a biography and I said yes. I gave an interview to the co-author and he transcribed it. I didn’t even read it once finished! It’s weird to read about your own life…

Reading through this text, it’s obvious we recognise your voice, your drive, your personality… Did you feel like sharing more about yourself with your fans or that you had to set some records straight? 

No, nothing like that, there was no big concept behind doing this book. I was not trying to look back on my life. I didn’t think of the process; I was asked to do it and said yes, it’s as simple as that.  

Everyone states that you had an incredible life… But you don’t see it this way, how so?

People tell me all the time that I had an outstanding life and a difficult childhood, but to me it was all very normal. I had a happy childhood. I loved my family; I had a good time in Knowle West, South Bristol, where I grew up. I lived with my grandmother and on the other side of the road lived her own mother. Not everybody gets to know their own great-grandmother! A social worker once said to me that, to her views, I had an ‘unstable’ childhood, losing my mum so young, living with my aunt then my grandma, etc. But to me it was totally normal. 

Wasn’t it also abnormally violent?

Violence was also normal to me. Because we were a poor neighbourhood and tough times in though places make tough people. I was never a violent person myself, but I lived around tough men and women. Most of my uncles were in prison regularly. It was simply a low-income area. 

Did music save your life?

I went into music for fun, it was never a business for me, or a plan. It was always a relaxing thing for me, without any pressure. I never felt I had to have success; I just did. I never felt the need to go on big tour and to headline festivals. My Knowle West vibe again, I just wanted to do things my own way. I’m not a criminal socially, but I am mentally, in a way.
 
Some of the most fascinating elements of your productions are your collaborations, with Massive Attack, Martina Topley-Bird, PJ Harvey, Björk, Alanis Morissette, etc. Do you prefer working with others?

I love working with other people, yes. Sometimes comes somebody you meet and a few days later you hear them singing your words, that’s beautiful. Going to the studio with another artist is always interesting. Most of the time for me everything goes really fast. I meet someone I want to work with and invite them in the studio. I like that feeling of being uncomfortable there because you hardly know each other, there is a nervous energy. It can work or not but that’s the challenge. Creativity can come from that confrontation. 
ou were discovered first on Massive Attack’s first album, Blue Lines, how do you see this experience 30 years later? 

The first track I did with them was ‘Daydreaming’. I was so young at the time, I had no clue of how to release a track alone. And D (3D – aka Robert Del Naja) was my mate; we were always together in the clubs, in the same underground scene, from the Wild Bunch years. I was not at all interested in keeping a track for myself. I still hear people telling me how much they love it.

Then you worked on their second album, Protection, before going solo, and years later you worked with 3D again; he wrote ‘Take It There’ to sing with you and contacted you, did you accept right away after all these years? 

I did, and he came to Paris where I lived in 2011. He said that the song had my vibe, that it’d be great to have me on it. But then he worked on it again and again and it only came out something like five years later!

Your music is a constant search for Maxine Quaye, your mother who died when you were 4 years old. In the book, you say that hadn’t she been taken away from you, you would never have become who you are… does it still feel true? 

All my albums are a search for her. Most of my lyrics are from her, I believe. It’s a woman’s writing. She was writing poetry when she was young but she would never have been published at the time. So I did it for her through my music and my words. Sometimes I feel like it’s almost like she died for me…
What’s next for you musically?

A new album! It doesn’t have a name yet but should come out in September 2020. There will be a couple of other EPs before then, and some release for my label, False Idols, I love releasing other artists.

You’ve travelled the world, lived in a lot of places, in New York, LA, Paris, Moscow, Berlin, what does Bristol represent to you?

I used to find it hard to come back but now I really like it. I’m spending Christmas here for instance, and I really feel it’s my city. I see family, and friends, I go to the same pubs as I was young and sometimes I run into guys I used to see there 30 years ago.

You also changed the city, you and Massive Attack, you open the door to so much possibility in the music and art scene, are you aware of it?

With music, yes probably, but it’s time to forget it! We need something new. Because of that nostalgia, younger artists don’t get played enough. Like Khan and Young Echo, these artists are creating a new sound. They need to get recognition; we need to move on! 

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About Melissa Chemam

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Melissa Chemam is a freelance journalist, associate lecturer in journalism at UWE Bristol and author of the book Massive Attack - Out of the Comfort Zone (2019).
She has reported on migrations issues in East/Central Africa and Western Europe for the BBC World Service and other international broadcasters for many years.
We met through her book really, I arranged a phone interview with her because the subject looked amazing, a subject that has never really been written about before. The interview turned into a lovely conversation leading to a friendship and I'm honoured to have her contributing to Phacemag.  Best pp