28/07/2016

'The Spoils'



BBC Radio 6 Music shares more on Massive Attack's new tracks:



Just Added - Jul 2016

Thursday 28 July, by Louise Mason Team Laverne
We’ve got the world exclusive first play of new Massive Attack for our Just Added playlist today. Snippets of two new tracks have been shared via the group’s Fantom app, described as a “sensory music player” designed to remix and reconfigure songs on each listen. We’ve stuck to the original for our Just Added though.

In January Massive Attack released the Ritual Spirit EP, which was written and produced by the band’s Robert del Naja and collaborator Euan Dickinson. Today Massive Attack release two brand new songs, 'The Spoils' and 'Come Near Me'. 

As with the Ritual Spirit EP, you can listen to your own versions of the tracks on the Group’s Fantom app which will adjust the song according to things like your location and movement. 

Both songs are written and produced by Massive Attack’s Daddy G and collaborator Stew Jackson and feature vocals from Hope Sandoval (on 'The Spoils') and Ghostpoet (on 'Come Near Me'). 

'Come Near Me' is accompanied by a video directed by Ed Morris and features Kosovan actress Arta Dobroshi. 

In July, Massive Attack headlined the first night of this year’s British Summer Time festival at London's Hyde Park. Massive Attack are performing live across Europe throughout the summer including on 3rd September with Primal Scream and Skepta at Bristol Downs.


Link to the website: http://www.bbc.co.uk/programmes/articles/43pjWml9LwlSQc1pH4V13g1/just-added-jul-2016


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The song, 'The Spoils', sung by Hope Sandoval, is simply gorgeous, wondrous!

The second song, 'Come Near Me', features irreplaceable Ghostpoet.

The E.P. will be out this Friday!


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You can also listen to the wondrous 'The Spoils' on YouTube:




Link:
https://www.youtube.com/watch?v=8r31DFrFs5A

'Karma Napoli'





Massive Attack - 'Karmacoma' - Live ft. Raiz - Napoli 2016






Published on 28 Jul 2016 by Antonio Barile:

Una rara performance live di 'Karmacoma' dei Massive Attack con Raiz degli Almamegretta a Napoli il 27/07/2016



Erykah Badu and Nas sing for 'The Land' movie


Listen to the song here:


Nas & Erykah Badu - 'This Bitter Land'

https://soundcloud.com/massappealrecs/nas-erykah-badu-this-bitter-land




And watch the trailer here:


The Land - Official Trailer I HD I IFC Films






Pre-order the album and get "This Bitter Land" as an instant download: theland.lnk.to/TheLandSoundtrackSo 

Mass Appeal Records is set to release the soundtrack for the Priority Pictures/IFC Films, The Land on July 29th in conjunction with the film’s release. The highly anticipated, coming-of-age film as well as the soundtrack has Nas on board as executive producer. The new song "This Bitter Land" features powerful performances from Erykah Badu and Nas over a lush and brooding orchestration from the composer of the film's score, Jongnic Bontemps.
The official track list for the soundtrack of The Land consists of 14 songs featuring a diverse array of artists including Nas, Erykah Badu, Kanye West, Pusha T, French Montana, Machine Gun Kelly, Jeremih, Dave East, Alina Baraz, Nosaj Thing, Ezzy and Jerreau.
Directed by Steven Caple Jr., the Sundance Film Festival favorite The Land stars Erykah Badu, Machine Gun Kelly, Michael K Williams (The Wire), Kim Coates (Sons of Anarchy) and more. The film follows a group of Cleveland teenagers who embark on a journey to achieve their dreams of becoming professional skateboarders.
Pre-order “The Land” soundtrack:
TheLand.lnk.to/TheLandSoundtrackSO

1. "Intro" - Nosaj Thing
2. "Paid" - Pusha T & Jeremih
3. "Dopeman" - Machine Gun Kelly
4. "Figure It Out" feat. Kanye West & Nas - French Montana
5. "Goodbye" - Ezzy
6. "Cisco's Theme" - Fashawn
7. "Frequency High" - Stalley
8. "Angels" - Nosaj Thing
9. "Never Been Told" feat. Machine Gun Kelly - Ezzy
10. "BAG" - Dave East
11. "Looking for Something" - Jerreau
12. "Fantasy" - Alina Baraz & Galimatias
13. "This Bitter Land" - Nas & Erykah Badu
14. "Outro" - Nosaj Thing


27/07/2016

Brand new track of Massive Attack: soon on BBC Radio 6 Music


BBC Radio 6 Music
2 hrs
In Nemone with Lauren at 10am: her "Just Added" track will be the world exclusive first play of brand new Massive Attack

Nemone sits in for Lauren Laverne and plays out the People's Playlist.
BBC.CO.UK


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Poetry of sound. Poetry of sight...



Thought of the day...


"As music is the poetry of sound, so is painting the poetry of sight". . .
James McNeill Whistler (1834 - 1903)




James Abbott McNeill Whistler
Nocturne: Blue and Silver - Chelsea 1871


Tate Britain

Summary

Painted in August 1871, this is the first of Whistler's Nocturnes. In these works Whistler aimed to convey a sense of the beauty and tranquility of the Thames by night. It was Frederick Leyland who first used the name 'nocturne' to describe Whistler's moonlit scenes. It aptly suggests the notion of a night scene, but with musical associations. The expression was quickly adopted by Whistler, who later explained,
By using the word 'nocturne' I wished to indicate an artistic interest alone, divesting the picture of any outside anecdotal interest which might have been otherwise attached to it. A nocturne is an arrangement of line, form and colour first' (quoted in Dorment and MacDonald, p.122). 
Returning from a trip by steamer to Westminster, Whistler was inspired, one evening in August 1871, by a view of the river 'in a glow of rare transparency an hour before sunset' (Anna Whistler, the artist's mother, in a letter to Julia and Kate Palmer, 3 Nov. 1871, quoted in Dorment and MacDonald, p.122). He immediately rushed to his studio and painted a sunset (Variations in Violet and Green, private collection) and this moonlit scene at one sitting. The picture is painted on panel, primed with dark grey paint, over which Whistler applied thin layers of pigment in order to create a contrasting sense of luminosity. The view is from Battersea looking across to Chelsea, and it is possible to make out features on the horizon, such as the tower of Chelsea Old Church on the right. In the foreground, a low barge and the figure of a fisherman are indicated with the minimum of detail, and the influence of Japanese art is evident in the restricted palette, the economy of line and the characteristic butterfly signature. 
This picture was exhibited, along with its pair, at the Dudley Gallery in November 1871. The critic for the Times revealed a rare appreciation of Whistler's Nocturnes, describing them as follows:
They are illustrations of the theory … that painting is so closely akin to music that the colours of the one may and should be used, like the ordered sounds of the other; that painting should not aim at expressing dramatic emotions, depicting incidents of history or recording facts of nature, but should be content with moulding our moods and stirring our imaginations, by subtle combinations of colour, through which all that painting has to say to us can be said, and beyond which painting has no valuable or true speech whatever' (The Times, 14 November 1871).
Further reading:Richard Dorment and Margaret F. MacDonald, James McNeill Whistler, exhibition catalogue, Tate Gallery, London 1994, pp.122-3, no.46, reproduced in colour p.123.
Andrew Wilton and Robert Upstone (eds), The Age of Rossetti, Burne-Jones & Watts: Symbolism in Britain 1860-1910, exhibition catalogue, Tate Gallery, London 1997, pp.206-7 no.79, reproduced in colour p.207.
Andrew McLaren Young, Margaret F. MacDonald, Robin Spencer with the assistance of Hamish Miles, The Paintings of James MacNeill Whistler, New Haven and London, 1980, no.
103, reproduced in colour plate 106.
Frances Fowle
December 2000




James Abbott McNeill Whistler
Nocturne: Blue and Gold - Old Battersea Bridge c.1872–5



26/07/2016

My 'Dear Friend'




'Dear Friend' - song by Paul McCartney 


Written by Paul in 1971... for John Lennon, they say...










Dear friend, what's the time?

Is this really the borderline?
Does it really mean so much to you?
Are you afraid or is it true?

Dear friend, throw the wine
I'm in love with a friend of mine
Really truly, young and newly wed
Are you a fool or is it true?
Are you afraid or is it true?

Dear friend, what's the time?
Is this really the borderline?
Does it really mean so much to you?
Are you afraid or is it true?

Dear friend, throw the wine
I'm in love with a friend of mine
Really truly, young and newly wed
Are you a fool or is it true?
Are you afraid or is it true?

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Songwriters

Paul McCartney; Linda McCartney



08/07/2016

En dehors de la zone de confort


There we go, we are ready now! The book will be released on October the 6th, 2016, in France, and I hope in 2017 in English...

Thanks a million to all the wonderful artists who agreed to be interviewed, in Bristol and beyond. See you soon in the West Country.

Pour les francophones, rendez-vous le 6 octobre dans toutes les bonnes librairies!

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En dehors de la zone de confort

Mélissa CHEMAM

Editions Anne Carrière




Copyright / crédit : Robert Del Naja


De Massive Attack à Banksy, l’histoire d’un groupe d’artistes, de leur ville, Bristol, et de leurs révolutions

Qu’ont en commun le Pont suspendu d’Isambart Brunel, l’acteur Cary Grant, le groupe Massive Attack, le plasticien Damian Hirst et l’artiste de rue Banksy ? Ils sont tous originaires de Bristol, une ville moyenne de l’ouest de l’Angleterre. Une ville marquée par une histoire riche et complexe, mais encore jamais racontée !

Marquée par une fortune précoce liée à l’ouverture de l’Angleterre vers l’Amérique, elle devient aussi un des points névralgiques du commerce triangulaire. C’est justement cette histoire qui va nourrir, de manière inédite et radicale, la génération d’artistes éclose à Bristol à partir de la fin des années 1970. Post-punk et reggae se rencontrent autour de groupes comme Black Roots, le Pop Group puis The Wild Bunch.

Tout prend forme lorsque qu’un jeune graffeur anglo-italien du nom de Robert Del Naja signe du pseudonyme de 3D sa première Å“uvre de rue sur un mur de la ville en 1983. Avant de fonder le groupe Massive Attack en 1988 avec les DJs Grantley Marshall et Andrew Vowles, il rencontrera sur sa route les pionniers du post-punk de Londres et Bristol, les passionnées de reggae antillais du quartier de Saint Pauls, puis la chanteuse Neneh Cherry et le rappeur Tricky. Creuset inattendu mêlant hip-hop, reggae, soul et guitares rebelles, le premier album de Massive Attack, Blue Lines, sort en 1991 et provoque une révolution dans la culture populaire britannique. Massive Attack devient l’incarnation du succès d’un métissage à la britannique, et parviendra à toujours se renouveler, tenter de nouvelles révolutions et durer au-delà de nombreux mouvements musicaux des années 1990 et 2000, telles la Brit Pop, l’electronica et le drum and bass.

Dans le sillage de cette créativité débridée mêlant musique, art et implication sociale profonde, naissent aussi les groupes Portishead et Roni Size, les mouvements nommés trip-hop et dubstep, et le génial Banksy, inspiré dès son plus jeune âge par les graffitis de Robert Del Naja. Depuis, la profondeur artistique de ces artistes et leur engagement n’ont fait que se renforcer, tout comme leur lien avec leur ville. Ce lien va devenir le tremplin qui les porte jusqu’à l’autre bout du monde, de l’Amérique à Gaza. Il pousse aussi très tôt Robert Del Naja à se mobiliser – contre la guerre d’Irak, pour les droits des Palestiniens ou plus récemment pour l’accueil des réfugiés jetés sur les routes européennes. Rébellion, art, musique, engagement, Bristol synthétise ainsi une autre histoire du Royaume-Uni. Une histoire qui amène au sommet des charts et sur le devant de la scène de parfaits autodidactes et la part plurielle et afro-antillaise de la culture britannique.

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L'auteur
Journaliste depuis 2004, passée par Paris, Prague, Miami, Londres, Nairobi et Bangui avant d’atterrir à Bristol, Mélissa Chemam est allée à la rencontre de tous les artistes de la ville anglaise, chez eux, et sur les routes qu’ils parcourent.

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Diffusion Interforum
ISBN : 978-2-8433-7809-6
Code barre : 9782843378096
Nombre de pages : 380
Parution : 6 octobre 2016



Lien vers le site de l'éditeur:

http://www.anne-carriere.fr/ouvrage_en-dehors-de-la-zone-de-confort-melissa-chemam-302.html


07/07/2016

Sir Chilcot's speech: Aftermath


Op Ed from The Guardian:



The Guardian view on the Chilcot report: a country ruined, trust shattered, a reputation trashed




The reputation of Tony Blair has never recovered from the disastrous invasion of Iraq. Now the long-awaited inquiry has hung an unforgiving verdict around his neck


As always in matters of military aggression, the humane perspective has to start with the victims. Since the US-led, UK-backed invasion of Iraq in 2003, estimates of the lives lost to violence vary from a quarter of a million to 600,000. The number of injured will surely be several times that, and the number of men, women and children displaced from their homes is put at between 3.5 and 5 million, somewhere between one in 10 and one in six of the population.
There is no disputing the vicious brutality of the regime that ran the country before, but there is no serious disputing, either, that the suffering captured in these statistics of war are of another order to anything that would be endured in even tyrannical times of peace. Thirteen years on, as the deadly blast in Baghdad last weekend illustrated afresh, the predicament of the Iraqi people remains misery without end. The topsy-turvy post-9/11 rationalisation for regime change from the chauvinist, parochial and sometimes proudly ignorant George W Bush White House produced predictably topsy-turvy results. Jihadi forces that Saddam Hussein had contained were not discouraged by his ousting, but greatly emboldened. In sum, failures do not come any more abject than Iraq, nor catastrophes any more pure.

Appalling mistake


This broad picture was clear remarkably soon after the battleship banner boast: “Mission Accomplished”. It certainly did not take the Chilcot inquiry – which began six years later, and went on to publish only today after another seven years of work – to dispel the early hallucination of success. The sheer scale of the disaster, however, is why – after multiple select committees, the Hutton and Butler inquiries – this additional probe was impossible to avoid. None of the other investigations provided an official answer to the burning, central question, of how on earth the UK had got embroiled in this great misadventure in the first place.
After Lord Hutton’s very narrow reading of his remit, and Lord Butler’s attack on systems and processes went so far and wide as to exempt individuals from blame, there were understandable fears that the career mandarin, Sir John Chilcot, would likewise pull punches, or else lapse into evasive establishment prose. As it was, however, Sir John gave a brisk half-hour statement, in which the name “Blair” featured roughly once a minute. The 2.6m words of his report will necessarily take much longer to digest, but the defining sting was conveyed in just six words penned by Tony Blair himself, in a letter to Mr Bush in July 2002 – “I will be with you, whatever”.
Here, in essence, we have the private promise from which every abuse of public process would flow, as well as that pervasive, poisonous sense that the government was not playing it straight. The prime minister was not bone-headed, his letters to the president warned of deep doubts on the part of both MPs and the public, and shrewdly anticipated great difficulty in whipping Europe into line. But he negated the value of all this insight, and fatally compromised his own preference for constructing a UN-blessed route to war, by preceding it all with the bald vow that Washington could count on him.
Regime change was the unabashed objective of the White House, and by hitching himself to Washington with no get-out clause, Mr Blair effectively made that his policy too. It was an appalling mistake, first of all, because it involved committing the country to a war of choice, for which there was no real rationale, only an angry impulse to lash out to avenge the twin towers without paying heed to the distinction between militant Islamism and secular Ba’athism. Once committed, Mr Blair switched off the ordinary critical faculties that he applied to other affairs, and closed his ears to the warnings of the experts about the difficulties that could follow an invasion, and the grave doubts about Iraq being an imminent threat.
Entirely out of character, the great election winner who always insisted that “the British people are the boss”, closed his ears to great swaths of the country. From radical leftists to commonsensical Tories of a that’ll-never-work disposition, thinking Britain – the Guardian included – smelt a rat. It took to the streets to protest in numbers not seen before. But in this case Mr Blair did not regard the British people but the US president as the boss. He would occasionally let slip to his voters “I’m afraid I believe in it”, as if that assertion was a substitute for argument.
A rightwing practitioner of realpolitik could have been straight about the calculation to hold fast to an American alliance that served Britain well, come what may. That would have been unsavoury to idealists, but would have been a cogent – hard-headed, if also hard-hearted – point of view. That, however, is not the tradition in which Mr Blair has ever placed himself. As the high emotion of his protracted and schmaltzy press conference today exposed once again – complete with a refusal to admit to having made the wrong call, and the bizarre insistence that the war had made the world safer – it is always important to him not only to be serving the national interest, but a greater good too. He knew he was right.
Seeing as he was in reality monstrously wrong, this certitude had dire consequences. The faith-based failure to plan for the invasion’s aftermath, rightly damned in trenchant terms by Sir John, was the most catastrophic for the Iraqi people, and indeed for the British service personnel in harm’s way. The grieving families have every right to question whether their sons and daughters died in vain, and to wince at the stock phrases about every prime minister regarding the commitment of troops as the weightiest decision they will ever make.
But for the processes of governance, the political discourse, and the UK’s place in the world, greater damage was done by the political – and perhaps psychological – need to wrap up a crude decision to stick with the US in righteousness. This was the context in which a press officer could pen the first draft of an intelligence dossier, later carefully spun to give the more excitable papers just enough to be able to run with the hysterical claim that London was 45 minutes from attack. It was the context, too, in which Mr Blair’s team could deem it appropriate to rip off the internet old material about Saddam’s former arsenal, long since mostly destroyed, and hand it to journalists as a second dossier. At this time, Whitehall minutes recorded discussion of the US “fixing the facts”, when the line in public had always to be that American motives were pure. And the initial insistence of the attorney general that the war would not be legal, gave way first to the concession that there was room for argument, and then – after a brutal edit of his full advice – an outright green light.

Politics demeaned


Meanwhile, as Jack Straw and top officials would plot in private for how to secure a UN seal of approval for a course that was already set, Mr Blair protested in public that he was pursuing a “diplomatic solution”. There was diplomacy, all right, but it was diplomacy aimed at licensing war. When even this failed, the final cabinet discussions were less concerned with the real looming battle, than about the PR war with the French. For any progressive internationalist, and Mr Blair was once one, the most damning of all Sir John’s verdicts is that the result of the invasion was not – as was claimed – to uphold the authority of the UN, but instead to undermine it.
The gap between the public and the private rationale fed the mistrust which has since – amplified by the banking and MPs’ expenses crises – fuelled the Brexit vote. The whole conduct of politics in Britain was demeaned, but the highest price was paid on the left. The otherwise unthinkable ascent of Jeremy Corbyn occurred, prompting Labour’s lapse into civil war. Many Labour MPs are still struggling to understand it. As they do so, they should reflect on the cool rage of Mr Corbyn, who always opposed the war, in the chamber on Wednesday, and contrast it with the complacent tone adopted by David Cameron, who originally voted in favour.
Mr Blair’s impulse to trot alongside a know-nothing cowboy might reflect a deep need to bury the CND badge of his youth and earn some muscular respectability. Mr Corbyn’s ascent is the most ironic of the consequences of his historic mistake. But by far the most serious are still being played out far away – on the streets of Iraq.

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06/07/2016

Roots Manuva - 'On A High'


This week's new sound:


Roots Manuva - 'On A High'





Published on 5 Jul 2016
Pre-order 'Bleeds (Deluxe Version)' -
Big Dada / Stream / Download: https://rootsmanuva.lnk.to/bleedsdluxYo

Taken from 'Bleeds (Deluxe Version)' released 19th August 2016 on Big Dada.

Follow Roots Manuva -
Facebook: http://found.ee/rmanuva-fb
Twitter: http://found.ee/rmanuva-tw
Spotify: http://found.ee/rmanuva-sp

http://www.rootsmanuva.co.uk/
http://bigdada.com/

UK/Iraq: ICC statement



cid:image001.png@01D1D625.5A6B4AD0
Statement: 04/7/2016

Statement of the Prosecutor correcting assertions contained in article published by The Telegraph 

On Saturday, 2 July 2016, the British daily, The Telegraph, published an article erroneously asserting that my Office has “already ruled out putting Tony Blair on trial for war crimes.”  

The article is being widely disseminated, aggravating the spread of inaccurate information concerning the ongoing preliminary examination carried out by my Office with respect to the Situation in Iraq.  As such, I am compelled to correct the public record by providing the following clarification. 

First, I reiterate that all the activities of my Office, including all our preliminary examination work, are conducted with fullindependence and impartiality.  These principles are non-negotiable in my Office.
Second, it must be emphasised that my Office has not taken a position with respect to the Chilcot Report; the contents of which are yet to be released and are unknown to us at this stage.

Third, my Office is currently conducting a preliminary examination with respect to the Situation in Iraq, not an investigation.  Apreliminary examination is aimed at determining whether there is a reasonable basis to open an investigation on the basis of all reliable information that we have independently assessed in accordance with the Rome Statute legal criteria.  The Office will consider the Chilcot Report as part of its due diligence of assessing all relevant material that could provide further context to the allegations of war crimes by British troops in Iraq.  Additional details of this work are available in our latest preliminary examination report

Fourth, while the International Criminal Court (“ICC” or the “Court”) currently has jurisdiction over war crimes, crimes against humanity and genocide, as explained to The Telegraphits jurisdiction over the crime of aggression has not yet been activated.  Therefore, the specific question of the legality of the decision to resort to the use of force in Iraq in 2003 – or elsewhere – does not fall within the legal mandate of the Court, and hence, is not within the scope of its preliminary examination.

An important distinction must be borne in mind between war crimes, which fall within the jurisdiction of the ICC, and the crime of aggression, which, at the present stage, does not.  These are two very distinct crimes with their own legal elements of criminality.  Suggesting, therefore, that the ICC has ruled out investigating the former British Prime Minister for war crimes but may prosecute soldiers is a misrepresentation of the facts, drawn from unfamiliarity with the Court’s jurisdictional parameters. These parameters also require the Court to exercise jurisdiction only when a state is unable or unwilling to genuinely investigate and prosecute the perpetrators.

Once a decision is made to open an investigation in any given situation, my Office may investigate and prosecute any individual suspected of committing crimes within the Court’s jurisdiction, namely war crimes, crimes against humanity or genocide.  We do this work without fear or favour and irrespective of the official capacity of the perpetrator(s).  In accordance with the scope of my Office’s policy, in fact, as a general rule, my Office will prosecute those most responsible for the commission of these serious crimes. The warrants of arrest issued to date by the Court have been line with this policy and principled approach. 

In short, the assertions about the ICC and my Office’s work contained in the said article published by The Telegraph are inaccurate.  


cid:image002.gif@01D1D625.5A6B4AD0


Déclaration04/07/2016

Déclaration du Procureur pour fin de corriger les affirmations contenues dans l'article publié par The Telegraph 
Le samedi 2 juillet 2016, le quotidien Britannique, « The Telegraph », publié un article affirmant de façon inexacte que mon Bureau à « déjà exclu de poursuivre en justice Tony Blair pour crimes de guerre ».

Cet article est largement diffusé, aggravant la dissémination d’informations imprécises concernant l’examen préliminaire en cours effectué par mon Bureau relatif à la Situation en Iraq. A cet égard, je suis contrainte de rétablir les faits en apportant les clarifications suivantes. 

Premièrement, je réaffirme une fois de plus que toutes les activités de mon Bureau, y compris tous nos examens préliminaire, sont conduites en toute indépendance et impartialité. Ces principes ne sont pas négociables dans mon bureau.

Deuxièmement, il doit être souligné que mon Bureau n’a pas pris de position au sujet du « Rapport Chilcot », dont le contenu n’a pas encore été publié et nous reste inconnu à ce stade.

Troisièmement, mon Bureau n’a jamais prétendu qu’il examinera le Rapport dans le but de trouver des preuves potentielles de crimes de guerre commis par les troupes britanniques en Iraq. Il doit être précisé que mon Bureau conduit actuellement un examen préliminaire et non une enquête dans la Situation en Iraq. Un examen préliminaire vise à déterminer s’il existe une base raisonnable pour ouvrir une enquête sur la base de toutes informations fiables que nous avons évaluées d’une manière indépendante et conformément aux critères juridiques du Statut de Rome. Le Bureau examinera le Rapport Chilcot dans le cadre de son évaluation diligente de tout matériel susceptible d’éclairer le contexte des crimes de guerre présumés commis par les troupes Britannique en Iraq. Des détails supplémentaires à ce sujet sont disponibles dans notre dernier rapport sur les examens préliminaires.    

Quatrièmement, même si la Cour pénale internationale (« CPI » ou la « Cour ») exerce sa compétence sur les crimes de guerre, les crimes contre l’humanité et le génocide, comme l’avait été expliqué au « The Telegraph », sa compétence concernant le crime d’agression n'est pas encore activée. Par conséquent, la question spécifique portant sur la légalité de la décision de recourir à la force en Iraq en 2003 – ou ailleurs – ne relève pas du mandat juridique de la Cour, ni de s’inscrit dans le cadre de son examen préliminaire.     

Il faut tenir compte d’une distinction importante entre les crimes de guerre, qui tombent sous la compétence de la Cour et le crime d’agression, qui n’en relève pas à ce jour. Ces deux crimes sont considérablement différents tenant compte de leurs propres éléments juridiques pénaux. De ce fait, suggérer que la CPI a exclu d’enquêter sur la responsabilité de l’ancien Premier Ministre Britannique dans la commission de crimes de guerre mais pourrait poursuivre des soldats est une déformation des faits, résultat d’une méconnaissance des paramètres juridiques de la Cour. Ces dits paramètres exigent aussi que la Cour n’exerce sa compétence que lorsqu’un Etat manque de la volonté ou de la capacité d’enquêter et poursuivre les auteurs des crimes.

Une fois prise la décision d’ouvrir une enquête dans une situation donnée, mon Bureau est en mesure de poursuivre toute personne soupçonnée d’avoir commis des crimes relevant de la compétence de la Cour, à savoir les crimes de guerre, les crimes contre l’humanité ou le génocide. Nous accomplissons ce travail sans crainte ni faveur et quelle que soit le statut officiel de ou des auteur(s). Conformément à la politique de mon Bureau, en règle générale, mon Bureau poursuit les principaux responsables des crimes les plus graves. Les mandats d’arrêt délivrés par la Cour à ce jour ont été conformes à cette politique et ces principes.

En conclusion, les assertions concernant la CPI et le travail de mon Bureau contenues dans ledit article publié par « The Telegraph » sont inexactes.