And their first album, recently released, Brutalism.
Listen here:
IDLES - 'MOTHER'
Published on 24 Feb 2017
The video was shot at Dilston Grove, one of CGP London's 2 galleries in the heart of Southwark Park in south London. CGP is an artist-led gallery founded in 1984 by The Bermondsey Artists' Group.
They commission major artworks by artists at all stages of their career. Its a vital part of London's art scene offering space and support that no-one else can across two stunning galleries.
Its an amazing cavernous raw space that hosts a lot of performance, music and live art. They rent it out in between shows to get the crucial funding they need to keep supporting artists. There's nowhere quite like it!
Dilston is one of the first poured concrete structures in the UK, built in 1909 by Cambridge University. It had been derelict since the 60s until the gallery took it on. There'd been a mission church on that site since 1896 after Bishop of Rochester, Edward Stuart TALBOT decided Cambridge should have a post in South London to support the poor.
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Brutalism Tour March/April Tickets: https://goo.gl/IYkwrF
Brutalism Vinyl Pre-Order: https://goo.gl/ocpzuu
Brutalism Vinyl Pre-Order: https://goo.gl/ocpzuu
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IDLES met as a quintet at the death of the indie scene in Bristol and began making visceral and sometimes unlistenable post-punk to a growing crowd. They began with their own club night Batcave and practicing religiously until they felt they had found their sound and their live show; with that in check they have now completed their first album and are savaged in hunger to play their music.
They want to give themselves and their art to the audience in a concise and violent way unrivalled by their peers. They have no qualms in terrifying and entertaining in the same breath. They celebrate their influences in a vitriolic and belligerent sound that is both familiar and new. They are a nose-bleed on the ears and they're here to show you they care.
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IDLES met as a quintet at the death of the indie scene in Bristol and began making visceral and sometimes unlistenable post-punk to a growing crowd. They began with their own club night Batcave and practicing religiously until they felt they had found their sound and their live show; with that in check they have now completed their first album and are savaged in hunger to play their music.
They want to give themselves and their art to the audience in a concise and violent way unrivalled by their peers. They have no qualms in terrifying and entertaining in the same breath. They celebrate their influences in a vitriolic and belligerent sound that is both familiar and new. They are a nose-bleed on the ears and they're here to show you they care.
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You can read more here, on Bristol 24/7:
Music: Feature: IDLES
Sarah Jade, March 18, 2017
IDLES are one of the few Bristol bands who have made a spectrum of impressions over the past 7 years.
I first met the band when I worked at The Old Duke in town. Their lead singer, Joe Talbot, hocked up a huge handful of phlegm and presented it to me like a gift. My eyes watered, my stomach churned and I was nothing short of enraged. 7 years later, Joe has crafted lyrics to songs which do exactly the same thing. Brutalism is the embodiment of rage, disgust, stomach churning accounts of inequality but is a gift to those who accept it for what it is. A huge middle finger to the status quo of society and a screaming hug for those affected by it.
I first met the band when I worked at The Old Duke in town. Their lead singer, Joe Talbot, hocked up a huge handful of phlegm and presented it to me like a gift. My eyes watered, my stomach churned and I was nothing short of enraged. 7 years later, Joe has crafted lyrics to songs which do exactly the same thing. Brutalism is the embodiment of rage, disgust, stomach churning accounts of inequality but is a gift to those who accept it for what it is. A huge middle finger to the status quo of society and a screaming hug for those affected by it.
Idles are fundamentally known for their aggressive approach to current affairs and have present political issues rarely seen in other bands from this city. The song ‘Mother’ highlights the struggles of women to balance work and Motherhood but also the underlying everyday sexism we have all grown used to with lyrics like ‘sexual violence doesn’t start or end with rape//it starts in our books and behind our school gates.’
Their song writing has built stamina which is paralleled by their following. The band are currently embarking on a 20 date tour which is a surprise to some as their new Album -Brutalism, aside from a few cryptic tweets and Facebook posts, seemingly came from nowhere.
So how did they go from playing the usual venues packed out mainly by their social circle to selling out cities and selling an album before it even launched?
So how did they go from playing the usual venues packed out mainly by their social circle to selling out cities and selling an album before it even launched?
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Continues with an interview with the band:
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