06/04/2020

'Lovely Day' / 'So It Goes'



Ok, let's start the morning properly. 

This blog and my Twitter account are like drafts for a personal newspaper or my personal radio show. 

It's Monday today, mid-morning, and it's so sunny, warm and quiet, there is no reason to panic.  
Have yourself the best day possible.   

Here is a selection of two wonderful songs for you all


Bill Withers - 'Lovely Day'




Tamino - 'So It Goes' - Live at AB, Ancienne Belgique





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More soon.  Stay strong people.

m




05/04/2020

Book review - TLS: Bristol Sounds / Tricky


Meanwhile: My review of Tricky's autobiography is in the Times Literary Supplement this week... 
It came out last autumn. Time for a read? 
'Hell Is Round the Corner' by Tricky - book review - TLS



Bristol Sounds



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read here: https://www.the-tls.co.uk/articles/hell-is-round-the-corner-by-tricky-book-review/



The rapper turned producer Adrian Thaws, more commonly known as Tricky, is considered one of the pioneers of “the Bristol sound”, a mix of hip-hop, soul vocals, punk ethos and electronic arrangements, pioneered in the city by Massive Attack. Tricky was an early collaborator of the band, and appeared on their debut album Blue Lines (1991); known for his fiery temperament, however, he soon decided to work solo. His first album...

 
read more here: https://www.the-tls.co.uk/articles/hell-is-round-the-corner-by-tricky-book-review/






04/04/2020

Ghosts V: Together - NIN 2020


Such a beautiful set of tracks...

Thank you Nine Inch Nails.




'Apart'




'Apart' · Nine Inch Nails

Ghosts V: Together  

℗ 2020 The Null Corporation

Released on: 2020-03-27 



'Together'



Together · Nine Inch Nails  

Ghosts V: Together  

℗ 2020 The Null Corporation  

Released on: 2020-03-27 


Nine Inch Nails - 'Letting Go While Holding On' (Audio Only)






From the album 'Ghosts V: Together' available now.

#StayHome and ESCAPE #withMe
More details at: http://www.nin.com
https://www.facebook.com/ninofficial/
https://twitter.com/nineinchnails
https://www.instagram.com/nineinchnails/
#NineInchNails #GhostsV



03/04/2020

Arnolfini's Writer in Residence: EPISODE 7 | BEYOND ISOLATION, SOLIDARITY


My latest, with Bristol love:


In these unexpected times of crisis, Arnolfini’s Writer in Residence, Melissa Chemam’s latest episode is not be dedicated to art, but to our fellow Bristolians and the way they bravely care for each other.

Caring In Bristol

EPISODE 7 | BEYOND ISOLATION, SOLIDARITY


There is a saying in French that states “loin des yeux, loin du coeur”. Far from sight, far from heart. My mother, who lived with us far away from her own family, often used to mentioned it when I was young; she longed for her siblings and her own mother, and she felt like they had been thinking about her less since she left… But deep down, she knew it wasn’t true. She was actually thinking about them constantly, and they had her in their heart every day, every hour…
It’s the same for us today, some of you may be away from your loved ones, or live alone, facing the most scary pandemic in your lifetime, isolated. But we are still in each other’s heart.
Around me, in the press, on television and on social media, I hear a lot of people complain about their situation in the current health crisis. Losing work, money, risking their life to keep on working when needed, worrying about getting food. But for the large majority of us in western countries and especially here in Britain, the biggest change in our daily life is simply isolation. Not so mainly people have been affected by the current coronavirus, thankfully, especially not in Bristol. But all of us have been asked to practice social distancing and to isolate at home, first to stop spreading the virus unknowingly, secondly to help and protect the health workers. It’s not easy and I know a lot of people suffer from this situation.
But one thing that Bristol manages to do once again is to spread the seeds of solidarity beyond this separation.

So many good hearts offered help; they make Bristol special


I’ve personally always felt this sense of community in the city, from the first week I came here in February 2015. It was a world away from my familiar surroundings, Paris and London.
Luckily, people and communities have organised again to support each other.
I want to send these few words, my gratitude and all the best wishes to them all, especially to the NHS staff, as my own and only sister is right now working in an intensive care unit in one of Paris’ busiest hospitals, and I think of her every minute.
Some of them are the Community Farm and Bristol Food Union, which started raising money last week to prepare meals for health practitioners but also to deliver food to rough sleepers and vulnerable people. Over the past 10 days, the group – headed up by the Food Union Media, the Pony & Trap group and Bristol Food Producers – created six production kitchens in restaurants around the city currently closed due to the pandemic. Some of the ones involved are Poco Tapas, the Gallimaufry, Box-E, Season & Taste Group and Bianchi’s Group.
The first campaign has raised more than £15,200, and the second one more than £6,525, starting with a donation of £5,000 by the leader of the Bristol band Massive Attack on Friday.
The initiative is supporting Caring in Bristol to feed 500 rough sleepers who have been moved into sheltered accommodation. This week, the charity launched a unique citywide campaign, in order to highlight the need of homeless people and ask for public support in helping them off the streets.
Caring in Bristol is directed by Ben Richardson. The last time I saw Ben was about a month ago, at the Arnolfini café… I stayed with him and his partner once years ago, when in need of a room, and was immediately struck by their kindness and wholeheartedness. Ben and Caring in Bristol represent everything that made me come and live in the city…
The number of rough sleepers in Bristol has reached its highest level in a decade, despite a drop on national level. “Like all small local charities working with homeless people,” wrote Ben Richardson in a press release, “we are under immense pressure to protect and serve those we care for now more than ever. We’re currently seeking to house all homeless people regardless of their immigration status into temporary accommodation, including people with no recourse to public funds,” Ben Richardson explained. “Provision for those who are homeless during this crisis needs urgent national-level intervention. And this crisis is making the already vulnerable more exposed than ever.”

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Without your, our solidarity, this wouldn’t be possible


Having grown up under a socialist government, in a city run by a communist city council, I can only feel touched by this wave support running through Bristol!
So many other initiatives have been put into place that I can’t name them all. About 220 students from Bristol University’s medical school fast-tracked their graduations so they can help tackle the coronavirus crisis and join the NHS in the coming weeks. Facebook groups came about like Bristol Community Care – Covid-19 Mutual Aid  and COVID-19 Caring in Bristol Homeless Mutual Aid group
The community union Acorn also has set up a website allowing to people display their need for help and connect them with a volunteer.
These unions and charities all need volunteers, and will only need more in the coming weeks. As I still work as a lecturer and a writer, I’m mostly stuck home all day. I have donated as I can’t commit to volunteer yet; maybe in the summer after the students’ final assessments…
Universities and creative industries are at threat more than many sectors; they’re by nature full of self-employed people with less security and sometimes no compensations.
Lecturers, artists, musicians, writers have nonetheless been among the first to offer help around me. Organising support, using their social media platforms to share appeals, or simply singing for others on Twitter and Instagram, while their own work has been cancelled for months…
Hopefully, these incredible examples of solidarity guide others, and inspire more people to feel that together we can overcome this crisis.
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Melissa Chemam writes for many publications such as The Independent, Imperica Magazine, Verso Books' Blog, The Public Art Review, WhyNow, Le Figaro, Le Monde, Skin Deep, The Bristol Cable, Bristol 24/7, CIRCA Art Magazine, The Times Literary Supplement and Public Pressure. Melissa also published Massive Attack: Out of the Comfort Zone, in 2019.


02/04/2020

The Plague: A novel about accepting our human condition...


Albert Camus - The Plague


by The School of Life




There is no more important book to understand our times than Albert Camus's The Plague, a novel about a virus that spreads uncontrollably from animals to humans and ends up destroying half the population of a representative modern town. 

Camus speaks to us now not because he was a magical seer, but because he correctly sized up human nature. 

As he wrote: ‘Everyone has inside it himself this plague, because no one in the world, no one, can ever be immune.’


01/04/2020

"The government needs foreign NHS workers – but it doesn't value them"


New column in The Independent:



The government just admitted it needs foreign NHS workers – this visa extension shows it doesn’t value them at all



The Home Office maintains that it is thankful for the labour of these caregivers. If that were true, it wouldn’t be pressing on with getting rid of them when this crisis is over.


Melissa Chemam @melissachemam






Since the global spread of the Covid-19 epidemic exploded, every continent has had to deal with major worries: getting the infected people isolated and the sickest persons treated. Most citizens have had to stay home, unable to work or to see their family, parents or siblings.
For me, the main worry has been that my younger sister, an accomplished doctor working in Paris, our hometown, had to work in one of the busiest intensive care units in the country.
Imagine having to do such a work with a Sword of Damocles over your head…
This is probably how foreign health practitioners feel in this country. Since the Brexit referendum in 2016, the UK government has furthered its hostile policy towards foreign workers, EU workers and other non-UK nationals. And NHS staff have been deeply affected. A few days ago, the government even interrupted the helpline for EU citizens, as Channel 4's Georg von Harrach, highlighted on Monday.
In December 2018, as a foreign news correspondent in London, I participated in a support group for EU nationals distressed by their loss of rights, and interviewed some of them for the German public radio, DW.
One of them was Joan Pons Laplana, a Spanish nurse who has since been campaigning for workers’ rights tremendously. While his wife, in-laws and children are British, he is the only foreign resident in his family. Working in the digital team of the NHS, he was still employed on the basis of six-month-long contracts, facing turmoil to prove his residency or justify that he “will still be needed in the future”
Caribbean citizens also represent a large part of medical staff in Britain and are facing threats of deportation every day – as the Windrush scandal has shown us repeatedly since 2018.
Now, as the month of March ended with an overload of work for the NHS, heroic workers like Joan are deemed indispensable. Only a few months ago, they were regularly called undesirable.
In its large generosity, the UK government decided on Tuesday "to extend visas for a year for NHS workers from the EU and other countries” if their permits were to expire in the autumn.
“The Home Office says NHS doctors, nurses and paramedics with UK work visas due to expire before 1 October will have them automatically extended for a year so they can focus on fighting coronavirus,” reads the government’s website.
Priti Patel, the home secretary, announced that the extension will apply to around 2,800 migrant doctors, nurses and paramedics, employed by the NHS, whose visa is due to expire before that date.
So, after claiming for years these workers were not needed and could easily be replaced by British staff, the Home Office now tells them they are facing… another due line. A year. And that is only if their permit expires on the appropriate date…
If this doesn't show the profound truth about the government’s hostile policies towards foreign residents, I don't know what will. Foreign workers and health practitioners are not disposable items to be used at the Home Office’s convenience.
As a writer who covers migration, a former African news correspondent and a EU citizen myself, I can’t help thinking about my sister and friends working long hours in intensive care units. After long shifts, they already struggle to find food in supermarkets or available transport to go home. What if they had to worry about being evicted from their home too?
I then wonder why the government has only given these “key workers” a year. Why not 18 months, to be magnanimous? Or three? 12 months will only delay the pain of uncertainty.
As I hope many other residents and citizens of this country will realise, this government needs to come up with a plan to grant foreign healthcare practitioners with an appropriate, reassuring status, whether a “settled” one, a work permit or full residency, before they can use them in the frontline of the current health crisis.
The Home Office should extend the measure to those whose permits expire after 1 October. It's devastating to think a doctor with a permit expiring on 10 November 2020 could go to work risking their life every day knowing they’ll still be chased away in six months.
A lot of foreign doctors are also in the UK waiting for asylum to be granted to them, and have offered to help  yet they will not benefit from the UK’s new “generous” measure.
The UK government needs to urgently rethink its immigration policy; viruses don’t discriminate according to passports. And the fact that "the extension will also apply to their family members, demonstrating how valued overseas NHS staff are to the UK,” as the Home Office states, isn't quite as kind as is being suggested. If these people are truly appreciated, their “value” should not have a time limit.

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link: https://www.independent.co.uk/voices/nhs-coronavirus-foreign-staff-visa-extension-home-office-a9440856.html



CARGO in Bristol: 40 years of St Pauls' riots


One of the writer who left a mark on my recent complete move to Bristol last autumn is definitely Lawrence Hoo. Poet and producer, he has released a book named CARGO, to be transformed into films and immersive projects.

An ambitious programme to address Bristol's history and Britain's memory of the colonial past and the slave trade.

The first film will be out tomorrow, to commemorate the riots that occurred in St Pauls in 1980, 40 years ago this Thursday.





Details here:


The CARGO team have used a combination of archive, animation, typography and specially shot material to create a sequence which explores some first hand perspectives of people who lived in St Pauls and witnessed the uprising.
We hear their voices and see their faces as they recount first hand memories of the event.
The film will be available to watch for free on the CARGO website on April 2. 





CARGO©

Growth Beyond Constraint 

The key building blocks of the CARGO experience have always been empowerment though education. Our aim is to offer up an alternative narrative to the often under-represented timeline of the transatlantic slave trade. We not only wanted to portray an accurate historical account of the people who fought for the freedom of the enslaved, and for their subsequent human and civil rights. We wanted to highlight the strength and resilience of key pivotal characters who blazed a trail battling adversity and laying the foundations for the futures we all share as a result. 

Nanny of The Maroons, Mary Seacole, and Marcus Garvey: all people who worked within unimaginable confines but continued to inspire and empower others through their actions. The chains were ever present but the refusal to be shackled is a thread that runs throughout the exhibition. The desire and ability of these figurehead to work with the severe restrictions that surrounded them and not just survive but go on to change the course of history, is a theme at the heart of CARGO. Another strong theme within the exhibition is one of travel and forced repatriation. This idea has a modern relevance within our current global society as wars and famine now force people from their once secure homes. 


The Experience
The CARGO experience will take the form of a solid mobile exhibition space. This will manifest in the form of four generic steel shipping containers. The parallels with the transatlantic slave trade are obvious, but the challenge and goal for us was to create a modular and portable multimedia exhibition space that could transport its audience while fixed to the ground. We want to utilise the now ubiquitous shipping container and its confines and constraints to create an experience without boundaries. 

We will use the latest technology to transform a series of rigid steel boxes into a truly ground-breaking exhibition experience that plays with the themes of transport and containment. As well as moving its audience metaphorically and emotionally we plan for the containers themselves to be transported and installed at a range of locations throughout the UK and Europe over the course of its activation.

We will use a combination of two twenty foot containers alongside two forty foot containers and arrange them in the form of a rectangle. The containers will be connected to form a continuous loop.   


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31/03/2020

'No Time for Love Like Now'


All my gratitude to one of my favourite musicians, singers, songwriters, artists...



NO TIME FOR LOVE LIKE NOW First take! A new song with Aaron Dessner. This is the demo track. Echoing Love xxx Michael


no time for breezy no time for arguments no time for love like now there’s no time in the bardo no time in the in-between no time for love like now there’s no time for dancing there’s no time for undecideds no time for love like now where did this all begin to change the lockdown memories can’t sustain this glistening, hanging free fall i turned away from the glorious light i turned my head and cried whatever waiting means in this new place i am waiting for you there’s no time for honey no time for psalms and thresholds whisper a sweet prayer sigh where did this all begin to change the lockdown memories can’t sustain this glistening, hanging free fall i turned away from the glorious light i turned my head and cried whatever waiting means in this new place i am waiting for you your voice is echoing love love love love love i hear it far far away and i am waiting for you i am waiting for you whatever waiting means in this new place i am waiting for you i am waiting for you
copyright michael stipe 2020



Imperica Magazine - Issue 3



Hello everyone,
Some news: I've written a piece for the online Imperica Magazine out in their issue 3: 
An insight on British & French postcolonialism and art, inspired by the nomination of Zineb Sedira and Sonia Boyce at the Venice Biennial 2020.
It's out now with great other articles on:
-The creative capabilities of robots
-Interviews with Mario Klingemann and The October! Collective
-Resurgent feminism in Iran
And much more.

Imperica is an online magazine which covers topics in and around digital culture: art, technology, advertising, and the wider creative industries. As these sectors are often covered within their own vertical sectors - silos - the shared knowledge and thoughts between them is often under-reported. Great stuff in one sector is often hard to find from another. We serve the purpose of mashing it all up.

Find it here:

Issue 3 - buy it here (PDF) (EPUB) (Kindle)


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Imperica magazine

Combining insight with intelligence, humour with hard analysis and comment with candour, Imperica Magazine is simply what we want it to be: a great monthly read. 
Although our roots are firmly in the creative industries and technology, the magazine has a much broader brief, covering everything and anything regarding the world around us.

Online articles here: https://www.imperica.com/en/


29/03/2020

"It's The End Of The World As We Know It (And I Feel Fine)"


Song of the day:


R.E.M. - 'It's The End Of The World As We Know It (And I Feel Fine)' - Live in Glastonbury, 1999






Live from the Pyramid Stage Glastonbury Festival, 25 June 1999. Taken from R.E.M. at the BBC, coming 19th October: 
http://found.ee/REM-atthebbc-r





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Album version: