20/01/2017

New Arcade Fire feat. Mavis Staples


Well, same message Arcade Fire !
What a compensation for the birth date... Two of my favourite bands at work :) 


'I Give You Power'

Arcade Fire feat. Mavis Staples 



Published on 19 Jan 2017
It's never been more important that we stick together and take care of each other.
Love,
Mavis Staples and Arcade Fire
All proceeds go to ACLU
https://www.aclu.org/

New Gorillaz out today


Thank you Gorillaz, that's a great present for a birthday!! 

Especially a day sandwich by Theresa May's speech and Donald Trump's inauguration... 

And I love Benjamin Clementine ;) 



'Hallelujah Money' 

Gorillaz - feat. Benjamin Clementine





Published on 19 Jan 2017

Gorillaz returns after six years with the apocalyptic "Hallelujah Money" video, the first taste of their new record which is coming later this year. The band has issued this song on the eve of the Inauguration of President-Elect Donald Trump to serve as commentary on a politically-charged, historical moment. #wearestillhumanz

Credits:
Director: Gorillaz & Giorgio Testi
Editor: Sebastian Monk

www.gorillaz.com
www.benjaminclementine.com

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Vidéo : Pourquoi c'est culte ? "Blue Lines" de Massive Attack


Très belle journée entre Londres et Bristol ce jeudi 19 janvier...

Découverte de ce soir :


Pourquoi c'est culte ? 
"Blue Lines" de Massive Attack



Ce pourrait être une parfaite introduction à mon introduction !

Sur mon livre : http://www.anne-carriere.fr/ouvrage_en-dehors-de-la-zone-de-confort-melissa-chemam-302.html

Extrait de la présentation :

Tout prend forme lorsque qu’un jeune graffeur anglo-italien du nom de Robert Del Naja signe du pseudonyme de 3D sa première œuvre de rue sur un mur de la ville en 1983. 

Avant de fonder le groupe Massive Attack en 1988 avec les DJs Grantley Marshall et Andrew Vowles, il rencontrera sur sa route les pionniers du post-punk de Londres et Bristol, les passionnées de reggae antillais du quartier de Saint Pauls, puis la chanteuse Neneh Cherry et le rappeur Tricky. Creuset inattendu mêlant hip-hop, reggae, soul et guitares rebelles, le premier album de Massive Attack, Blue Lines, sort en 1991 et provoque une révolution dans la culture populaire britannique. 

Massive Attack devient l’incarnation du succès d’un métissage à la britannique, et parviendra à toujours se renouveler, tenter de nouvelles révolutions et durer au-delà de nombreux mouvements musicaux des années 1990 et 2000, telles la Brit Pop, l’electronica et le drum and bass.

-


Page Facebook : https://www.facebook.com/massiveattacktobanksy/





18/01/2017

"Lucky" or Not. About the appalling state of journalism in Europe


 A day that start by listening to Radiohead's Thom Yorke screaming these lyrics cannot be denied as a defining day....

"It's gonna be a glorious days"...

I feel these lyrics were premonitory.

"We are standing on the edge...
The head of state has called for me, by name
But I don't have time for him.
It's gonna be a glorious day
I feel my luck could change".

Such a strange feeling.

It's a very important week for myself, with all my defining dates, and such important meetings.

And yet, it's also a disastrous week politically, announcing horrible changes, starting from Theresa May's speech yesterday and ending with Donald Trump's inauguration, a day after my birthday. 

"Pull me out of the aircrash
Pull me out of the lake
'Cause I'm your superheroin"...

What can we do from here?
Where can we go?

Am I the only one feeling like screaming for a continuous stream of hours?

I see some fellow journalists, former coworkers, getting ready to cover Trump's inauguration from Washington, and they don't have other things to say that "hey, look, I'm here, I'm a star", anything else to show that flags in close shots and selfies...

How did we get so low?

When I was freelancing from Miami in 2008, covering the election of the first "African American" president, selfies did not exist. I was working freelance and barely reimbursing the money I spent on travels. Covering the disenfranchisement of Haitian American citizens in Little Haiti, the two-tier policy on immigrants from Cuba and Haiti, the subprime crisis.

I hate what journalism has become. It is now almost impossible to get published if you write on real issues. 

When I travelled to Iraqi Kurdistan in May, last year, editors in chief replied to my proposals that displaced people were not news, that the battle in Mosul would be news when it would start. So they can now read in their cristal ball what will be, AND decide what will be news at the same time, months in advance.

Same story in Calais / Grande Synthe. Not news. Though when I travelled to Dadaab in 2011 one of the largest refugee camps in the world, I was already told that half a million Somali / Sudanese / Congolese people stranded without rights were "no news". I managed to get the story published, though, on the radio, in different papers.

Now, this year, nothing. Not on Brexit, not on the refugee crisis and the appalling situation in Paris where war survivors are sleeping under the railway.

And correspondents in America are getting ready for their selfies.

I know that our leaders, our editors in chief, our dormant silent majority just want people like me to give up, to stop telling them that there remain things terribly dysfunctional. 

But we cannot. We have the obligation to continue.

But don't you just feel like screaming sometimes?

Music screams louder than I will ever be able to... And people do listen. So I let you scream for me.

And then I'll choose. I'll choose to be "lucky". Cause I will.


-


Radiohead - 'Lucky' 
(acoustic)



"Lucky"
I'm on a roll, I'm on a roll
This time, I feel my luck could change
Kill me Sarah, kill me again with love
It's gonna be a glorious day

Pull me out of the aircrash
Pull me out of the lake
'Cause I'm your superhero
We are standing on the edge

The Head of State has called for me by name
But I don't have time for him
It's gonna be a glorious day
I feel my luck could change

Pull me out of the aircrash
Pull me out of the lake
'Cause I'm your superhero
We are standing on the edge

We are standing on the edge



"Incantations"



'Incantations' 
('Everywhen')




My love
Your light
Incantations
Struck stars
Like tears fall
The sequence ends

Downtime
God speed
Everywhen
We concede
The sequence ends
And begins

Everything
You think you know
Everything
You think you know
You think you know

Blood ties
Blood ties
The sequence ends





17/01/2017

BRISTOL A SAINT-OUEN


Bonjour à toi, monde francophone :)

Si l'envie vous prend d'entendre parler - en personne - dans une librairie ! - de ma passion pour Bristol, je serai à la Librairie de Saint-Ouen, Folies d'Encre, le dernier samedi de janvier, le 28, à partir de 17h30.


Voir l'annonce sur le site de Télérama Sortir :

http://sortir.telerama.fr/evenements/conferences-debats/melissa-cheman-en-dehors-de-la-zone-de-confort-bristol-de-massive-attack-a-banksy,231187.php?ccr=oui


Débat

Melissa Chemam : "En dehors de la zone de confort" - Bristol, de Massive Attack à Banksy


Le 28 janvier 2017
Librairie Folies d'Encre - Saint-Ouen



Melissa Chemam, journaliste globe-trotteuse indépendante, a récemment publié En dehors de la zone de confort, un passionnant ouvrage sur l'histoire et la vie artistiques de la ville de Bristol. 

Construit autour du parcours du groupe Massive Attack et de son leader Robert Del Naja, elle y explore, à travers une foule de témoignages, les florissantes scènes musicale et le street art d'une cité qui a hérité, de son passé complexe et parfois peu avouable, un métissage d'une richesse inouïe. 

A l'occasion de cette rencontre, l'auteur abordera le thème du rôle social de la musique depuis les 60s, notamment par le biais de l'exemple bristolien. 
Prometteur.

-

Quelques infos sur le livre :


Présent dans toutes les bonnes librairies de France, Belgique et Suisse.

Par exemple, Paris 10e, à la librairie Nordest :

https://www.librairienordest.fr/livre/10061843-en-dehors-de-la-zone-de-confort-de-massive-atta--chemam-melissa-anne-carriere


Qu’ont en commun le Pont suspendu d’Isambart Brunel, l’acteur Cary Grant, le groupe Massive Attack et l’artiste de rue Banksy ? Ils sont tous originaires de Bristol, une ville moyenne de l’ouest de l’Angleterre. Une ville marquée par une histoire riche et complexe, mais encore jamais racontée ! Marquée par une fortune précoce liée à l’ouverture de l’Angleterre vers l’Amérique, elle devient aussi un des points névralgiques du commerce triangulaire. C’est justement cette histoire qui va nourrir, de manière inédite et radicale, la génération d’artistes éclose à Bristol à partir de la fin des années 1970.

Tout prend forme lorsque qu’un jeune graffeur anglo-italien du nom de Robert Del Naja signe du pseudonyme « 3D » sa première œuvre de rue sur un mur de la ville en 1983. Avant de fonder le groupe Massive Attack en 1988 avec les DJs noirs Grantley Marshall et Andrew Vowles, il rencontrera les pionniers du post-punk de Londres et Bristol, les passionnées de reggae antillais du quartier de Saint Pauls, puis la chanteuse Neneh Cherry et le rappeur Tricky. Creuset inattendu mêlant hip-pop, reggae, soul et guitares rebelles, le premier album de Massive Attack, Blue Lines, sort en 1991 et provoque une révolution dans la culture populaire britannique. Massive Attack devient l’incarnation du succès d’un métissage à la britannique, et parviendra à toujours se renouveler, tenter de nouvelles révolutions et durer au-delà de nombreux mouvements musicaux des années 1990 et 2000, telles la Brit Pop, l’electronica et le drum and bass.

Dans le sillage de cette créativité débridée mêlant musique, art et implication sociale profonde, naissent aussi les groupes Portishead et Roni Size, les mouvements nommés trip-hop et dubstep, et le génial Banksy, inspiré dès son plus jeune âge par les graffitis de Robert Del Naja. Depuis, la profondeur artistique de ces artistes et leur engagement n’ont fait que se renforcer, tout comme leur lien avec leur ville. Ce lien va devenir le tremplin qui les porte jusqu’à l’autre bout du monde, de l’Amérique à Gaza. Il pousse aussi très tôt Robert Del Naja à se mobiliser – contre la guerre d’Irak, pour les droits des Palestiniens ou, plus récemment, pour l’accueil des réfugiés jetés sur les routes européennes. 

Rébellion, art, musique, engagement, Bristol synthétise ainsi une autre histoire du Royaume-Uni. Une histoire qui amène au sommet des charts et sur le devant de la scène de parfaits autodidactes, et la part plurielle et afro-antillaise de la culture britannique.

"The Desperate Kingdom Of Love"




PJ Harvey
'Desperate Kingdom of Love'






"The Desperate Kingdom Of Love"

Oh love, you were a sickly child
And how the wind knocked you down
Put on your spurs, swagger around
In the desperate kingdom of love

Holy water cannot help you now
Your mysterious eyes cannot help you
Selling your reason will not bring you through
The desperate kingdom of love

There's another who looks from behind your eyes
I learn from you how to hide
From the desperate kingdom of love

At the end of this burning world
You'll stand proud, face upheld
And I'll follow you, into Heaven or Hell
And I'll become, as a girl
In the desperate kingdom of love


--

Album version:



16/01/2017

Nina Simone's Tribute to Martin Luther King


"Why?" was written for Martin Luther King.

Born in January 15, 1929.

And he's celebrated every third Monday of January on Martin Luther King Day.




Nina Simone 
'Why? 
(The King of Love Is Dead)' 
live




Toni Morrison on Trump's America



In the New Yorker:

MOURNING FOR WHITENESS

By Toni Morrison

This is a serious project. All immigrants to the United States know (and knew) that if they want to become real, authentic Americans they must reduce their fealty to their native country and regard it as secondary, subordinate, in order to emphasize their whiteness. Unlike any nation in Europe, the United States holds whiteness as the unifying force. Here, for many people, the definition of “Americanness” is color.
Under slave laws, the necessity for color rankings was obvious, but in America today, post-civil-rights legislation, white people’s conviction of their natural superiority is being lost. Rapidly lost. There are “people of color” everywhere, threatening to erase this long-understood definition of America. And what then? Another black President? A predominantly black Senate? Three black Supreme Court Justices? The threat is frightening.
In order to limit the possibility of this untenable change, and restore whiteness to its former status as a marker of national identity, a number of white Americans are sacrificing themselves. They have begun to do things they clearly don’t really want to be doing, and, to do so, they are (1) abandoning their sense of human dignity and (2) risking the appearance of cowardice. Much as they may hate their behavior, and know full well how craven it is, they are willing to kill small children attending Sunday school and slaughter churchgoers who invite a white boy to pray. Embarrassing as the obvious display of cowardice must be, they are willing to set fire to churches, and to start firing in them while the members are at prayer. And, shameful as such demonstrations of weakness are, they are willing to shoot black children in the street.
To keep alive the perception of white superiority, these white Americans tuck their heads under cone-shaped hats and American flags and deny themselves the dignity of face-to-face confrontation, training their guns on the unarmed, the innocent, the scared, on subjects who are running away, exposing their unthreatening backs to bullets. Surely, shooting a fleeing man in the back hurts the presumption of white strength? The sad plight of grown white men, crouching beneath their (better) selves, to slaughter the innocent during traffic stops, to push black women’s faces into the dirt, to handcuff black children. Only the frightened would do that. Right?
These sacrifices, made by supposedly tough white men, who are prepared to abandon their humanity out of fear of black men and women, suggest the true horror of lost status.
It may be hard to feel pity for the men who are making these bizarre sacrifices in the name of white power and supremacy. Personal debasement is not easy for white people (especially for white men), but to retain the conviction of their superiority to others—especially to black people—they are willing to risk contempt, and to be reviled by the mature, the sophisticated, and the strong. If it weren’t so ignorant and pitiful, one could mourn this collapse of dignity in service to an evil cause.
The comfort of being “naturally better than,” of not having to struggle or demand civil treatment, is hard to give up. The confidence that you will not be watched in a department store, that you are the preferred customer in high-end restaurants—these social inflections, belonging to whiteness, are greedily relished.
So scary are the consequences of a collapse of white privilege that many Americans have flocked to a political platform that supports and translates violence against the defenseless as strength. These people are not so much angry as terrified, with the kind of terror that makes knees tremble.
On Election Day, how eagerly so many white voters—both the poorly educated and the well educated—embraced the shame and fear sowed by Donald Trump. The candidate whose company has been sued by the Justice Department for not renting apartments to black people. The candidate who questioned whether Barack Obama was born in the United States, and who seemed to condone the beating of a Black Lives Matter protester at a campaign rally. The candidate who kept black workers off the floors of his casinos. The candidate who is beloved by David Duke and endorsed by the Ku Klux Klan.

William Faulkner understood this better than almost any other American writer. In “Absalom, Absalom,” incest is less of a taboo for an upper-class Southern family than acknowledging the one drop of black blood that would clearly soil the family line. Rather than lose its “whiteness” (once again), the family chooses murder.
-

15/01/2017

Massive Attack - On helping refugees



 I can't believe it's been almost a year... A year since this interview, this call to help, the peak of this cruel crisis. And the problem, my friends, has not disappeared.

It's never too late to help and host the ones in need.


Photograph taken by myself in Grande Synthe, near Calais, North of France, in a now-destroyed informal refugee camp, during a report mission in Feb. 2016

-

Here is Massive Attack's message and interview about their tour focusing on the state of Europe and refugees and their work with photographer Giles Duley.

Below, more of the news on the issue...


Massive Attack on refugees 
- in one of their rare TV interviews 
Feb. 2016



Published on 4 Feb 2016

They rarely give interviews, but Massive Attack have put images of refugees centre stage in their latest shows and the band believes we "will be judged in history" by how we respond.

-


Photograph taken by myself at Massive Attack's show in Hyde Park's BST Festival, in London, on July 1st, 2016



See for yourself...


Massive Attack Give a Glimpse into the Refugee Crisis:


-


Photographer Giles Duley and Massive Attack team up to stand with refugees

In September 2016, photographer Giles Duley joined forces with the band Massive Attack to show their support for refugees.
Watch the interview:
Massive Attack calls for solidarity with refugees

Published on 3 Nov 2016

British group Massive Attack has included images of refugees, taken by photographer, Giles Duley, in their concerts. Together the artists are collaborating to encourage people to support refugees.

“These are people just like you, and me. By doing it against a white background and making it very clean it is taking them out of that context, so you can just see them as people," said photographer Giles Duley.

“People feel afraid to be sympathetic. It is if that by supporting a humanitarian cause and by being in solidarity with people that need you, that you are somehow endangering the security of your own nation - which is crazy," said Massive Attack frontman Rob del Naja. “We are in this together, all of us.”


Find out more:  https://donate.unhcr.org/int-en/massi...


- 

Stories only have power when people listen. As a photographer, taking a photograph is only part of my work – I also have to make sure people see the images. And that has never felt more important to me than when covering the refugee crisis for UNHCR.


By: Giles Duley   |  3 November 2016
In recent years I’ve been collaborating with poets, writers and musicians, seeking opportunities to reach new audiences and tell stories in innovative ways. Massive Attack were one of the bands I’d been talking to, and working together to highlight the refugee crisis seemed like a perfect and timely collaboration.
“I was deeply moved by the pictures he was sending me,” recalls Massive Attack’s Robert Del Naja. “What’s really shocking is that you could be looking at photographs from any time in the last 100 years of a crisis involving refugee migration and war. And what’s terrifying is you think ‘Nothing’s changed,’ and that is what we have to engage with because this is not the past. This is now.”
In early September 2016, I made my way down to Bristol to see the final outcome of the collaboration. While the rain fell, I sat on the side of the stage waiting for the final track, ‘Unfinished Sympathy’. As it played, the portraits appeared behind the band – projected 30 feet high, dominating the stage, onto vast screens with the words “In This Together” written across them.
Link to the video and article here: 



--

In the news:

Influx of refugees leaves Belgrade at risk of becoming 'new Calais'

Up to 2,000 people stranded in Serbia in -16C temperatures with no water or sanitation, warn Médecins Sans Frontières

Afreezing and squalid Belgrade railway depot where up to 2,000 people are seeking shelter from the bitter Serbian winter risks becoming a “new Calais” for refugees and migrants abandoned by European authorities, the humanitarian group Médecins Sans Frontières has warned.
Children as young as eight are struggling to survive temperatures that have plunged to -16C this week, with no running water or sanitation. 
At a Belgrade clinic set up by the charity, doctors have seen frostbite and burns resulting from the inhalation of toxic smoke, as people burn anything they can find to stay warm, among dozens of other medical problems.
MSF estimates that up to 2,000 people are living in a cluster of warehouses and other buildings around the city’s main station. It estimates that nearly half the patients they have treated are under 18.
“Serbia risks becoming a dumping zone, a new Calais where people are stranded and stuck,” warned Andrea Contenta, humanitarian affairs officer for MSF in Serbia.
The country is not part of the European Union, but it borders several countries that are part of the bloc, including Hungary, Bulgaria and Romania, and has become a key transit point for those hoping to start a new life in western Europe.
Serbia won praise for its treatment of migrants, but increasing numbers have become stranded there as the EU tried to shut down the Balkan route and tightened border controls. Processing camps are now badly overcrowded and more people are arriving every day. Although they ultimately hope to move on from Serbia, many are spending months there, making repeated failed attempts to cross into the EU.
“We cannot continue avoiding talking about reality, which is that the Balkan route is still open but people are getting stuck because there is no safe way to travel,” Contenta said. He added that unofficial estimates were that up to 8,000 refugees and migrants were stranded in Serbia.
The grim conditions endured by thousands outside the government camps were highlighted at the start of this week when a freezing cold snap put lives at risk. MSF was given permission to try to heat the derelict shelters, where there is no glass and walls and roofs are full of holes.

-

Scores feared dead after migrant ship capsizes in Mediterranean

Aid workers say only four survivors recovered so far after vessel containing about 110 people overturned near Libya

A migrant ship carrying around 100 people capsized in the frigid waters off Libya on Saturday and only four survivors had been rescued after hours of searching, aid groups have said.
Eight bodies were recovered, but poor conditions hampered the search, which was conducted 30 miles (50km) off Libya’s coast, Italy’s ANSA news agency reported.
Flavio di Giacomo, Rome spokesman for the International Organisation of Migration, said four of the estimated 110 people on board had been rescued. He said more details would become available after the four were brought to shore.
The majority of migrant ships set off from Libya’s lawless coasts where smugglers operate with impunity, charging desperate migrants hundreds of dollars apiece to make the dangerous Mediterranean crossing.
Last year saw a record high number – 181,000 people – heading to Italy by sea, the EU rescue operation Frontex reported. West Africans, most of them hailing from Nigeria, accounted for most of the migrants in 2016, with a reported tenfold increase in their numbers since 2010.

-

UK urged to transfer child refugees from freezing Europe camps

Calls for children housed in flimsy tents to be transferred as soon as possible as temperatures plummet across continent

 Political reporter - The Guardian - Thursday 12 January 2017 


he British government has been urged to step up efforts to transfer lone child refugees from other parts of Europe, as temperatures plunged below freezing across the south of the continent.
Thousands of refugees are still housed in flimsy tents, without proper flooring, at risk of freezing to death from the arctic blast across Europe that has brought temperatures to -15C (5F) in Greece and as low as -20C in Serbia and Hungary.
The Home Office minister Lady Williams said this week that although the UK had taken hundreds of child refugees after the dismantling of the Calais jungle camp, none had been taken from elsewhere in Europe. 
“The government has transferred more than 750 children to the UK in support of the French operation to clear the Calais camp under both the family reunification provisions of the Dublin regulation and the terms of section 67 of the Immigration Act 2016,” she said, in answer to a question from the Liberal Democrat peer Lord Roberts.
“More eligible children will be transferred from Europe, in line with the terms of the Immigration Act, in the coming months and we will continue to meet our obligations under the Dublin regulation.”
The Lib Dem leader, Tim Farron, said the government must start transferring children from freezing camps in southern Europe as soon as possible.
“May might not have been prime minister when the government pledged to take in accompanied child refugees from across Europe, but she was home secretary and the consequence of her blatant disregard of this pledge can now be seen all too clearly on freezing streets in Greece and central Europe,” he said.
“No child should be subjected to the conditions these refugees are surviving in, yet May is happy to turn her back on what is a serious humanitarian crisis.”
Lone children with families already living in the UK have the right to come to Britain under the Dublin regulation, but those who do not have relatives here can be transferred under the Dubs amendment to the Immigration Act, proposed by the Labour peer Lord Dubs, a former Kindertransport refugee.
That amendment committed the government to relocate lone child refugees in Europe “as soon as possible”. Ministers in David Cameron’s administration later briefed that several thousand were expected to come to Britain.
Last week, an Afghan refugee is reported to have died of hypothermia in Greece, and at least two Iraqis died in south-east Bulgaria, also believed to be linked to cold weather.
Speaking from Thessaloniki in northern Greece, Josie Naughton, the co-founder of Help Refugees, said: “We are devastated to hear reports of people losing their lives and coming close to hypothermia due to what we view as avoidable exposure to the freezing conditions in south-east Europe.
“We call on governments, large organisations and international agencies to reassess their bureaucratic procedures and spend money where it’s needed to prevent further loss of life.”
The charity said it was working to install heaters and flooring in hundreds of tents, as well as building warm accommodation in Filoxenia, where it houses 60 people, 40 of whom are children.
Greece’s migration policy minister, Yannis Mouzalas, said on Tuesday the conditions for refugees on the Greek islands were awful, with refugees housed in tents weighed down with snow. “Efforts are under way to move people as quickly as possible into hotels,” the island’s mayor, Spyros Galinos, told the Guardian on Wednesday.
“I’ve not seen so much snow, ever. Electricity supplies have been knocked out. There are villages that are isolated, without light or heating or running water. It’s difficult for everyone.”
Official figures released on Tuesday showed 5,491 refugees on Lesbos alone, with facilities built to house under half that number. About 1,000 are believed to be in tents.
-