18/10/2017

M A T I È R E N O I R E - Suite


 Currently in Marseille. Article, in French, to come soon!

This event is of a rare kind in the French metropolis. A truly authentic expression of art, interacting with a traditional place, a flea market in the heart of the southern city's popular neighbourhood.

This group of Spanish and Italian artists, all friends and frequent collaborators, were give a "carte blanche" by the Saint-Laurent Gallery to occupy the marker for three months and interact with the place and its shops and "brocanteurs"...

This freedom gave a reflexion on our everyday interaction with objects and with reality, hence this interrogation of the "dark matter", la "matière noire", as the visible or invisible, tangible or intangible around us.

The artist used mixed media, from objects found in the market to photographs, video, sculpture and painting. A real moment of public, interactive art, the show is divided on three parts (Projeter / Percevoir / Interpreter) over two floors...

The opening on October 7th attracted hundreds of people. Most of the pieces were on sales; some are even still available.

Go and see the Facebook page: https://www.facebook.com/matierenoiretat2/?fref=mentions

Introduction below, with a few pictures, and article to come soon, after I've spoke more in depth with the curators, Carmen Main, and the main invited artist, Borondo.

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M A T I È R E  N O I R E
BORONDO SHOW
7.10.2017 – 31.01.2018
Marché aux Puces
Marseille



Message from Borondo: 
#MATIERENOIRE  Borondo SHOW
Presented by Galerie Saint Laurent at Marché aux Puches, Marseille
\\\ In collaboration with  BRBR FilmsCarmen Main,  Diego López Bueno,  Edoardo Tresoldi,  Isaac Cordal, Robberto Atzori,  SBAGLIATO
\\\ © The Blind Eye Factory, Laura Aruallan, Laurent Carte
\\\ From Oct 7 to Jan 31
Thursday to Saturday 10.00 - 18.00
Sunday 10.00 - 13.00
\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\
"It smells like dust and wood. We get into the limbo of memory. An endless number of carefully carved objects tell us that there was once a time when clocks could take their time.

There are mirrors of all sizes. Contained inside the glass is a heavy, sparkling history that is now coming across new eyes. I can’t stop wondering how many glances coexist in this
reflection.
Within this universe of furniture, certain vessels of different cultures materialise. Sound waves lie hidden in its curvatures, words from a past life that do not reveal its secret. Hundreds of statuettes, old-time icons, have gone from being avant-garde to being memories, to discover the sound of an unstoppable metronome that seems to set the beat faster and faster. Singing of the past, voices reverberate out of magnetic tapes and interfere directly in the present. At the same time, an absent-minded listener modifies these sounds with his contemporary perception in a return trip around the collective consciousness. Meters and meters of celluloid, immortalised memories are afraid of losing their eternal nature when confronted with fire.
On 8-millimeter film, a little girl looks at her dad’s camera while she is playing in the river. The little girl is laughing and dancing. She fascinates us speaking about the unique, yet it scares us when she shows us what is unrepeatable. She draws an invisible past, without which our existence would be impossible.
Dark matter of the present time.
According to cosmologists, dust, wood, mirrors, vessels, statuettes, the little girl and any other thing we can see with our eyes, or through using instruments at our disposal, are just five percent of the universe. The rest is dark energy and dark matter, a mysterious substance that reminds us just how much we do not know compared to what we know. 
That our perception is limited and subjective and that life would not be as it is without this mysterious and dark reality. Just as it would not be as it is if the little girl, her father, the camera or the river had not existed. Just as life anywhere in the world would be the same if all these thwarted realities at Marché aux Puces in Marseille had not taken place. Just as all the stories lying about in the market had not occurred if the rest of the universe had not been in motion.
My dark matter. 
A reality that is not there anymore and whose echoes are the only things I can still hear. A reality that is not mine and I do not mind, because I do not even know that it exists. A reality that I cannot touch and whose unknown nature scares me. The sleeping truth in the unconscious. The invisible.
My dark matter."

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More on the artists:

BORONDO (SP)
Borondo’s artworks are deeply influenced by the theme of the sacred, of the human behavior and of the fragility of the psyche, with a peculiar research on the sign and the bodily position as expressive and emotional vehicles. He has made numerous public interventions around the world; since 2012 he presents exhibition projects all over Europe, where he expresses his art through multiple media and materials, suggesting paths and reflections through paintings and multimedia installations.

A.L. CREGO (SP)
GIF artist A.L. Crego believes the medium will one day "rule the world". He uses impressive loops to represent his very own mental images, giving his works a sci-fi classical aesthetic as if they came directly from his subconscious. He has been approached by various DJs, artists, and agencies, all interested in getting their own personal work made.

BRBR FILMS (SP)
London-and-Madrid-based visual and audio collective, with a background in cinema, visual arts and social sciences. Documenting reality, BRBR aims to push the boundaries of contemporary visual culture. Their work has been screened in film festivals and museums, and it ranges from feature films to music videos.

CARMEN MAIN (SP)
She has been collaborating with musicians, filmmakers, performers and plastic artists, focusing her work on the transdisciplinary research: a hybrid of artistic practices where different agents dance together for a common immersive experience. Thanks to her interest in the distinctive features of each discipline and in the comings and goings between analog and digital, she graduates specializing in painting and video art.

DIEGO LÓPEZ BUENO (SP)
Video artist whose work examines authorship issues through image appropriation. While establishing a dialogue between the new technologies and all the digital languages originating from the net, he analyses the communication through the Internet as a never-ending source of raw material to work with through the use of glitch, 3D or any kind of new “noise”.

EDOARDO TRESOLDI (IT)
Edoardo Tresoldi plays with the transparency of mesh and with industrial materials to transcend the timespace dimension and narrate a dialogue between Art and World, a visual summary which reveals itself in the fade-out of physical limitations. Since 2013, he performs public space interventions, focusing his research on the genius loci and the study of landscape elements.

ISAAC CORDAL (SP)
Isaac Cordal focuses his research on the human figure and its relationship with the surrounding landscape. His main project, Cement Eclipses, is a critical definition of our behavior as a social mass. Small statues, no more than 25cm tall, suspended in routine scenes where they take on multiple meanings and placed in locations that quickly open doors to other worlds.

ROBBERTO ATZORI (IT)
During his childhood he spent long periods cataloging stones, branches and animals in his garden, just a few steps from an abandoned graveyard. His aesthetics is tied to the worship of the dead, a memory-related veneration transferred to an object and the unleashed evocative power. He has worked with more than 100 international artists, including Richard Long, Tracey Emin and Jeff Wall.

SBAGLIATO (IT)
SBAGLIATO is an artistic project born from the desire to generate interference in the urban fabric by creating empty spaces within the rigid and composite order of the architectures. The installations of SBAGLIATO are the result of a synergy between architecture, graphics, photography and collage, through the use of the poster, an ideal medium due to its ephemeral nature and the camouflage aptitude.





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More soon.

'Only Lovers Left Alive'


Going from Bristol to Lyon... I found this:

ONLY LOVERS LEFT ALIVE - Trailer




Their love story has endured several centuries, until...
Subscribe Here & NOW ➨ http://bit.ly/16lq78C
Best ROMANCES here ➨ http://www.youtube.com/playlist?list=...

Set against the romantic desolation of Detroit and Tangier, an underground musician, deeply 
depressed by the direction of human activities, reunites with his resilient and enigmatic lover. 

Their love story has already endured several centuries at least, but their debauched idyll is soon 
disrupted by her wild and uncontrollable younger sister. Can these wise but fragile outsiders 
continue to survive as the modern world collapses around them? 
A Movie Written & Directed by Jim Jarmusch
Cast :TOM HIDDLESTON, TILDA SWINTON, MIA WASIKOWSKA, 
JOHN HURT, ANTON YELCHIN, JEFFREY WRIGHT 
Release Date : Coming Soon (2014)

Official Selection 
Cannes Film Festival 2013 
Toronto International Film Festival 2013 
New York Film Festival 2013 

ONLY LOVERS LEFT ALIVE Trailer
© Sony Pictures Classic



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"How can you have lived for so long and still not get it: this self-obsession is a waste of living, that could be spent on surviving things, appreciating nature, nurturing kindness and friendship, and dancing. You have been pretty lucky in love though, if I may say so."



"Bristol, massive capitale"


En français :)

Un petit article qui présente parfaitement mon livre, à l'occasion de mon passage (que j'attends depuis des mois avec impatience!) à la Bibliothèque Municipale de Lyon ce vendredi 20 octobre :


Bristol, massive capitale

Mélissa Chemam vient présenter à Lyon son ouvrage contant l'histoire de Massive Attack et de la scène de Bristol.


par 

MARDI 17 OCTOBRE 2017

Le petit bulletin de lyon



Bristol est soudainement apparue sur la carte musicale au début des années 90, s'imposant comme capitale à part entière au même titre que Manchester ou Londres,  dans la foulée d'un genre qui lui colle à la peau : le trip hop. C'est Massive Attack, Portishead, Tricky qui ont dessiné l'âme de cette ville telle que notre imaginaire s'en est emparé aujourd'hui. À Bristol la multiculturelle, les premiers breakbeats de la drum&bass se sont aussi fait le crocs, grâce à Roni Size. Mais pas seulement : dans le sillage de Massive Attack, s'est propagé l'onde de choc murale du street artiste Banksy...
Mélissa Chemam s'est penchée sur cette histoire, centrant son propos sur Robert Del Naja, alias 3D, membre de Massive Attack, et Banksy - sachant qu'un journaliste a récemment émis la théorie que les deux ne seraient en fait qu'une seule et même personne, ce que dément l'auteur du livre. La journaliste, plutôt que d'écrire une biographie, conte par leurs parcours l'histoire de cette ville, l'impact de la traite des esclaves sur ce port, son métissage précoce, le côté rebelle qui a nourri cette cité depuis le 18e siècle, sa culture également, cinéphile comme musicale. Et enfin, l'arrivée de la musique électronique, du home studio, des sampleurs, qui permettra à tout ce terreau fertile de faire émerger une scène florissante.
Dans son ouvrage En dehors de la zone de confort : De Massive Attack à Banksy, Mélissa Chemam retrace ce foisonnement, après avoir rencontré sur place nombre des acteurs de cette scène et des collaborateurs de Robert Del Naja, puis lui-même, pourtant réputé inaccessible, avant de continuer à échanger des emails avec lui. Elle dessine un portrait intime de la ville autant que de Del Naja, musical mais aussi politique - les deux étant marqués par un engagement sans cesse renouvelé. 
Capitales Musiques : Bristol, par Mélissa Chemam
À la Bibliothèque de la Part-Dieu le vendredi 20 octobre à 18h30
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Merci!

Lien vers le site : http://www.petit-bulletin.fr/lyon/animations-connaitre-article-59230-Bristol++massive+capitale.html  

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Capitales musiques : Bristol

Conférence musicale avec Mélissa Chemam, auteure de "En dehors de la zone de confort : de Massive Attack à Banksy" Bibliothèque de la Part-Dieu 30 boulevard Vivier Merle Lyon 3e
Vendredi 20 octobre 2017 à 18h30

voir les salles et horaires


17/10/2017

"Things are not getting worse.... They are getting uncovered!"


Just a thought... Busy day. If I had time to write everything I should, I wouldn't stop to sleep.
And you wouldn't even have time to read half of it...
So better for you all that I'm busy!

This year though, as hard as it has been for most people, is a turning point, we are fighting for the right things, the right path.

Never give up!






#History #BlackHistoryMonth #sexualharassment #violence #domination #alienation #familylies #colonialism... #thingsarenotgettingworse #theyaregettinguncovered #truth #socialchange #forabettersociety #lifttheveil #timesofchange #progress #socialjustice #femaleempowerment #equality #fightforyourrights 


16/10/2017

THE GOLDEN HOUSE


 Once upon a time, in a land far far away was born a little girl of nomadic parents, destined to not much... But who got given a huge pile of luck.

 Far, far from a very weird month of August, here we are in a gorgeous October in Paris and I cannot say enough how lucky I feel. The people and events responsible for so much joy know who they are!

My only problem in life is that there is too much good books and articles to read!! I hardly have time for theatre and concerts anymore. No, but I do :)

Here is a picture from the lovely Indian Summer we have here in Paris:




And here is amazing news from the publishing world! This sounds like a fascinating read, I cannot wait:



Extract: 

Chapter 1

On the day of the new president’s inauguration, when we worried that he might be murdered as he walked hand in hand with his exceptional wife among the cheering crowds, and when so many of us were close to economic ruin in the aftermath of the bursting of the mortgage bubble, and when Isis was still an Egyptian mother-­goddess, an uncrowned seventy-­something king from a faraway country arrived in New York City with his three motherless sons to take possession of the palace of his exile, behaving as if nothing was wrong with the country or the world or his own story. He began to rule over his neighborhood like a benevolent emperor, although in spite of his charming smile and his skill at playing his 1745 Guadagnini violin he exuded a heavy, cheap odor, the unmistakable smell of crass, despotic danger, the kind of scent that warned us, look out for this guy, because he could order your execution at any moment, if you’re wearing a displeasing shirt, for example, or if he wants to sleep with your wife. The next eight years, the years of the forty-­fourth president, were also the years of the increasingly erratic and alarming reign over us of the man who called himself Nero Golden, who wasn’t really a king, and at the end of whose time there was a large—­and, metaphorically speaking, apocalyptic—­fire.

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Everything is golden!

Thank you! 


'Daydreaming'


On October the 15th, 1990, a time of great great changes for the world politically and socially, Bristol offered us his song:

Massive Attack - 'Daydreaming'

(featuring 3D, Tricky and Shara Nelson) 




Here is an audio recording of a great live version, with 3D, Daddy G and Deborah Miller:


Massive Attack Live in Vienna - 1998 - 'Daydreaming'




Then 25 years later, 3D and Tricky gave us that amazing song:


Massive Attack with Tricky - Live - Hyde Park: 'Take It There'






What can I add? Thank you! Thank you very much...



15/10/2017

'Human Flow', by Ai WeiWei


 A film I would have loved to contribute to...
Out in the US this week and worldwide soon.


Human Flow - Official Trailer  






Published on 18 Aug 2017

A ground-breaking new documentary about the global refugee crisis from Ai Weiwei.

» SUBSCRIBE: http://bit.ly/AmazonStudiosSubscribe
» Now in Select Theaters!
» Check out more Human Flow : humanflow.com

About Human Flow:
Over 65 million people around the world have been forced from their homes to escape famine, climate change and war in the greatest human displacement since World War II. Human Flow, an epic film journey led by the internationally renowned artist Ai Weiwei, gives a powerful visual expression to this massive human migration. The documentary elucidates both the staggering scale of the refugee crisis and its profoundly personal human impact.

Captured over the course of an eventful year in 23 countries, the film follows a chain of urgent human stories that stretches across the globe in countries including Afghanistan, Bangladesh, France, Greece, Germany, Iraq, Israel, Italy, Kenya, Mexico, and Turkey. Human Flow is a witness to its subjects and their desperate search for safety, shelter and justice: from teeming refugee camps to perilous ocean crossings to barbed-wire borders; from dislocation and disillusionment to courage, endurance and adaptation; from the haunting lure of lives left behind to the unknown potential of the future. Human Flow comes at a crucial time when tolerance, compassion and trust are needed more than ever. This visceral work of cinema is a testament to the unassailable human spirit and poses one of the questions that will define this century: Will our global society emerge from fear, isolation, and self-interest and choose a path of openness, freedom, and respect for humanity?




Amazon Studios, Participant Media and AC Films present Human Flow, a film directed by Ai Weiwei. The producers are Ai Weiwei, Chin-chin Yap and Heino Deckert. Andy Cohen of AC Films with Jeff Skoll and Diane Weyermann of Participant Media are the executive producers.

Get More from Amazon Studios:
Official site: http://bit.ly/GetMoreAmazonStudios
Facebook: http://bit.ly/AmazonStudiosFacebook
Twitter: http://bit.ly/AmazonStudiosTwitter
Instagram: http://bit.ly/AmazonStudiosInstagram

About Amazon Studios:
The goal of Amazon Studios is to turn original stories into great entertainment.

Human Flow Official Trailer [HD] | Amazon Studios
https://youtu.be/DVZGyTdk_BY

Amazon Studios
https://www.youtube.com/AmazonStudios

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Ai Weiwei on "Human Flow," criticizes hardening attitudes on refugees | "We all bear responsibility"







Published on 27 Sep 2017
Ai Weiwei's new documentary "Human Flow" looks at the hardening attitudes towards refugees and the less fortunate. He also talks about his own safety as an outspoken artist in China.

Welcome to The National, the flagship nightly newscast of CBC News


Lady Nade presents 'Waiting For You'


 In association with Avalon Films Uk, Kilver Court Secret Gardens, Taylor Guitars &  Oriolo.co.uk
Lady Nade presents her 'Waiting For You' Official Video:

Lady Nade | Waiting For You





Published on 13 Oct 2017

Lady Nade - Waiting For You (Official Video)

Filmed & Directed by : Avalon Films Uk
Sponsored Location: Kilver Court Gardens
Endorsed by Taylor Guitars
Featuring Jewellery: Oriolo Designs
Make Up/Stylist: Natalie & Ella Wright

Debut Album Out Now on Kitchen Studio Records
Shop: www.ladynade.co.uk




14/10/2017

"A GHOST STORY"


Oh... My... G...

I've seen this two-minute trailer, I'm already hooked.

"A writer writes a novel, a songwriter writes a song. We do what we can to endure"...

"We build our legacy piece by piece, and maybe the whole world will remember you or maybe just a couple of people, but you do what you can to make sure you're still around after you're gone"...


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A GHOST STORY Official Trailer (2017) 

Casey Affleck, Rooney Mara

Romance Fantasy Movie 







Published on 2 Apr 2017

A GHOST STORY



13/10/2017

Music and politics: UK Grime, the new punk?


 Very interesting article:

Grime is the new punk – here’s why





Principal Investigator, Black Music Research Unit, University of Westminster


If you’re British and don’t know much about grime, you’re in the minority. The influence of the music genre has ballooned in the UK in the last year, and it’s on track to become as disruptive and powerful as punk. 
In the last year, album sales of grime music have grown significantly faster than the total UK music market (93% vs 6%) and the number of grime events on sale through Ticketmaster and Ticketweb has quadrupled since 2010. Our new study into the public reception of grime music found that 73% of Brits are aware of grime, with 40% having listened to it at some point.
In line with this trend, between this award season and the last, the genre has attracted more red carpet appearances, awards and accolades than any other. We’ve also witnessed the usual grime attire of baseball caps and designer tracksuits become more interchangeable with dinner jackets and bow ties. And why not, if you can have your brand enhanced by Emporio Armani (in the case of Dizzee Rascal), or feature on the front cover of GQ magazine (as did Stormzy).
Social media report and average listener. Mykaell RileyAuthor provided
For the first time, our research corroborates these claims. We surveyed 2,000 grime fans and 58% of these said they voted for Labour during the 2017 election, with one-in-four (24%) saying that the #Grime4Corbyn campaign influenced their vote. It’s clear that #Grime4Corbyn gave a voice to the younger generation and influenced the way they voted. 
Those more familiar with the genre will know that this success is hard-won and reflects the efforts of an underground, predominantly black British music community, that has pioneered this scene since the early 2000s and beyond. Back then, in the bedrooms of East London council estates, the next generation of young producers and MCs were creating a brutal, edgy, uncompromising music. It was the sound of social deprivation emerging from the shadows of reurbanisation and gentrification.
Leap forward to the present and the genre once dubbed the sound of London’s social underclass has blossomed. With its successes in both the singles and album charts, its arrival on the festival circuit and its growing international following, grime continues to defy industry assessments of its potential. 
This is why it still could provoke the most disruptive cultural transformation of the British music industry since punk. With the leading names now regulars on the festival circuit and capable of packing London’s Wembley or the O2, grime has verified its credentials. Grime still has some distance to travel with regards to its international profile but within the UK, it has already secured recognition from the music industry as the most successful black British music genre – and not unlike punk, transformed perceptions and approaches to popular music.
Favourite artists. Mykaell RileyAuthor provided
Live shows have also transformed ideas about grime’s audience, often seen jostling and bumping into each other in response to the performance. At early gigs, primarily attended by young black men in small venues, this activity would have been described as aggressive and potentially violent. But today, at larger venues and festivals and with it’s change of audience it’s more likely to be described as “moshing”. 
So the tide, it seems, has turned. Or has it? Grime is still struggling to transform negative perceptions within the London Metropolitan Police force, who use the controversial Form 696. This is a risk assessment form that is applied solely to events that “predominantly feature DJs or MCs performing to a recorded backing track” – and is therefore seen by many as discriminatory. It has been used by the police to shut down a number of grime events on the grounds of “public safety”, negatively impacting on the income streams of performers and promoters alike.
Nonetheless, in 2017, grime demonstrates the promise of a complex and diverse music industry. It also shows that a journey fuelled by enterprise, entrepreneurialism and creativity has the potential to overcome such lingering negative perceptions to achieve even greater things.
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