08/11/2016

Parlons de l'histoire musicale de Bristol !



Discussion autour de la scène musicale de Bristol


Le samedi 26 novembre à partir de 16h, au café disquaire LE WALRUS, 34ter rue de Dunkerque, Paris 10e.


En partenariat avec la Librairie Nordest et le café disquaire le plus sympa de Paris, le Walrus, et à l'occasion du concert de l'inoubliable et trop méconnu The Pop Group à Boulogne, parlons de musique, de Bristol, de post-punk, de reggae, de hip-hop et de révolutions musicales ! 

Le Pop Group a inspiré de nombreux groupes à Bristol, entre 1977 et 1980, avant que son leader, Mark Stewart ne rencontre Neneh Cherry et parte en voyage à New York et au Japon. Quelques années plus tard, le collectif The Wild Bunch prend cette énergie DIY et la plonge dans son hip-hop infusé de reggae. Son principal DJ, Daddy G, et son meilleur graffeur et rappeur, 3D, fondent ensuite Massive Attack en 1988... 

Une belle histoire commence!

Rejoignez-nous samedi 26 novembre à partir de 16h, au Walrus, 34 Ter rue de Dunkerque. 
Je parlerai de mon livre, En dehors de la zone de confort - Bristol de Massive Attack à Banksy, avec Frédérique Labussiere.

A bientôt!

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L'événement sur Facebook : https://www.facebook.com/events/1231312220258852/

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Sur le livre :






En dehors de la zone de confort
De Massive Attack à Banksy, l’histoire d’un groupe d’artistes, de leur ville, Bristol, et de leurs révolutions

de Mélissa Chemam


En retraçant l’histoire du groupe Massive Attack, ce livre dessine le portrait de leur ville, Bristol, dans une enquête qui mêle musique, art et politique.

Des mouvements post-punk et reggae nés dans les années 1970 au trip-hop et au révolutionnaire Banksy, en passant par les débuts du hip-hop britannique et la naissance d'un mouvement de street art unique, l’auteur interroge les destins croisés de Mark Stewart et son Pop Group, Smith & Mighty, Portishead, Tricky, The Insects, Inkie et, bien sûr, Massive Attack - ayant passé des mois à les interviewer.

En 1983, lorsque le jeune graffeur anglo-italien Robert Del Naja signe de son pseudonyme – 3D – sa première œuvre sur un mur de la ville, les DJs d’origine antillaise Grant Marshall et Miles Johnson, font exploser leur collectif, The Wild Bunch. Ils appellent rapidement 3D à les rejoindre. 3D et Grant forment Massive Attack en 1988 avec le jeune Andrew Vowles et connaissent un succès éblouissant avec leur album Blue Lines. Le groupe devient l’incarnation du métissage à la britannique. Et, à partir de 1998, Banksy s’empare des murs de Bristol, inspiré par 3D, alors que Massive Attack change de ton avec son album Mezzanine. Et la ville elle-même semble s’accorder à leur tonalité de plus en plus engagée, militante et révolutionnaire. 

Bristol, comme Détroit ou Liverpool, se met à rayonner dans le monde comme le berceau d’un grand mouvement créatif. C’est la généalogie urbaine de cette renaissance que nous propose de découvrir l’auteur.

Elle est allée à la rencontre des artistes de Bristol, interviewant pendant plus d'un an ses meilleurs musiciens, ses graffeurs de renoms et leurs proches. Du studio de Massive Attack au Dismaland de Banksy en passant par des galeries et salles de concert, de Bristol et d'ailleurs, elle leur a demandé de raconter eux-mêmes leur histoire et de revenir sur leurs inspirations, motivations, et engagements.

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Journaliste depuis 2004, Mélissa Chemam a vécu à Paris, Prague, Miami, Londres, Nairobi, et voyagé dans plus de 40 pays. Elle a collaboré notamment avec la BBC, RFI et France Culture.


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Bristol en images : 





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Page Facebook :  https://www.facebook.com/frombristoltomassiveattack/



Black and British



Roots, Reggae, Rebellion: Trailer - BBC Four



Akala examines the history and impact of reggae music in Jamaica and Britain.


In the 1970s, Jamaica came alive to the sounds of roots reggae. British rapper, poet and political commentator Akala tells the story of this golden period in the island's musical history, a time when a small group of musicians took songs of Rastafari, revolution and hope to the international stage.
Growing up in London, Akala's family immersed him in roots reggae from an early age so he has a very personal connection to the culture. It has informed his own songwriting, poetry and political worldview, but it's an upbringing that he now feels he's taken for granted. 
In this documentary, Akala sets out to find out more about the music that has had such an impact on his life. He begins by exploring the music's origins in Jamaica where it offered hope to ordinary people at a time when poverty, political violence and turmoil were ravaging the island. Artists like Bob Marley, Big Youth and Burning Spear began to write about suffering and salvation through Rastafari in their songs. Akala unpicks how all of this evolved.
Back in the UK, Akala reveals how the Jamaican artists and our own British roots reggae bands like Steel Pulse became a cultural lifeline for young black people who were experiencing racism and rejection in their own country. He shows how roots reggae also related to a wider audience, its revolutionary message connecting with an increasingly marginalised UK youth.

Programme website: http://bbc.in/2evu3y5 





07/11/2016

St Pauls' Carnival will be returning to Bristol



Great news indeed! 



My shadow and myself in Bristol's Saint Pauls neighborhood, in Feb. 2015




This is when St Paul's Carnival will be returning to Bristol

Bristol Post - November 07, 2016

St Paul's Carnival will return next year and you have a chance to be a big part of the celebrations.
The event, which commemorates Bristol's culture and Afrikan Caribbean community, has disappointingly been absent from the calendar for the last two years.
It will be held again on July 1, 2017 to coincide with the tradition of the carnival taking place on the first Saturday in July.

You can be a part of it

To ensure the event is a success a new voluntary board of directors is being created to oversee the festivities.
The board will be formed of at least five members including a chair, a treasurer and a team of company directors.
Applications are now open to anyone who'd like to get involved with a deadline for entries being 9am on November 25.

Looking to the future

The leadership team will be tasked with organising a great 2017 celebration as well as looking to preserve the long-term future of the carnival which marks its 50th anniversary in 2018.
The new festival committee will work in a similar manner to a community interest company which looks to improve local life.
One of their key responsibilities will be to appoint a management team for the carnival.

Great to be back

Bristol Mayor Marvin Rees is delighted St Paul's Carnival will return to the streets of the city.
He says: "St Paul's Carnival is and always will be a huge part of this city's cultural identity. It's important that we bring this showcase of Afrikan Caribbean culture back to the city streets so we will can again embrace the important role the community plays in our city life.
"I fully support the move to put in place a viable and sustainable plan and organisation to secure the future of Carnival as we approach its half century in 2018."
Appointments to the new board will be made in December.
Anyone interested in being a part of next year's carnival can visit www.voscur.org/carnival.

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Link to article: http://www.bristolpost.co.uk/date-announced-for-the-return-of-st-pauls-carnival/story-29873893-detail/story.html#0EQBMvphVI3Fcvjb.99



06/11/2016

On Brexit and the role of the British Parliament


 I'll be in Belfast next week to start working on the consequences of the so-called Brexit vote in the UK, firstly in Northern Ireland. Then I'll start working in our French suburbs again. I produce stories for radio because in television, control is always putting an end to any story a journalist tries to produce independently, I see it every week in different newsrooms. I've lived it for so many years, working with so many different networks.

But don't we need enlightened media more than ever in Western so-called democracies?

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The British press scares me... And French press has no courage.

What can we do and where can we still write?

Sometimes I wonder is the idea of democracy really does exist anywhere on this planet... Of course, the Parliament should rule the the EU / UK situation in a country that is a parliamentary regime... What is the Daily Mail preaching?

Here below is a simple series of useful statements.


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Gina Miller: Brexit ruling prevents UK from being a 'tin-pot dictatorship'

Lead claimant in high court battle to give MPs a vote on EU exit says people should thank her for creating legal certainty



Gina Miller, the businesswoman behind the successful legal battle against launching Brexit without parliament’s approval, said the high court ruling has stopped the government behaving like a “tin-pot dictatorship”.

The investment fund manager and philanthropist said the press had “behaved disgracefully” following the court judgment. She told BBC One’s Andrew Marr Show: “This is about creating legal certainty, and actually, everyone in the country should be my biggest fan because I’ve used my own money, and a few of us used our own money, to create legal certainty for Mrs May to move ahead.”

She said it was “misdirection” to claim that the decision was unpicking parliamentary sovereignty. “The case is that she cannot use something called the royal prerogative to do it because we do not live in a tin-pot dictatorship,” she said.
Miller, 51, was born in Guyana but grew up in Britain. She co-founded the firm SCM Private and previously launched a campaign with her hedge-fund manager husband, Alan, against mis-selling and hidden fund charges in the City of London’s fund management industry.

Reaction to the Brexit case had been fuelled by sexism, racism and homophobia, she said. “I was aware there would be nastiness because if there’s anything to do with the word Brexit, people lose their minds and it’s all about heart.”
Meanwhile, Nigel Farage warned there would be disturbances on the streets if parliament attempted to thwart Brexit. The interim Ukip leader said political anger – “the likes of which none of us in our lifetimes have ever witnessed” – would emerge if voters felt they were going to be “cheated” over the June referendum result to leave the EU.

He called on Brexit backers to “get even” through peaceful protests and oppose at the ballot box anyone who seeks to overturn the process. But Farage claimed he was “finished” with party politics, as he sought to downplay any potential return to leading Ukip in future. 

The MEP told Marr: “We may have seen Bob Geldof and 40,000 people in Parliament Square moaning about Brexit. Believe you me, if the people in this country think they’re going to be cheated, they’re going to be betrayed, then we will see political anger the likes of which none of us in our lifetimes have ever witnessed in this country. Those newspaper headlines are reflecting that.”

Asked if there was a real danger of “disturbance in the streets” if Brexit was thwarted by parliament, Farage replied: “I think that’s right. I heard you talking to Gina Miller earlier about the nasty things that have been said about her. Believe you me, I’ve had years of this, I’ve had years of hate mobs – taxpayer-funded hate mobs – chasing me around Britain.

“The temperature of this is very, very high. Now, I’m going to say to everybody watching this who was on the Brexit side – let’s try to get even, let’s have peaceful protests and let’s make sure in any form of election we don’t support people who want to overturn this process.”



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Brexit judgment reinforces the supremacy of parliament

An expert in constitutional law assesses why the government has been told that it cannot use the royal prerogative to trigger Brexit

Sionaidh Douglas-Scott
Sunday 6 November 2016 06.04 GMT

In a landmark legal decision last Thursday, the high court upheld a legal challenge brought against the government by Gina Miller and others, and ruled the government cannot use the royal prerogative to trigger article 50 of the Lisbon treaty, and so formally commence the process to leave the EU, without parliamentary approval.

The court’s judgment means that the process must be subject to parliamentary control and oversight. Importantly (especially in the light of some recent media comments), the court stressed that this is purely a question of law and that the court is not concerned with, and does not express any view about, the merits of leaving the EU. That is a political consideration.

In brief, the case arose because article 50 allows the UK to withdraw from the EU “in accordance with its own constitutional requirements” – but there was disagreement as to what the UK constitution actually requires.

The government argued that it could use royal prerogative powers (namely, that residue of monarchical authority now exercised by ministers) to authorise the UK’s withdrawal. While it is clear that prerogative powers cover international relations and the conclusion of treaties, it is settled UK constitutional law that an act of parliament – in this case the European Communities Act (ECA) 1972 – cannot be supplanted by the exercise of a prerogative power.

The court accepted the claimants’ arguments that, once notice is given under article 50, some rights under EU law (as incorporated into domestic law by the ECA) would inevitably be lost on completion of the article 50 process. Therefore, the government cannot give notice under article 50 without reference to parliament. This judgment can be seen as a victory for parliament. During the EU referendum, voters were constantly urged to “take back control” and regain parliamentary sovereignty from the EU.

Yet in what sense is parliament taking back control, if the government is able, using its ancient prerogative powers, to manage the whole EU withdrawal process without any significant parliamentary involvement? That would be extremely undemocratic – and democracy is what we are told the EU referendum was about.

Furthermore, the court’s judgment makes clear that the exclusion of parliament in the process is not only undemocratic, it is illegal. There is a wealth of case law supporting the claimants’ case, some of it dating back to the 17th century and the English civil wars. Those wars, and the ejection of two kings during that century, established that parliament is sovereign and that the executive cannot ignore it, where it has no legal authority to do so.

This judgment makes clear that the government does not have any such legal authority in the context of triggering article 50. However, it must be stressed that the judgment also makes clear the importance of rights in the Brexit process. Much of the judgment concerns legal arguments over the ECA, which can seem arcane. Yet they are of vital importance to every citizen.

The EU has been described as a “new legal order” and it is in many important aspects different from ordinary international law. One such aspect has been the extent to which it confers rights on individuals. Through the ECA, every UK national has been endowed with rights under EU law – rights of free movement and residence in other EU countries, but also many other types of rights, such as employment rights, consumer rights, or rights to information. Some of these will vanish as a result of triggering article 50 and the withdrawal process.

The government has said it will transfer some EU law into UK law through a “great repeal bill”, and then decide in future whether or not to retain it. Thursday’s judgment makes clear that decisions that inevitably remove rights may not be taken by the executive alone. Parliament must be consulted.

What are the practical consequences of this judgment? First, a government spokesperson has said the government will appeal, in which case it will be fast-tracked and heard very quickly by the UK supreme court. The government might try to change its position, and argue that a notification under article 50 could be revoked – this would be the opposite of its high court concession that triggering article 50 would inevitably result in the withdrawal of the UK from the EU (and so lead to loss of individual rights). At present both government and claimants are treating the triggering of article 50 as the inevitable point when it becomes clear that the ECA will be repealed.

But if it were acknowledged that such a move is reversible, the point would be that, in triggering article 50 by executive act, the government would not be subverting statute at that point, it would not be rendering the ECA a dead letter, inevitably leading to a loss of rights.

Some believe a notification under article 50 is revocable. But this would involve a question of EU law, and the final answer could only be given by the European court of justice. Moreover, such a reversal of the government’s arguments would be politically risky, as it would amount to acknowledging that the UK might decide not to leave the EU, and that Brexit does not mean Brexit after all, perhaps not a very likely position for the government to take.

Thursday’s ruling is a strong judgment, by a powerful trio of judges including the lord chief justice, and its reasoning looks hard to overturn. If the ruling stands, it will be necessary for a bill to be introduced in parliament. Although it is highly unlikely parliament will vote against triggering article 50, parliament may well seek to impose certain conditions on the government.

The June referendum resulted in a vote for the UK to leave the EU. However, it did not determine the way in which the UK leaves the EU. The court’s judgment means that the elected parliament will have a role in debating and deciding many matters, rather than their being determined in private by the executive.

Finally, the judgment raises a question of the role of the devolved nations. If Westminster is to be involved, what about the devolved parliaments? By constitutional convention, devolved parliaments are asked for their consent when Westminster either legislates with regard to devolved matters (see section 28(8) of the Scotland Act) or where it legislates to increase or reduce their powers. If a bill is introduced allowing article 50 to be triggered, would this require legislative consent motions, and, if so, would the devolved nations give their consent? Conflicting answers have been given on this point, and the issue is highly politically charged.

One thing is clear – Brexit is constitutionally fascinating, as well as constitutionally problematic. It also raises as many difficult questions for our understanding of the British constitution as it does of the UK’s relationship with the European Union.

Professor Sionaidh Douglas-Scott is anniversary chair in law and co-director at the Centre for Law and Society in a Global Context, Queen Mary School of Law, University of London


After Mosul, Raqqa


While Iraqi forces are still struggling to take back Mosul in Northern Iraq from the hands of the Islamic State (IS), Arab /Kurdish rebel forces - back by U.S. troops - are now targeting Raqqa in Syria...


Syria conflict: Rebel force targets IS 'capital' Raqqa


(BBC) A US-backed Kurdish and Arab force has announced an operation to capture Raqqa, so-called Islamic State's "capital" in Syria.
The Syria Democratic Forces say they will be aided by US-led coalition air strikes and will begin in hours. 
They have also warned civilians to steer clear of areas where IS militants are present.
The coalition of Kurdish and ethnic Arab militias has been gaining ground in areas to the north of the city.
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More soon.

05/11/2016

Couscous Clan



Le Couscous Clan - Rodolphe Burger, Rachid Taha & Friends : Un concert unique qui a mêlé raï et influences post-punk, au Palais de la Porte Dorée, vendredi 4 novembre.

Le Couscous Clan est une sorte de groupe imaginaire, intempestif, dans lequel le grand explorateur du rock français le Rodolphe Burger invite Rachid Taha, pionnier du rock’n’raï et de fidèles compagnons à exprimer leurs amours musicaux si variés sur une même scène. Les deux icônes se sont ainsi produites ensemble régulièrement et ont réitéré cette rencontre rare ce vendredi, au Musée de l’Histoire de l’Immigration, pour une série de chansons qui leur sont chères.

Le guitariste et chanteur, fondateur du groupe Kat Onoma (1986-2002), Rodolphe Burger a ouvert la soirée avec les mots poétiques et linguistiques de son ‘Arabecedaire’, duo entre français et arabe, écrit avec Rachid Taha.


'Arabecedaire' - Rachid Taha ft Rodolphe Burger



Le ‘Coucous Clan’ s’est ensuite présenté dans tout son spectre en offrant une réinterprétation du ‘Walk on the Wild Side’ de Lou Reed, accompagnée par les chœurs de Rachid Taha et Hakim Hamadouche. Ce dernier a irradié plusieurs des morceaux suivants de son art du luth oriental et de sa voix grave. L’ancien leader du groupe Carte de Séjour, fondé en 1981, a ensuite présenté ses grand succès puis a clos la soirée, comme souvent, avec sa version du ‘Rock The Casbah’ des légendaires Clash. 

On sent fortement l’amitié et l’amour de la musique qui lient les trois artistes. Mais on rêverait aussi voir le résultat – et pourquoi pas un album ? - qui pourraient émerger d’une collaboration sonore plus poussée qui ferait évoluer le collectif si les trois musiciens créaient ensemble un nouveau son, encore plus syncrétique…


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Couscous Clan :
Conception : Rodolphe Burger & Rachid Taha
Accompagnés par Hakim Hamadouche au luth, Kenzi Bourras aux claviers, Franck Mantegari à la batterie et Julien Perraudeau à la basse.

Le Palais de la Porte Dorée s'associe au mouvement Fraternité générale : www.fraternite-generale.fr

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04/11/2016

The rights of unaccompanied children in Calais



HELP REFUGEES GRANTED HIGH COURT PERMISSION TO CHALLENGE HOME SECRETARY OVER DUBS CHILDREN




Calais Jungle, February 2016



Leading refugee aid organisation Help Refugees was granted permission yesterday (Thursday 3 November 2016) by the High Court to judicially review Amber Rudd over the Dubs Amendment (s.67 Immigration Act 2016).  


The Dubs Amendment was passed in May 2016 in response to the global refugee crisis.

S67 Immigration Act 2016 requires the Secretary of State to “as soon as possible… make arrangements to relocate” unaccompanied refugee children from other European countries to the UK.

But until Help Refugees issued legal proceedings on 18 October not one child had been relocated to the UK under the Dubs Amendment.

Before October 2016, the children who the Home Secretary and her Ministers claimed to be bringing to the United Kingdom under the Dubs Amendment were in fact children to whom the Home Secretary already owed separate duties under European Union law (the Dublin III Regulation) for family reunion purposes rather than the provisions of the Dubs Amendment.

The Help Refugees legal challenge also alleges that the Home Secretary’s failure to implement her Dubs Amendment duties towards unaccompanied children in Calais – despite commitments in Parliament to prioritise those children – contributed to those Calais children being exposed to serious human rights violations.

Before the demolition of the Calais Jungle on 24 October 2016, the Secretary of State was repeatedly warned that unless proper registration and relocation processes were put in place to implement her Dubs Amendment and Dublin III duties, children who would otherwise be relocated under s.67 might go missing. 129 children remain unaccounted for after the previous partial demolition of the Jungle in March 2016.

Despite these warnings, the Home Office’s registration of children in the Jungle for the purposes of relocating them to the UK under s.67 Immigration 2016, only began on 21 October, three days before the eviction and demolition, and after Help Refugees had begun their legal challenge.  The first relocations to take place to the UK under s.67 Immigration Act 2016 started on 22 October, two days before demolition. 

At the time of the eviction on 24 October, many children, including very young children, remained unregistered and non-accommodated. Children slept by the roadside or re-entered the partially demolished Jungle Camp in which fires were burning.  Unaccompanied children are believed to have gone missing during and in the aftermath of the demolition of the Jungle Camp. 

Rosa Curling, from the human rights team at law firm Leigh Day, who represents Help Refugees, said:

“We welcome the fact that the High Court has recognised the importance and merit of our legal challenge. This challenge is vital for lone refugee children who urgently need protection and are potentially eligible for relocation. The UK government must fulfil its obligations without further delay.”

Josie Naughton, one of the Founders of Help Refugees, said: “We are pleased that Dubs Amendment relocations have at last begun, apparently prompted by our legal challenge.  But the Home Secretary’s actions come tragically late for some children at Calais and so much more is needed.”

Help Refugees are not alone in their criticism of the Home Secretary’s inaction in Calais. The Office of the UN Committee on the Rights of the Child issued an unusually strongly worded statement on 2 November condemning the failures of the French and British Governments to protect refugee children in Calais:

“The events of the past week have shown clearly that political and other considerations prevailed over the initial promises by both Governments that the situation of unaccompanied children would be their priority. The best interests of the child have been completely disregarded.

Disagreements between the French and UK Governments over who should take responsibility for the majority of these children have led to major violations of these children’s rights. Hundreds of children have been subjected to inhumane living conditions, left without adequate shelter, food, medical services and psychosocial support, and in some cases exposed to smugglers and traffickers.”


How to Help Dadaab Refugee Camp in Kenya


A message from Refugee International...

Threatened Closure of the Dadaab Refugee Camp in Kenya Has Already Caused Irreparable Harm to Somali Refugees, New Refugees International Report Concludes



Washington, DC – Somali refugees will face further and considerable insecurity if the Kenyan government proceeds with its plans to close the Dadaab refugee camp in late November, according to the new Refugees International report, Refugee Returns from Kenya to Somalia: “This is About Fear… Not About Choice.” 


But even if the Kenyan government’s threat is empty, thousands of refugees have repatriated to Somalia where large-scale returns are unlikely to be sustainable. Facing pressure from the Kenyan government to leave, and induced by a monetary return package from the UN Refugee Agency (UNHCR), returnees face dire conditions within Somalia, with food insecurity on the increase and continued fighting between a multitude of armed groups.


“The Somali refugees in Dadaab fled to Kenya to escape the violence, persecution, and turmoil at home. Forcing them back to Somalia now would return these people back to the very conditions from which they originally fled. UNHCR claims that it only supports voluntary returns, but none of the refugees whom we spoke with in Dadaab said they felt like they have much choice,” said Senior Advocate Mark Yarnell, author of the report.


Yarnell and Refugees International President Michel Gabaudan traveled to Kenya and Somalia in September 2016 to investigate the conditions for Somali refugees within Kenya and for those returning to Somalia. While in Somalia, Yarnell and Gabaudan traveled to Kismayo in the south, one of UNHCR’s designated areas for refugee returns, to gather first-hand information about the humanitarian and security conditions. Their findings inside Somalia add an important new dimension to the debate around the future of Dadaab and its inhabitants.


South central Somalia is experiencing a humanitarian crisis due to drought and conflict, and Kismayo itself is home to more than 40,000 internally displaced persons (IDPs) who live in deplorable conditions. Access to work and education is very limited, and tragically, some recently returned refugees from Dadaab are now living in IDP camps inside Somalia and dependent on humanitarian aid for survival. Though Kismayo town is relatively safe, the presence of the armed group Al-Shabaab in the immediate surrounding area presents a threat to returnees, many of whom originally fled to Kenya because of this same insecurity.  


The Refugees International report offers a set of recommendations to support and protect the Somali refugees in Kenya and those returning to Somalia.  Those recommendations include:
  • The Kenyan government must lift its deadline of November 30, 2016, for closing the Dadaab refugee camp. Further, it must cease coercive efforts to promote premature returns to Somalia and assure refugees that they will not be forcibly repatriated. 
  • The UN Refugee Agency (UNHCR) must improve and expand the information provided to Somali refugees in the Dadaab camp, sharing reliable information about security conditions in Somali areas of return and support available to Somalis when they depart Kenya.
  • Donor countries and organizations must increase humanitarian assistance for Somalia to close a $500 million gap in UN funding and address urgent needs, particularly relating to food insecurity.



“The harm of Kenya’s announced policy is that the only option provided to refugees in the wake of closing the camp is return to Somalia – where, for many, hunger and violence awaits,” Yarnell concludes. “It is a failure of the international refugee response system that other options are not available, such as local integration or large-scale resettlement. Until better alternatives and processes are put in place – and until durable peace and development in Somalia take hold – the Dadaab camp must remain an option for the Somali refugees who have nowhere else to go.” 


Read the full report.

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Refugees International (RI) advocates for lifesaving assistance and protection for displaced people and promotes solutions to displacement crises. We are an independent organization, and do not accept any government or UN funding. For more information, visit www.refugeesinternational.org.


03/11/2016

Giles Duley and Massive Attack tell us more about their collaboration for refugees


The United Nations High Commissioner for Refugees (UNHCR) produced this video to explain more in depth Massive Attack's collaboration with their photographer, Giles Duley, on their show calling for more solidarity with refugees.

Watch here the interview with Giles and Robert Del Naja:


Massive Attack calls for solidarity with refugees





British group Massive Attack has included images of refugees, taken by photographer, Giles Duley, in their concerts. Together the artists are collaborating to encourage people to support refugees.

“These are people just like you, and me. By doing it against a white background and making it very clean it is taking them out of that context, so you can just see them as people," said photographer Giles Duley.

“People feel afraid to be sympathetic. It is if that by supporting a humanitarian cause and by being in solidarity with people that need you, that you are somehow endangering the security of your own nation - which is crazy," said Massive Attack frontman Rob del Naja. “We are in this together, all of us.”


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More from Giles Duley:



Photographer Giles Duley and Massive Attack team up to stand #WithRefugees

In September 2016, photographer Giles Duley joined forces with the band Massive Attack to show their support for refugees.


Stories only have power when people listen. As a photographer, taking a photograph is only part of my work – I also have to make sure people see the images. And that has never felt more important to me than when covering the refugee crisis for UNHCR.


In recent years I’ve been collaborating with poets, writers and musicians, seeking opportunities to reach new audiences and tell stories in innovative ways. Massive Attack were one of the bands I’d been talking to, and working together to highlight the refugee crisis seemed like a perfect and timely collaboration.
“I was deeply moved by the pictures he was sending me,” recalls Massive Attack’s Robert Del Naja. “What’s really shocking is that you could be looking at photographs from any time in the last 100 years of a crisis involving refugee migration and war. And what’s terrifying is you think ‘Nothing’s changed,’ and that is what we have to engage with because this is not the past. This is now.”
In early September 2016, I made my way down to Bristol to see the final outcome of the collaboration. While the rain fell, I sat on the side of the stage waiting for the final track, ‘Unfinished Sympathy’. As it played, the portraits appeared behind the band – projected 30 feet high, dominating the stage, onto vast screens with the words “In This Together” written across them.

“Working together to highlight the refugee crisis seemed like a perfect and timely collaboration.”

A good portrait creates empathy, a certain understanding, a moment of intimacy with a stranger. But while for most they were nameless faces, for me each was a memory from Iraq, Jordan and Lebanon. Each portrait had a name and a story – Kraymeh, Ranim, Halima, Murad… I hoped I’d done them justice.
As Shavgar’s image came up, I took a photograph and sent it to his mother, Nesrin, in Domiz refugee camp, in northern Iraq. She immediately posted it on her Facebook page. “Thank you for remembering us,” read the caption.
That, for me, was the moment that made everything worthwhile.
That, for me, is what it means to say: “We are in this together. I stand with refugees.”
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