18/12/2015

Incredibly powerful text from Scottish musical heros, Young Fathers




 Published today in the British press by Young Fathers:


"Elvis wasn’t the king of rock’n’roll. Kanye played Glastonbury. You can’t keep us in the uuuuurban stations, bestial hip-hop, token crazy militant black people cupboard, under the stairs, poor-doors entrance. We have keys to the front door. We are black and white.
The story is: the drum, the rhythm, from Africa to New Orleans; rape to create white value; proximity, black to white; sounds bleeding through clapboard walls; Rock’n’roll born from pain.
Bo Diddley is rock’n’roll.
Those fences erected are puny. To keep the blacks and the whites separate. We are black and white and we pull them down. They are dust.
Commerce demands packaging. We package ourselves. And some people get it. Paul Weller gets it. He knew some in his audience would have a hard time accepting it, but the man knows where his music comes from, he knows Stevie Marriott checked for soul and R&B, he knows the Beatles checked for Motown. He knows modern music and he ain’t afraid to show it.
Here, have some of this, it tastes modern.
It’s a culture collision but open your mind and it works. Young Fathers are supporting Paul Weller – predict that.
In the midst of this UK tour, while Britain First are trying to spawn all over the internet, while politicians and press fight to expectorate the most poisonous, anti-immigrant ignorance, we give you Old Rock’n’Roll, a journey across centuries, bringing it back to Africa, to Malawi, bringing the faces and sounds of humans, migrating, because they are captured or scared or hungry, as they always have done. And we’re saying, it’s alright. In the heart of the Congo, it’s alright.
In the heart of Essex, it’s alright. Don’t be afraid. This country can afford it. If we can afford bombs we can afford blankets and a welcome.
Old Rock’n’Roll. Not what you’ve been told.”
--

A text to introduce this new video:


Young Fathers - Old Rock N Roll



--

Taken from the YOUNG FATHERS album 'White Men Are Black Men Too' released 6 April 2015 on Big Dada.

Follow YOUNG FATHERS on:
Facebook: https://www.facebook.com/youngfathers
Twitter: https://twitter.com/youngfathers
Instagram: http://instagram.com/young_fathers
Spotify: http://smarturl.it/youngfatherspotify

http://bigdada.com
http://young-fathers.com/

Thank you to Alex Chilembwe, Marumbo Sichinga, Lake of Stars, 'chipoka boys' Antony & Bakali and the people of Chipoka Village, Mangochi, Malawi. 

--

LYRICS:

For fuck's sake

We living life like a bubble wrapped ape
She came to mind when I treble that bass
I’m tired of playing the good black
I said I’m tired of playing the good black
I’m tired of having to hold back
I’m tired of wearing this hallmark for some evils that happened way back
I’m tired of blaming the white man
His indiscretion don’t betray him
A black man can play him
Some white men are black men too
Niggah to them
A gentleman to you

Some white men are black men too

Niggah, Ohwae Owhae
Awake

Watch your body
Wash itself
Baptise baby
I bath in blood
Dare be told
I seldom do surrender
God forsaking no good do-good-er It’s all out
Out in the open
Looking for the wild one
Boy I’m fragile
Choke on bones while choking stone
You knock me or your miss me
Or you miss me

Niggah, Ohwae Owhae
Awake

Old rock n roll
Not what you’ve been sold
Congo square is open for business
I was there as god is my witness
There you fucking go
(So there you fucking go)
--


Marx by Banksy








16/12/2015

ABOUT JOHN AKOMFRAH



Bristol, I'm everyday grateful you were on my road!!

--


Soon at the Arnolfini Gallery, in Bristol:



John Akomfrah, Vertigo Sea, 2015 © Smoking Dogs Films. Courtesy Lisson Gallery



JOHN AKOMFRAH: VERTIGO SEA

Saturday 16 January 2016 to Sunday 10 April 2016, 11:00 to 18:00
Free 




The UK premiere of John Akomfrah’s acclaimed video installation Vertigo Sea.

Vertigo Sea, a three-screen film, first seen at the 56th Venice Biennale as part of Okwui Enwezor’sAll the World’s Futures exhibition, is a sensual, poetic and cohesive meditation on man's relationship with the sea and exploration of its role in the history of slavery, migration, and conflict. Fusing archival material, readings from classical sources, and newly shot footage, the work explicitly highlights the greed, horror and cruelty of the whaling industry. This material is then juxtaposed with shots of African migrants crossing the ocean in a journey fraught with danger in hopes of ‘better life’ and thus delivering a timely and potent reminder of the current issues around global migration, the refugee crisis, slavery, alongside ecological concerns.
Shot on the Isle of Skye, the Faroe Islands and the Northern regions of Norway, with the BBC’s Bristol based Natural History Unit, Vertigo Sea draws upon two remarkable books: Herman Melville’s Moby Dick (1851) and Heathcote Williams’ epic poem Whale Nation (1988), a harrowing and inspiring work which charts the history, intelligence and majesty of the largest mammal on earth.
As part of the exhibition, a new work Tropikos (2016) will also be shown. Set in the sixteenth century and using the writings and memoirs of a number of seafarers as its raw material, this single channel film is a Brechtian costume drama which merges Shakespeare's The Tempest with true accounts of the journeys to and dreams of the 'New World'.
After showing in Bristol, Vertigo Sea will tour nationally as part of the ACE Strategic Touring Programme that has been awarded to Arnolfini as the tour leader.  The exhibition will be shown at Turner Contemporary in Margate and the Whitworth in Manchester, with other potential partners to be announced shortly.
--
John Akomfrah is an artist and filmmaker whose works are characterised by their investigations into personal and collective histories and memory, cultural, ethnic and personal identity, post-colonialism and temporality.  Importantly, his focus is most often on giving voice to the experience of the African diaspora in Europe and the USA.
A founding member of the influential Black Audio Film Collective, his work has been shown in museums and exhibitions around the world including the Liverpool Biennial; Documenta 11, Centre Pompidou, the Serpentine Gallery; Tate; and Southbank Centre, and MoMA, New York. A major retrospective of Akomfrah’s gallery-based work with the Black Audio Film Collective premiered at FACT, Liverpool and Arnolfini, Bristol in 2007. His films have been included in international film festivals such as Cannes, Toronto, Sundance, amongst others. He has recently been shortlisted for the Artes Mundi 7 prize. 


John Akomfrah, Vertigo Sea, 2015 © Smoking Dogs Films. Courtesy Lisson Gallery

--
John Akomfrah talks to TateShots about how he navigates between the gallery and cinema and what compelled him to make Vertigo Sea.
Artist and filmmaker John Akomfrah discusses how he navigates between the gallery and cinema, what compelled him to make his 2015 work Vertigo Sea, and the influence of Andrei Tarkovsky.
--

John Akomfrah: Vertigo Sea

The UK premiere of John Akomfrah’s acclaimed video installation Vertigo Sea and associated programme of events.

Chasing the Whale: Kings of the South Seas with Tim Eriksen & Philip Hoare

Chasing the Whale: Kings of the South Seas with Tim Eriksen & Philip Hoare 1

Sunday 03 April 2016, 20:00 to 22:30
£10 / £8 concs  Book
A whaler's life from the era of Moby Dick brought to life through music, narration and film.


John Akomfrah in Conversation

John Akomfrah in Conversation 

Saturday 16 January 2016, 11:00 to 12:30
£10/£8 concs  Book
To coincide with the UK premiere of John Akomfrah’s acclaimed video installation Vertigo Sea, the artist will be in conversation with academic, editor and writer, Anthony Downey.


2027? Musician Ibrahim Maalouf heartbreak video about rejecting difference





Ibrahim Maalouf - Run The World (Girls) / Official





Crédits clip:

Co-Production : \ELSE & Mi'ster Production
Post-production / Son : \ELSE
Réalisation : Jérôme de Gerlache
Directeur de la photographie : Jacques Ballard
Chef Monteuse : Flavie Doubesky
Chef déco : Christine Gérard 
Scenario : Ibrahim Maalouf & Jérôme de Gerlache

Avec :

Trompette : Ibrahim Maalouf
Claviers : Eric Legnini
Guitare : François Delporte
Batterie : Stéphane Galland
Danseuse : Hajiba Fahmy 
Chorégraphie: Hajiba Fahmy & Aziz Baki
Policier : Benjamin Baroche
Policière : Stéphanie Reynaud

Crédits musicaux :

Run The World (Girls)
(Beyoncé Knowles / Dave Taylor / Adidja Palmer / Thomas Wesley Pentz / Nick Van De Wall / Terius Nash)
© EMI April Music Inc / B-DAY Publishing / Switch Werd Music / Jack Russell Music Ltd / I Like Turtles Music / Songs Of SMP / Afrojack Publishing / 2082 Music Publishing
With courtesy of EMI Music Publishing France, Metisse Music, BMG Rights Management France & Warner Chappell Music France

« RED & BLACK LIGHT » est une ode à la femme d’aujourd’hui et à son rôle fondateur et fondamental pour espérer un avenir meilleur. Les femmes de ma famille ont eu, et ont encore aujourd’hui, une influence incommensurable sur tout mon travail musical. Notamment parce qu’elles m’inspirent considérablement dans leur façon de gérer leur quotidien et celui de leur entourage. Malgré des vies en labyrinthes, complexes et souvent dramatiques, elles portent en elles une force et une stabilité similaires à une forme de transe inébranlable. Elles me donnent l’impression de ne jamais perdre de vue ce qui est essentiel.

Musiciens:
François Delporte : guitare
Stéphane Galland : batterie
Eric Legnini : clavier
Ibrahim Maalouf : trompette & piano

Maitrise de radio France - Direction : Sofi Jeannin (sur le morceau Red and Black Light)
Sylvain Dupuis (sur le morceau Improbable) : tapan


15/12/2015

BBC 6 Music Festival coming to Bristol



6 Music Festival is coming to Bristol


Bristol 24/7 , December 15, 2015





Tricky, Roni Size and Primal Scream are some of the first acts confirmed to be playing at the 6 Music Festival when it comes to Bristol next year.
The annual festival will take over multiple venues across the city from February 12 to 14 and be accompanied by daytime happenings including spoken word, poetry and performance events.
BBC Radio 6 Music presenter Mary Anne Hobbs (pictured above) said: "The 6 Music Festival is such a special event because it brings all the elements of what we do as a digital radio station into a physical space; the artists, the whole of the station's staff and presenters, and of course our wonderful listeners.
"This year, the festival is coming to Bristol, a place where music is such a primary element of the DNA of the city. It’s going to be a truly unforgettable experience."
Hobbs launched the festival alongside fellow presenter Steve Lamacq as 6 Music broadcast live from the Watershed bar on Tuesday afternoon.
The show is due to feature Primal Scream's Bobby Gillespie alongside Roni Size, Tricky and two other Bristol acts confirmed so far for the festival, Beak and The Blue Aeroplanes. Graffiti artists Cheo, Inkie and Cosmo Sarson are also scheduled to feature in the show.
DJ Pinch is the final Bristol act to be confirmed for February with the full festival lineup and details of how to get tickets to be revealed on January 19.
The festival is now in its third year having previously been to Manchester in 2014 and Tyneside in 2015. Next year's 6 Music Festival in Bristol will take place in venues across the city including Motion, the Colston Hall, O2 Academy, Basement 45 and Trinity.
Lamacq said: "I love getting out of London and going to gigs around the country, so the 6 Music Festival is ideal. Bristol has some fantastic venues - I was there a while back to see a band called The Archie Bronson Outfit and had an excellent night at the Colston Hall so I’m really looking forward to going back there."
He added: "I know the appetite for music is really healthy around the city. I hope people come along and enjoy it." 
--


11/12/2015

Banksy in Calais







After Dismaland, Banksy continues to hightlight the migrant crisis and horrific living conditions of Syrian refugiees in the Jungle of Calais by painting a portrait of Steve Jobs, reminding us that he is the son of a Syrian migrant. Steve Jobs is depicted carrying a travel bag with his iconic mac computer. Additional murals and messages have been painted in the camp and the city center of Calais. 
Source:
Banksy creates new pieces in Calais, Francehttp://www.streetartnews.net/2015/12/banksy-does-steve-jobs-in-calais.html
The others pieces are showing a stenciled young girl and her telescope, a text piece which reads “Maybe This Whole Situation Will Sort Itself Out” and a piece showing a refugee raft and dubbed “Maybe We Are Not All In The Same Boat”. On a side note, this is the first ever time Banksy paints in France.

Read more here: http://www.independent.co.uk/arts-entertainment/art/news/banksy-in-calais-jungle-steve-jobs-graffiti-reminds-people-apple-founder-was-son-of-syrian-migrants-a6769741.html

A new Banksy graffiti has appeared on a concrete bridge in the Calais migrant camp, showing late Apple founder Steve Jobs migrating from Syria.
Known as the Jungle, the makeshift town is located on what used to be a rubbish tip on the outskirts of the French port and is currently home to more than 7,000 migrants. The majority come from war-torn Syria and Afghanistan are are hoping to get to the UK to start a new life. 
The timely new artwork features Jobs’ trademark spectacles, as he carries an early Apple computer in one hand a sack of belongings on his back.
(...)

Banksy said in a statement: “We’re often led to believe migration is a drain on the country’s resources, but Steve Jobs was the son of a Syrian migrant.
“Apple is the world’s most profitable company, it pays over $7 billion a year in taxes - and it only exists because they allowed in a young man from Homs.”

--

More picture on the artist's website: http://banksy.co.uk/

Banksy


Banksy
We're not all in the same boat.

Banksy
Calais town centre



"Hymn Of The Big Wheel"










[Horace Andy]

'Hymn Of The Big Wheel'

The big wheel keeps on turning
On a simple line day by day
The earth spins on its axis
One man struggle while another relaxes

There's a hole in my soul like a cavity
Seems like the world is out to gather just by gravity
The wheel keeps turning the sky's rearranging
Look my son the weather is changing

I'd like to feel that you could be free
Look up at the blue skies beneath a new tree
Sometime again
You'll turn green and the sea turns red
My son I said the power of axis over my head
The big wheel keeps on turning
On a simple line day by day
The earth spins on its axis
One man struggle while another relaxes

We sang about the sun and danced among the trees
And we listened to the whisper of the city on the breeze
Will you cry in the most in a lead-free zone
Down within the shadows where the factories drone
On the surface of the wheel they build another town
And so the green come tumbling down
Yes close your eyes and hold me tight
And i'll show you sunset sometime again

The big wheel keeps on turning
On a simple line day by day
The earth spins on its axis
One man struggle while another relaxes
As a child's silent prayer my hope hides in disguise
While satellites and cameras watch from the skies
An acid drop of rain recycled from the sea
It washed away my shadow burnt a hole in me
And all the king's men cannot put it back again
But the ghetto sun will nurture life
And mend my soul sometime again

The big wheel keeps on turning
On a simple line day by day
The earth spins on its axis
One man struggle while another relaxes

One man struggle while another relaxes...