Journalist at RFI (ex-DW, BBC, CBC, F24...), writer (on art, music, culture...), I work in radio, podcasting, online, on films. As a writer, I also contributed to the New Arab, Art UK, Byline Times, the i Paper... Born in Paris, I was based in Prague, Miami, London, Nairobi (covering East Africa), Bangui, and in Bristol, UK. I also reported from Italy, Germany, Haiti, Tunisia, Liberia, Senegal, India, Mexico, Iraq, South Africa... This blog is to share my work, news and cultural discoveries.
18/12/2015
16/12/2015
ABOUT JOHN AKOMFRAH
Bristol, I'm everyday grateful you were on my road!!
--
Soon at the Arnolfini Gallery, in Bristol:
John Akomfrah, Vertigo Sea, 2015 © Smoking Dogs Films. Courtesy Lisson Gallery
JOHN AKOMFRAH: VERTIGO SEA
Saturday 16 January 2016 to Sunday 10 April 2016, 11:00 to 18:00
Free →
The UK premiere of John Akomfrah’s acclaimed video installation Vertigo Sea.
Vertigo Sea, a three-screen film, first seen at the 56th Venice Biennale as part of Okwui Enwezor’sAll the World’s Futures exhibition, is a sensual, poetic and cohesive meditation on man's relationship with the sea and exploration of its role in the history of slavery, migration, and conflict. Fusing archival material, readings from classical sources, and newly shot footage, the work explicitly highlights the greed, horror and cruelty of the whaling industry. This material is then juxtaposed with shots of African migrants crossing the ocean in a journey fraught with danger in hopes of ‘better life’ and thus delivering a timely and potent reminder of the current issues around global migration, the refugee crisis, slavery, alongside ecological concerns.
Shot on the Isle of Skye, the Faroe Islands and the Northern regions of Norway, with the BBC’s Bristol based Natural History Unit, Vertigo Sea draws upon two remarkable books: Herman Melville’s Moby Dick (1851) and Heathcote Williams’ epic poem Whale Nation (1988), a harrowing and inspiring work which charts the history, intelligence and majesty of the largest mammal on earth.
As part of the exhibition, a new work Tropikos (2016) will also be shown. Set in the sixteenth century and using the writings and memoirs of a number of seafarers as its raw material, this single channel film is a Brechtian costume drama which merges Shakespeare's The Tempest with true accounts of the journeys to and dreams of the 'New World'.
After showing in Bristol, Vertigo Sea will tour nationally as part of the ACE Strategic Touring Programme that has been awarded to Arnolfini as the tour leader. The exhibition will be shown at Turner Contemporary in Margate and the Whitworth in Manchester, with other potential partners to be announced shortly.
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John Akomfrah is an artist and filmmaker whose works are characterised by their investigations into personal and collective histories and memory, cultural, ethnic and personal identity, post-colonialism and temporality. Importantly, his focus is most often on giving voice to the experience of the African diaspora in Europe and the USA.
A founding member of the influential Black Audio Film Collective, his work has been shown in museums and exhibitions around the world including the Liverpool Biennial; Documenta 11, Centre Pompidou, the Serpentine Gallery; Tate; and Southbank Centre, and MoMA, New York. A major retrospective of Akomfrah’s gallery-based work with the Black Audio Film Collective premiered at FACT, Liverpool and Arnolfini, Bristol in 2007. His films have been included in international film festivals such as Cannes, Toronto, Sundance, amongst others. He has recently been shortlisted for the Artes Mundi 7 prize.
John Akomfrah, Vertigo Sea, 2015 © Smoking Dogs Films. Courtesy Lisson Gallery
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John Akomfrah talks to TateShots about how he navigates between the gallery and cinema and what compelled him to make Vertigo Sea.
Artist and filmmaker John Akomfrah discusses how he navigates between the gallery and cinema, what compelled him to make his 2015 work Vertigo Sea, and the influence of Andrei Tarkovsky.
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Chasing the Whale: Kings of the South Seas with Tim Eriksen & Philip Hoare 1
John Akomfrah in Conversation
John Akomfrah: Vertigo Sea
The UK premiere of John Akomfrah’s acclaimed video installation Vertigo Sea and associated programme of events.
Chasing the Whale: Kings of the South Seas with Tim Eriksen & Philip Hoare 1
Sunday 03 April 2016, 20:00 to 22:30
A whaler's life from the era of Moby Dick brought to life through music, narration and film.
John Akomfrah in Conversation
Saturday 16 January 2016, 11:00 to 12:30
To coincide with the UK premiere of John Akomfrah’s acclaimed video installation Vertigo Sea, the artist will be in conversation with academic, editor and writer, Anthony Downey.
2027? Musician Ibrahim Maalouf heartbreak video about rejecting difference
Ibrahim Maalouf - Run The World (Girls) / Official
Crédits clip:
Co-Production : \ELSE & Mi'ster Production
Post-production / Son : \ELSE
Réalisation : Jérôme de Gerlache
Directeur de la photographie : Jacques Ballard
Chef Monteuse : Flavie Doubesky
Chef déco : Christine Gérard
Scenario : Ibrahim Maalouf & Jérôme de Gerlache
Avec :
Trompette : Ibrahim Maalouf
Claviers : Eric Legnini
Guitare : François Delporte
Batterie : Stéphane Galland
Danseuse : Hajiba Fahmy
Chorégraphie: Hajiba Fahmy & Aziz Baki
Policier : Benjamin Baroche
Policière : Stéphanie Reynaud
Crédits musicaux :
Run The World (Girls)
(Beyoncé Knowles / Dave Taylor / Adidja Palmer / Thomas Wesley Pentz / Nick Van De Wall / Terius Nash)
© EMI April Music Inc / B-DAY Publishing / Switch Werd Music / Jack Russell Music Ltd / I Like Turtles Music / Songs Of SMP / Afrojack Publishing / 2082 Music Publishing
With courtesy of EMI Music Publishing France, Metisse Music, BMG Rights Management France & Warner Chappell Music France
« RED & BLACK LIGHT » est une ode à la femme d’aujourd’hui et à son rôle fondateur et fondamental pour espérer un avenir meilleur. Les femmes de ma famille ont eu, et ont encore aujourd’hui, une influence incommensurable sur tout mon travail musical. Notamment parce qu’elles m’inspirent considérablement dans leur façon de gérer leur quotidien et celui de leur entourage. Malgré des vies en labyrinthes, complexes et souvent dramatiques, elles portent en elles une force et une stabilité similaires à une forme de transe inébranlable. Elles me donnent l’impression de ne jamais perdre de vue ce qui est essentiel.
Musiciens:
François Delporte : guitare
Stéphane Galland : batterie
Eric Legnini : clavier
Ibrahim Maalouf : trompette & piano
Maitrise de radio France - Direction : Sofi Jeannin (sur le morceau Red and Black Light)
Sylvain Dupuis (sur le morceau Improbable) : tapan
15/12/2015
BBC 6 Music Festival coming to Bristol
6 Music Festival is coming to Bristol
Bristol 24/7 , December 15, 2015
Tricky, Roni Size and Primal Scream are some of the first acts confirmed to be playing at the 6 Music Festival when it comes to Bristol next year.
The annual festival will take over multiple venues across the city from February 12 to 14 and be accompanied by daytime happenings including spoken word, poetry and performance events.
BBC Radio 6 Music presenter Mary Anne Hobbs (pictured above) said: "The 6 Music Festival is such a special event because it brings all the elements of what we do as a digital radio station into a physical space; the artists, the whole of the station's staff and presenters, and of course our wonderful listeners.
"This year, the festival is coming to Bristol, a place where music is such a primary element of the DNA of the city. It’s going to be a truly unforgettable experience."
Hobbs launched the festival alongside fellow presenter Steve Lamacq as 6 Music broadcast live from the Watershed bar on Tuesday afternoon.
The show is due to feature Primal Scream's Bobby Gillespie alongside Roni Size, Tricky and two other Bristol acts confirmed so far for the festival, Beak and The Blue Aeroplanes. Graffiti artists Cheo, Inkie and Cosmo Sarson are also scheduled to feature in the show.
DJ Pinch is the final Bristol act to be confirmed for February with the full festival lineup and details of how to get tickets to be revealed on January 19.
The festival is now in its third year having previously been to Manchester in 2014 and Tyneside in 2015. Next year's 6 Music Festival in Bristol will take place in venues across the city including Motion, the Colston Hall, O2 Academy, Basement 45 and Trinity.
Lamacq said: "I love getting out of London and going to gigs around the country, so the 6 Music Festival is ideal. Bristol has some fantastic venues - I was there a while back to see a band called The Archie Bronson Outfit and had an excellent night at the Colston Hall so I’m really looking forward to going back there."
He added: "I know the appetite for music is really healthy around the city. I hope people come along and enjoy it."
--
More on BBC 6 Music's website:
http://www.bbc.co.uk/programmes/articles/1GwdR20vnssbqb5n3XfvWj2/6-acts-to-whet-your-appetite-for-the-6-music-festival-2016
6 Music Festival 2016 Tickets and Venues
On The Blue Airplanes:
http://www.bbc.co.uk/music/artists/935295a6-8b6c-4de6-819c-da5113dac8fc
On Roni Size:
http://www.bbc.co.uk/music/artists/2eeba1d4-f67d-45be-a22e-ab73e925aa43
And more!
http://www.bbc.co.uk/programmes/articles/1GwdR20vnssbqb5n3XfvWj2/6-acts-to-whet-your-appetite-for-the-6-music-festival-2016

6 Music Festival 2016 Tickets and Venues
Get the latest information on tickets and venues for our Bristol events.
On The Blue Airplanes:
http://www.bbc.co.uk/music/artists/935295a6-8b6c-4de6-819c-da5113dac8fc
On Roni Size:
http://www.bbc.co.uk/music/artists/2eeba1d4-f67d-45be-a22e-ab73e925aa43
And more!
14/12/2015
11/12/2015
Banksy in Calais
After Dismaland, Banksy continues to hightlight the migrant crisis and horrific living conditions of Syrian refugiees in the Jungle of Calais by painting a portrait of Steve Jobs, reminding us that he is the son of a Syrian migrant. Steve Jobs is depicted carrying a travel bag with his iconic mac computer. Additional murals and messages have been painted in the camp and the city center of Calais.
Source:
Banksy creates new pieces in Calais, Francehttp://www.streetartnews.net/2015/12/banksy-does-steve-jobs-in-calais.html
Banksy creates new pieces in Calais, Francehttp://www.streetartnews.net/2015/12/banksy-does-steve-jobs-in-calais.html
The others pieces are showing a stenciled young girl and her telescope, a text piece which reads “Maybe This Whole Situation Will Sort Itself Out” and a piece showing a refugee raft and dubbed “Maybe We Are Not All In The Same Boat”. On a side note, this is the first ever time Banksy paints in France.
Read more here: http://www.independent.co.uk/arts-entertainment/art/news/banksy-in-calais-jungle-steve-jobs-graffiti-reminds-people-apple-founder-was-son-of-syrian-migrants-a6769741.html
A new Banksy graffiti has appeared on a concrete bridge in the Calais migrant camp, showing late Apple founder Steve Jobs migrating from Syria.
Known as the Jungle, the makeshift town is located on what used to be a rubbish tip on the outskirts of the French port and is currently home to more than 7,000 migrants. The majority come from war-torn Syria and Afghanistan are are hoping to get to the UK to start a new life.
The timely new artwork features Jobs’ trademark spectacles, as he carries an early Apple computer in one hand a sack of belongings on his back.
(...)
Banksy said in a statement: “We’re often led to believe migration is a drain on the country’s resources, but Steve Jobs was the son of a Syrian migrant.
“Apple is the world’s most profitable company, it pays over $7 billion a year in taxes - and it only exists because they allowed in a young man from Homs.”
--
More picture on the artist's website: http://banksy.co.uk/



--
More picture on the artist's website: http://banksy.co.uk/
We're not all in the same boat.
Calais town centre
"Hymn Of The Big Wheel"
[Horace Andy]
'Hymn Of The Big Wheel'
The big wheel keeps on turning
On a simple line day by day
The earth spins on its axis
One man struggle while another relaxes
There's a hole in my soul like a cavity
Seems like the world is out to gather just by gravity
The wheel keeps turning the sky's rearranging
Look my son the weather is changing
I'd like to feel that you could be free
Look up at the blue skies beneath a new tree
Sometime again
You'll turn green and the sea turns red
My son I said the power of axis over my head
The big wheel keeps on turning
On a simple line day by day
The earth spins on its axis
One man struggle while another relaxes
We sang about the sun and danced among the trees
And we listened to the whisper of the city on the breeze
Will you cry in the most in a lead-free zone
Down within the shadows where the factories drone
On the surface of the wheel they build another town
And so the green come tumbling down
Yes close your eyes and hold me tight
And i'll show you sunset sometime again
The big wheel keeps on turning
On a simple line day by day
The earth spins on its axis
One man struggle while another relaxes
As a child's silent prayer my hope hides in disguise
While satellites and cameras watch from the skies
An acid drop of rain recycled from the sea
It washed away my shadow burnt a hole in me
And all the king's men cannot put it back again
But the ghetto sun will nurture life
And mend my soul sometime again
The big wheel keeps on turning
On a simple line day by day
The earth spins on its axis
One man struggle while another relaxes
One man struggle while another relaxes...
The big wheel keeps on turning
On a simple line day by day
The earth spins on its axis
One man struggle while another relaxes
There's a hole in my soul like a cavity
Seems like the world is out to gather just by gravity
The wheel keeps turning the sky's rearranging
Look my son the weather is changing
I'd like to feel that you could be free
Look up at the blue skies beneath a new tree
Sometime again
You'll turn green and the sea turns red
My son I said the power of axis over my head
The big wheel keeps on turning
On a simple line day by day
The earth spins on its axis
One man struggle while another relaxes
We sang about the sun and danced among the trees
And we listened to the whisper of the city on the breeze
Will you cry in the most in a lead-free zone
Down within the shadows where the factories drone
On the surface of the wheel they build another town
And so the green come tumbling down
Yes close your eyes and hold me tight
And i'll show you sunset sometime again
The big wheel keeps on turning
On a simple line day by day
The earth spins on its axis
One man struggle while another relaxes
As a child's silent prayer my hope hides in disguise
While satellites and cameras watch from the skies
An acid drop of rain recycled from the sea
It washed away my shadow burnt a hole in me
And all the king's men cannot put it back again
But the ghetto sun will nurture life
And mend my soul sometime again
The big wheel keeps on turning
On a simple line day by day
The earth spins on its axis
One man struggle while another relaxes
One man struggle while another relaxes...
08/12/2015
Escapism magazine devotes a whole issue to the refugee crisis
Escapism magazine devotes whole issue to reality of the refugee crisis
See here: http://www.escapismmagazine.com/the-refugee-crisis/magazine/
A special report on the refugee crisis
If you are a regular reader of escapism, then you may be slightly confused by this magazine. This is not a normal issue of escapism.
In place of our usual travel content, we have dedicated this entire publication to the refugee crisis that, to various degrees, is affecting almost every corner of the world. We have decided to use our voice to raise awareness on an important and emotive subject.
As the UK’s largest-circulating travel magazine, we are all too aware of just how lucky we all are to be able to explore the majority of the world for pleasure. It’s an amazing privilege and one for which we are incredibly grateful. For us, and for our readers, ‘escapism’ is a way to break away from our normal lives, to relax on holiday with friends and family. But for refugees, the word takes on a much more literal meaning. It’s just that: an escape – from oppressive regimes, war and poverty.
We are not experts on hard-hitting documentary reportage, nor do we now claim to be. However, in putting this issue together, we have tried to learn as much as possible through first-hand experiences. These experiences have definitely changed us, and we hope there is plenty you can learn from this magazine, too.
Thank you for taking the time to read this issue of escapism.
Tim Slee
CEO, Square Up Media
07/12/2015
MON ARTICLE SUR « PATHWAY TO PARIS »
Pour Toutelaculture.com :
http://toutelaculture.com/musique/pop-rock/live-report-pathway-to-paris-musique-et-politique-pour-le-climat-04122015/
Pathway To Paris : Musique et politique pour le climat
Note de la rédaction : ★★★★★
--
Mélissa
Chemam
--
Quelle belle idée ont eu Jesse Paris Smith et Rebecca Foon. Toutes deux
sont musiciennes, Jesse est la fille de l’une des plus grandes chanteuses de
l’histoire des Etats-Unis, Patti Smith. Rebecca est une chanteuse, compositrice
et instrumentiste canadienne de 36 ans. Elles ont travaillé pendant un an, avec
l’organisation 350.org, à l’élaboration de Pathway To Paris, une plateforme
devant réunir penseurs et artistes en marge de la conférence des Nations Unies
sur le changement climatique, ce mois de décembre 2015.
Pendant deux soirs, Pathway To Paris a réuni de grands noms
du militantisme au service de l’information des citoyens sur le climat dont la
journaliste canadienne Naomi Klein, auteur de No Logo (publié en 2002) et La
Stratégie du choc (2008), le militant et auteur américain Bill McKibben, et
parmi les plus grands musiciens de la scène rock mondiale.
Pour donner à leur événement un pouvoir de conviction
universaliste, Jesse et Rebecca ont choisi d’organiser deux concerts, les 4 et
5 décembre, avec la participation d’artistes engagés, au Trianon dans le nord
de la capitale. C’est pour ce beau projet qu’elles ont réussi à réunir les plus
puissants noms de la musique tout en s’assurant que la soirée laisserait place
aux discours et à la conviction. Le pari est grandement réussi. Sur scène sont
donc annoncés le musicien tibétain Tenzin Choegyal, le chanteur congolais Fally
Ipupa, le bassiste américain Flea, membre du groupe Red Hot Chili Peppers qui
multiplient les projets depuis une décennie, et enfin la grande chanteuse folk
/ rock américaine Patti Smith et l’un des chanteurs britanniques les plus doués
de sa génération, Thom Yorke, leader du groupe Radiohead.
Soirée
inoubliable, et expression de convictions
La soirée débute avec un poème lu par Patti Smith, dont les
talents d’écrivain sont bien connus, accompagnée au piano par sa fille et au
violoncelle par Rebecca Foon, dans un grand élan d’émotion. Son poème sur la
nature égraine tout ce que celle-ci a de beau et de puissant et conclut ‘Nature is… Simplicity’. Entre ensuite en
scène Tenzin Choegyal qui joue avec Jesse au piano une prière bouddhiste. Il
est ensuite rejoint par Flea à la guitare basse.
Avant de passer à la performance suivante, un homme d’affaire
de San Francisco vient partager son expérience. Ami de longue date de Bill
McKibben, il a abandonné son activité pour se consacrer au développement des
énergies renouvelables, dans cette ville de Californie sensible au sujet. Il
nous invite à répéter : « I
believe that we will win »… tous en chœur, « je pense que nous
allons y arriver ».
Bill
McKibben, quant à lui, a un message très clair à faire passer alors que tout le
samedi après-midi, il a organisé à Montreuil un « procès » de la
compagnie pétrolière américaine Exxon Mobil. Une enquête de journalistes
américains a en effet prouvé récemment que la compagnie savait depuis 25 ans
que l’exploitation et la surconsommation d’hydrocarbures mèneraient à une
catastrophe environnementale, mais n’en a rien dit. « Exxon Knew! »
répète Bill, qui revêt même une chemise sur laquelle est inscrit ce slogan pour
l’ocassion, avant de laisser la place au concert suivant, celui de Fally Ipupa.
Le
musicien congolais interprète deux titres dont l’un de rumba congolaise, accompagné
d’un deuxième guitariste. Patti Smitth introduit alors Flea, qui joue entre
basse et ‘looper’, ou pédale de boucle, qui enregistre et répète un accord. Il
est accompagné par le violoniste et flûtiste australien Warren Ellis, qui a
longtemps joué avec Nick Cave and The Bad Seeds. Ensemble ils offrent une
performance électrique et transcendante.
Le message de Naomi Klein :
« Tout peut encore changer »
C’est
alors à Naomie Klein de prendre la parole dans un des grands moments de la
soirée. Particulièrement optimiste malgré une description alarmiste des
inégalités mondiales, elle encourage chacun d’entre nous à devenir acteur d’une
changement global, plus convaincante que jamais. Cette année 2015, Naomi Klein a
également publié Tout peut changer :
Capitalisme et changement climatique,
un essai édité en France chez Actes Sud qui souligne que « notre modèle
économique est en guerre contre la vie sur Terre », et qu’il ne faut pas
tarder à y remédier. Noami annonce d’ailleurs l’organisation d’une prochaine
journée d’action, le 12 décembre, à partir de 12 heures, dernière journée de
négociation des délégués réunis pour la COP21 au Bourget. Cette action
citoyenne aura lieu ici à Paris ; les détails seront annoncés
prochainement sur le site dédié au rendez-vous : http://d12.paris/.
C’est
alors au tour de Patti Smith d’occuper la scène. Quel charisme, quelle voix,
quelle parolière… Patti commence son set
par une chanson composée pour sa fille, Jessy, dont le deuxième prénom a été
choisi par amour pour notre capitale… Elle enchaine ensuite deux de ses plus
grands tubes - ‘People Have the Power’,
répète-elle, ovationnée, et un titre inédit, composé avec Flea pour Lola,
disparue à Paris le 13 novembre dernier. Elle reprend enfin le ‘Imagine’ de
John Lennon, chaussant ses lunettes et sortant une feuille blanche pour lire
les paroles, l’émotion est à son paroxysme.
La musique comme discours le plus
puissant
‘Don’t forget it, use your voice’ :
vous avez le pouvoir, ne l’oubliez pas », conclut Patti Smith,
« utilisez votre voix ! ». Un message d’autant plus fort en ces temps
où les manifestations sont interdites en France pour cause d’état d’urgence et
où l’on vote ce dimanche et dans deux semaines pour un scrutin régional qui
s’annonce délicat.
Après
l’intervention de l’activiste indienne Vandana Shiva, c’est au tour du très
attendu Thom Yorke d’entrer en scène pour clore cette soirée. Chanteur,
compositeur, guitariste et pianiste, Thom Yorke est un concert à lui tout seul.
Il entame son set par un nouveau morceau de son groupe Radiohead intitulé
‘Silent Spring’, interprété à la guitare folk. Les paroles sont emplies de
références à la nature – ‘See the moon
smiling’, ‘the reign of butterfly’,
‘broken flowers’, et à la résistance
à un système destructeur : ‘the
future… is not somewhere else’, ‘people have the power’, ‘we’ll take back what is ours, one day at a time’… Un texte
particulièrement adapté à son combat, ce à quoi il était loin d’avoir habitué
son public. Mais l’on sait désormais qu’il est un grand admirateur de Bill
McKibben ; ses textes l’ont peut-être inspiré…
Thom
Yorke enchaîne avec une surprise : la chanson ‘Fake Plastic Tree’, extraite
du deuxième album de Radiohead, The Bends,
datant de 1995, et poursuit avec le sublime titre ‘Bloom’, extrait du dernier
album du groupe, The Kings of Limbs,
sorti en 2011, qu’il chante en s’accompagnant au piano, avec un looper
également. Il interprète ensuite une autre chanson inédite, ‘Desert Island Disk’,
avant d’être rejoint par Flea pour deux titres extraits de l’album Amok d’Atoms For Peace, une
‘supergroupe’ qu’ils ont formé ensemble en 2010. On sent à l’énergie et au
sourire constant du musicien d’Oxford qu’il passe un moment aussi paroxystique
que l’audience, désormais entièrement debout.
Tous
les musiciens reviendront ensuite sur scène, entourés des activistes, pour
reprendre en chœur les paroles de Patti Smith : ‘People Have The
Power !’, avant de nous donner rendez-vous le 12 décembre prochain. Ils
sont les mieux placés pour savoir que ce combat pour la « justice
climatique » est encore loin d’être gagné.
--
Liens :
Thom Yorke le 4 déc. : https://www.youtube.com/watch?v=JgpyF6PDrEw
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