21/09/2015

"Find Your Own Way Home"



Yanka's Song (Part II) - Massive Attack v Adam Curtis @ Park Avenue Armory, NYC 9/28/13 - Finale:






Liz Fraser, ‘Yanka’s Song’ with Adam Curtis' message:

Outside our fragile cocoon, beyond the reach of the two dimensional ghosts, and the enchanted music of the dead, the future is also full of possibility. It is not predictable. You can make anything happen. You can change the world. Now find your own way home’. 

« En dehors de notre fragile cocon, au-delà de la portée des fantôme en deux dimensions et de la musique des morts, l’avenir est aussi plein de possibilités. Il n’est pas prévisible. Vous pouvez faire arriver les choses. Vous pouvez changer le monde. Maintenant, trouver votre propre chemin pour rentrer ».


20/09/2015

About the UK and Syria


Very much worth reading!
Highlights are from myself...



The four questions we need to answer before bombing Isis or Assad




The west’s failure has already fuelled Syria’s dirty war. Now it needs to address how we got here, the endgame, the legality and the global implications before it asks for permission to shoot

An RAF Reaper UAV (unmanned aerial vehicle). An RAF Reaper UAV
As early as November, parliament could be asked to authorise bombing in Syria. It will be a re-run of the 2013 debate with one important difference: this time we will be bombing the other side.
The UK’s national security body was said last week to have recoiled from a proposal to impose a no-fly zone against President Assad’s air force, using ships and cruise missiles. The government is reportedly “nervous” of any military action that might provoke an Iraq-style protest movement. Instead, we will be asked to authorise strikes against Isis, already the target of RAF bombing missions in Iraq. They are right to be nervous, because so is the British public. There is revulsion at the outcome of the Iraq and Afghanistan interventions; despair over the west’s inability to rebuild democracies in the dictatorships it invades.
For a major and historic military power, this is a situation close to paralysis. Its roots lie in the breakdown of the two alliance systems of which Britain is part. China and Russia prevent the UN security council from endorsing lawful military intervention to stop the massacre. And the US has lost its appetite for full-scale military intervention. At Westminster, there is the added complication that the opposition does not yet know its position.
But a decision is coming. Britain, as a permanent member of the UN security council, has not only the right but the duty to uphold international law, by force if necessary.
If you’re a pacifist, then it’s justifiable on moral grounds to say nothing can be done. If you are not, then the most valuable thing you can apply to the Syrian crisis is logic. As a public service journalist, I don’t get a voice on whether to bomb or not. But we all have a right to ask questions.
The first challenge is to understand what is happening. A democratic uprising became a civil war, got hijacked by Islamists, was abandoned by the west, and became a bargaining piece in a bigger standoff with Putin’s Russia. Yes, the US was trying to destabilise Syria before 2007, as the WikiLeaks cables show, but it was as unenthusiastic about the Syrian spring of 2011 as it was about the Arab spring in general. The Syrian uprising failed because Putin re-armed a military that was teetering, and because Iran’s proxy militia in Lebanon, Hezbollah, intervened in a crucial battle that helped defeat the moderate opposition. And because – again at crucial moments – Qatar and Saudia Arabia withheld aid from secular opposition forces in order to strengthen their own proxies. Though the US-backed Free Syrian Army is fighting Assad, major recent gains were made by the so-called Army of Conquest, backed by Turkey, Saudi Arabia and Qatar. In July, the latter actually attacked US-trained rebels inserted into their territory.
So, it’s a four-way civil war. In such a war any military action from outside will provoke a reaction, and a change in the balance of forces. The question those proposing to bomb Isis alone have to answer is: how will that help end the conflict in Syria? If Isis disappears from the map, who does the British government think will take its place? Three-quarters of civilian deaths have been attributed to Assad, not Isis. So is the attack on Isis to be used as a bargaining chip with Assad? Or as an implicit threat to him?
The next question is: what is the desired end result. From the US state department to Jeremy Corbyn’s office in Portcullis House, there is agreement that it will involve a diplomatic settlement including Russia and any western nations who have committed forces. It may lead to partition, or de-facto zones of control. And it must involve the destruction of Isis.
The US has become used to using Saudi Arabia, Qatar and Turkey as proxies in the region, as Russia has with Iran and Hezbollah. But the US nuclear deal with Iran has angered these regional players and strengthened their determination to have their own game plan for the Syrian opposition.
Before it commits to any conflict in Syria, parliament needs to ask what the involvement of these powers will be. For this is a war as dirty as the dirtiest moments of Iraq. The increasingly unhinged regime in Turkey has already used the cover of fighting Isis to bomb Kurdish positions in Iraq and is now at war with the Kurdish PKK inside Turkey itself. The Saudis and Kuwaitis have fuelled sectarianism throughout. Specifically, what promises will be made to Syria’s Kurds as to their position in a postwar carve-up?

The next question is legality. Since Isis has recruited British Muslims and targeted them against Britain, the legal case for proportionate military action will not be hard to make. But an attack on Syria would have to be justified under international humanitarian law. That means proving there is an overwhelming humanitarian need; that there is no alternative; and that the action is proportionate. This, I understand, is the argument that has been put to both frontbenches: that hitting Assad is the single most constructive thing you could do to end civilian deaths and stem the flow of refugees.
The final problem is geopolitical effectiveness. Given Russia has moved troops into Syria this month, and may be preparing to station fighter jets there, why does the British government think bombing Isis, or bombing Assad’s airbases at the same time, would bring Russia closer to a strategic deal? Proponents of intervention say it will, and that Putin will broker peace in Syria if he sees Assad’s freedom of action once again curtailed.
Right now, the public mood in Britain is split between “something must be done” and “nothing can be done”. We employ diplomats and national security advisers to think beyond this: but we have a right to detail, clarity and transparency.

Isis rules half of Iraq because the government the west installed there failed. It rules large parts of Syria because that state fell apart, and the west balked at the chance to fight Assad in 2013. In both Syria and Iraq, then, Isis took advantage of the west’s failure of strategy. Logic therefore dictates that what can beat Isis is not primarily bombs or drones but an effective regional strategy. That’s what I want to hear from the green benches on the day defence secretary Michael Fallon asks for permission to shoot.

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Link to the Guardian article:


ABOUT THE YOUNG KARL MARX


My next project will be a contribution to this exciting film!!!
Very much looking forward!

Raoul Peck is a brilliant and committed filmmaker whose films are each powerful and meaningful. And I'm really privileged to have worked with him from 2005, ten years ago, on the preparation of this very same project.

A few details below!


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THE YOUNG KARL MARX by Raoul Peck is now shooting.

Featuring August Diehl, Stefan Konarske, Vicky Krieps, Amy Wren, Olivier Gourmet, Alexander Scheer



Agat Films and Velvet Film (France) are teaming up with Rohfilm (Germany) and Artémis Productions (Belgium) to produce "The Young Karl Marx", penned by Raoul Peck and Pascal Bonitzer, and to be directed by Peck.

The feature film will star August Diehl as Karl Marx, and Alexander Fehling as Friedrich Engels.
Principal photography is scheduled to begin in July 2015.

Films Distribution will handle the international sales.

In France, Canal Plus, France Télévisions (France 3 Cinéma) and Diaphana (French distributor) back
the film. In Germany, the film is supported by the Medienboard Berlin-Brandenburg (MBB) et Mitteldeutsche Medienförderung (MDM) while Neue Visionen will release it.


"The young Karl Marx" tells the story of a great friendship between two brilliant and insolent young men and their turbulent youth, who will, for better or for worse, forever change the world. At 26, Karl Marx leads his wife, Jenny, into exile. In 1844, in Paris, they meet the young Friedrich Engels, the son of a textile factory owner, who has studied the terrible birth of the English proletariat

Together, between censorship and police raids, between riots and political power struggles, they will preside over the birth of the labour movement with the completion of the renowned Communist Manifesto to a backdrop of the 1848 rebellions.

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"Avoiding the habitual caricature of the old bearded revolutionary icon, this film is the coming of age of two young and daring intellectuals who will have an extraordinary impact on the world of the 20th Century and beyond." - Raoul Peck


Raoul Peck's latest feature film, "Murder in Pacot" is selected as part of this year Berlinale Panorama
Special, and will have its European Premiere on Tuesday 10 at 21:30 at Zoo Palast.

Previous Peck's films include: "Man by the Shore" (Competition, Cannes 1993), "Lumumba" (Directors' Fortnight, Cannes 2000), "Sometimes in April" for HBO with Idris Elba and Debra Winger (Competition, Berlinale 2005), "Moloch Tropical" (Toronto 2009, Berlinale 2010), "Fatal Assistance" (Berlinale and Hot Docs 2013) and "Murder in Pacot" (Toronto 2014, Berlinale 2015).

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Raoul Peck Set to Direct August Diehl in ‘Young Karl Marx’ (EXCLUSIVE)



August Diehl stars as Karl Marx

Haitian vet helmer Raoul Peck is on board to direct “The Young Karl Marx,” a period drama chronicling the turbulent youth and friendship between Karl Marx and Friedrich Engels.
The ambitious project has lured two German stars: August Diehl (“Night Train to Lisbon,” pictured above) for the role of Marx, and Alexander Fehling (“Inglorious Basterds”) for the role of  Engels.
Pic is being produced by Agat Films and Velvet Film in France, Rohfilm in Germany and Artemis Prods. in Belgium.
Films Distribution, Nicolas Brigaud-Robert and Francois Yon’s Paris-based arthouse company, has acquired international sales to the film.
Written by Peck and Pascal Bonitzer, “The Young Karl Marx” opens with 26-year old Marx who goes with his wife, Jenny, into exile, and depicts Marx’ encounter with Engels, the son of a textile factory owner, in 1844 Paris.
Set against the backdrop of the 1848 rebellions, which culminated in police raids and riots, the movie charts Marx and Engels’ journey to complete Communist Manifesto, which gave birth of the labor rights movement.
“Avoiding the habitual caricature of the old bearded revolutionary icon, this film is the coming of age of two young and daring intellectuals who will have an extraordinary impact on the world of the 20th century and beyond,” said Peck, whose latest “Murder in Pacot” will be playing in the Berlinale Panorama Special on Feb. 10.
“The Young Karl Marx” is backed by pay TV Canal Plus, pubcaster France Televisions (France 3 Cinema), as well as Germany’s Medienboard Berlin-Brandenburg (MBB) and Mitteldeutsche Medienforderung (MDM). Diaphana and Neue Visionen will release the movie is France and Germany, respectively.

'Just Like Honey'





Massive Attack V Adam Curtis - 'Just Like Honey', live @ Kraftzentrale, Duisburg, Germany. 31.08.2013










'Dream Baby Dream', Manchester Style




Extract from Massive Attack v Adam Curtis: 'Dream Baby Dream' (from Suicide) @ Manchester International Festival, Mayfield Station 4/7/13








Time lapse




Extract from Massive Attack versus Adam Curtis - live in NYC at the Park Avenue Armory, in October 2013

'Bela Lugosi's Dead' by Massive Attack





19/09/2015

Banksy's last party...




25th September 2015 
Pussy Riot, Kate Tempest, Leftfield, De La Soul

and DJ Premier
Plus anarcho-samba, cabaret and crap fireworks.
7pm – 1am. Tickets £30 available after 10am
Dress code – due to the amount of paparazzi staking out the park in recent weeks Banksy has requested people come masked-up so he can attend the event without being photographed.

Massive Attack are now unable to perform on Friday 25th due to technical complications. We apologise for any frustration and disappointment this event continues to cause.

Dismaland, Marine Parade, Weston-super-Mare, North Somerset BS23 1BE
11am – 11pm. Free for the under 5’s. £3 on the door (subject to availability), or visit the ticket page and book a time slot for guaranteed entry.



16/09/2015

Banksy's Dismaland, last ten days...


It took 15 minutes for all the tickets to get sold this morning, not even...


Tickets for 22nd, 23rd and 24th September are sold out.

plan

Dismaland, Marine Parade, Weston-super-Mare, North Somerset BS23 1BE
11am – 11pm. Free for the under 5’s. £3 on the door (subject to availability), or visit the ticket page and book a time slot for guaranteed entry.

Full line up for Friday 18th September (SOLD OUT) –
SAVAGESTHE POP GROUP (noise set)SLEAFORD MODS,DJs Geoff Barrow + Fat Paul. Admission from 7pm, park closes 1am.


THE POP GROUP PLAY AT BANKSY’S DISMALAND 9/18

The Pop Group plays at Dismaland 9/18


Post-punk band The Pop Group will be performing an exclusive noise set at Dismaland, the “bemusement park” created by notorious art-provocateur, Banksy and friends on Friday September 18 at 10:45PM. The Pop Group are part of a musical line-up that includes Sleaford Mods, Savages, and DJ set by Geoff Barrow and Fat Paul.
Erected surreptitiously in the deshabille British seaside resort of Weston-super-Mare, Dismaland became an immediate, worldwide media sensation described by the New York Times as “a satirical take on a theme park, and features work by about 60 artists – including Banksy, Damien Hirst and Jenny Holzer.”
The Pop Group released their first new studio album in 35 years, Citizen Zombie, earlier this year, produced by the much-acclaimed Paul Epworth (Lorde, FKA Twigs, Adele, etc.), a long-time fan of The Pop Group and features original members Mark Stewart (lyrics / vocals), Dan Catsis (bass), Gareth Sager (guitar) and Bruce Smith (drums). The release of the album was celebrated by The Pop Group’s first ever proper North American tour as part of a wider worldwide schedule which included Glastonbury Festival, and will go on to include Iceland Airwaves later this year.
The Pop Group formed in Bristol in 1977 out of a sense of disenchantment with the increasing conservatism of punk. Drawing on an eclectic range of influences from free jazz, conscious funk, heavyweight dub to avant-garde experimentalism, alongside contemporaries like Public Image Limited, This Heat and Throbbing Gristle, their politically-charged and socially conscious lyrics boasted intellectual influences including Wilhelm Reich, situationism, French romanticism and the beat poets.
In March of 1979 they debuted on Radar Records with single ‘She Is Beyond Good And Evil’. First album Y, produced by reggae titan Dennis Bovell, followed that April and was instantly hailed as a classic. Within 12 months they had set up their own Y label through Rough Trade and issued single ‘We Are All Prostitutes’, followed by their second album in March 1980. Drawing on a wide spectrum of influences ranging from Ornette Coleman, King Tubby and Funkadelic, to Debussy, Jacques Brel and Steve Reich, For How Much Longer Do We Tolerate Mass Murder? proved to be their final studio album, but the band did go on to share a 45 with the Slits, contributing the future-funk of ‘Where There’s A Will’.
The Pop Group released the archival We Are Time as a final statement before they imploded in 1980. Band members went on to other musical ventures including Rip, Rig & Panic and PiL, with Stewart pursuing both solo and collaborative projects.

15/09/2015

Peter Brook revient à Paris avec 'Battlefield'



Ce soir : théâtre !!



THÉÂTRE - du 15 septembre 2015 au 17 octobre 2015

Battlefield

D’après le Mahabharata et la pièce de Jean-Claude Carrière


Adaptation et mise en scène Peter Brook et Marie-Hélène Estienne 
 1 sur 4 -
© Simon Annand

Le Mahabharata n’est pas seulement un livre, ou une série de livres, c’est un champ immense, qui couvre tous les aspects de notre existence. On y trouve les questions essentielles qui concernent notre vie, des questions qui sont à la fois contemporaines et urgentes.

Le Mahabharata a été écrit il y a des milliers d’années, et pourtant il nous indique toujours, d’une manière inattendue, comment ouvrir nos yeux à ce que la réalité de nos vies demande.

La pièce commence à la fin de la guerre exterminatrice qui a décimé des millions de guerriers. Cette guerre est née d’un conflit familial – l’opposition acharnée des cent frères Kauravas, dirigés par leur frère ainé Duryodhana, contre leurs cinq cousins les Pandavas, dirigés par leur frère ainé Yudishtira.

Les cent frères sont morts. Yudishtira a gagné. Comment régner ? Comment trouver la paix quand le champ de bataille est jonché de tous ces morts ? Comment vivre le remords qui ne cesse de vous ronger ? C’est le destin de Yudishtira. Il devra l’accepter et y répondre.


Peter Brook et Marie-Hélène Estienne
D’après le Mahabharata et la pièce deJean-Claude Carrière
Adaptation et mise en scènePeter Brook et Marie-Hélène Estienne
MusiqueToshi Tsuchitori
CostumesOria Puppo
LumièresPhilippe Vialatte
AvecCarole Karemera
Jared McNeill

Ery Nzarambaet
Sean O’Callaghan
MusicienToshi Tsuchitori
Production C.I.C.T. - Théâtre des Bouffes du Nord
Coproduction Young Vic Theatre ; Les Théâtres de la ville de Luxembourg ; PARCO Co. Ltd / Tokyo ; Grotowski Institute ; Singapore Repertory Theater ; Théâtre de Liège ; C.I.R.T. et Attiki Cultural Society (à confirmer)



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11/09/2015

“Les Bosquets“: JR et Clichy-sous-Bois




JR 
"DECADE. Portrait d'une génération."
Sep 12 - Oct 17, 2015 
Galerie Perrotin Paris
76 rue de Turenne


JR

En 2014, invité par le New York City Ballet pour réaliser un projet artistique, il convainc un directeur de théâtre de monter une chorégraphie autour de l’histoire des Bosquets et des émeutes de 2005. Lil’ Buck, jeune danseur connu pour sa pratique du jookin, et la danseuse classique Laren Lovette, forment un duo incarnant l’ami réalisateur de JR Ladj Lyet et une journaliste, entourés d’un ballet de 42 personnes.


JR3




Aujourd’hui, cela fait bientôt 10 ans que les banlieues se sont embrasées. Cette chorégraphie est devenu l’élément central d’une fiction inspirée du réel et intitulée “Les Bosquets

Le film de 17 mn auto-produit par JR – sur une musique originale de Hans Zimmer, Woodkid, Pharrell Williams et Ben Wallfish – a été projeté en avant-première en France à l’Espace 93 à Clichy-sous-Bois le 10 septembre à 20h

Il y sera ensuite visible gratuitement et en continu tous les mercredis et vendredis du mois de septembre, de 17h à 20h. 

Il sera également présenté en boucle dans l’espace Saint-Claude de la Galerie Perrotin à partir du 12 septembre, pendant toute la durée de l’exposition. 

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