07/02/2018

New book cover: "Massive Attack - Out of the Comfort Zone", by Melissa Chemam


My book cover:




Artwork by Robert Del Naja, or 3D.
Of course.


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More details on the book:


Massive Attack - Out of the Comfort Zone 
By Melissa Chemam



Melissa Chemam’s book Massive Attack - Out of the Comfort Zone discusses, analyses and presents the unique development of the band Massive Attack through a story of the band’s members and the group’s gestation in the inner city cultural melting pot that was the Bristol of the 1970s and 1980s. It is charting their rise out of the fairly inclusive communities of urban working and middle class kids, Jamaican, Irish, Italian and Asian immigrants that were particularly productive and mixed in Bristol, partly to do with the city’s closely intermingled communities and partly with its geography that meant all communities rubbed up against each other easily. 


Bristol’s youth of different backgrounds with a passion for music could encounter the interesting musical mix of punk, reggae, soul, funk and later hip-hop. Chemam charts this musical hybridity expertly through interviews with key Bristol musicians and scene stalwarts such as Mark Stewart of The Pop Group and The MafiaJabulani Ngozi of Black Roots, Graf Artist InkieRay Mighty of Smith and MightyTricky, Neil Davidge, and members of Portishead, Lupine Howl and Alpha

But central to this book is the unfolding story of Massive Attack, their art, their politics, their reflections on their own identity and the development of their astounding music that has been received and loved all over the world. The group’s creative driver Robert Del Naja is a key component of Chemam’s analysis and his account, through interviews conducted by the author and documentary sources, is the spine of this story. Together they for instance detailed the making of their groundbreaking album, Blue Lines, as well as the impact of their third album, Mezzanine. They also reviewed the coming of the band’s incredible collaborations, defining to their uniqueness, from Horace Andy and Elizabeth Frazer to Young Fathers and Adam Curtis


Robert Del Naja was also instrumental in developing the Bristol Graffiti scene, working early on, under the pseudonym of 3D, with Goldie and the U.S. Tats Crew and later with Inkie and Banksy. The story of Bristol’s graffiti scene is intimately linked to the art and vision of Massive Attack themselves and Chemam weaves the evolution of Bristol street art culture into the account with a researched empathetic knowledge and understanding of the scene. 


Melissa Chemam, as a French Journalist and writer, gives an outsider’s account of this incredible band and the city they still live within. Her account and analysis, using Del Naja’s memory of this story, really gets to the roots of what the music and art scene in Bristol has been about and how it was the background for the development of the band until their recent show in Bristol in 2016. Massive Attack were always unlike any other band in their combination of emotive music, art, social commentary as well as very unique shows. They also had such a huge impact worldwide that it is hard to deny their influence in defining a very unique part of British culture through the past three decades.


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Tangent Books 
Release: April 2018  > postponed to August 2018





06/02/2018

"Justice in Syria Must Go Beyond the Courtroom," ICTJ Says


For Syria...


ICTJ
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Justice in Syria Must Go Beyond the Courtroom, ICTJ Says

NEW YORK, February 6, 2018 ― The war in Syria rages on as the most documented in history, with thousands of photos, videos, and testimonies circulating in the public sphere and countless more otherwise accessible. This information holds enormous potential: it could offer paths to justice for victims and their communities through acknowledgement, the fulfillment of their right to truth, and of course through criminal justice proceedings. However, if this wealth of information is to be properly leveraged, those fighting for justice should broaden their focus beyond the courtroom and take concrete actions now.
A new paper released today by the International Center for Transitional Justice (ICTJ) challenges the notion that criminal prosecution is the sole use for documentation of violations in Syria. The paper, titled Justice for Syrian Victims Beyond Trials,” urges the international community, human rights groups and Syrian civil society organizations to use the tools at their disposal to pursue overlooked avenues towards justice. These include the search for the truth, public acknowledgement of violations, and laying the foundation for future truth-seeking and truth-telling processes or reparations process.
The paper grew out of ICTJ’s involvement with the Save Syrian Schools project, an unprecedented collaboration between ICTJ and ten Syrian partner organizations documenting the destruction of schools in the conflict and aiming to expose their impact and long-term harms. The project will host a public hearing-style event in Geneva on March 22 which will gather a global audience of activists, policy makers, international organizations, and more to hear the stories of those affected by the violations and affirm their dignity.
“The Save Syrian Schools project underlines the immediate utility of documentation,” says Fernando Travesí, ICTJ Executive Director and co-author of the paper. “Documentation does not have to be gathered solely for criminal proceedings that may or may not happen in the future. It can be used now to secure acknowledgement for victims and influence public dialogue about the war.”

Frustrated efforts by the international community

The paper examines the myriad commissions and mechanisms the international community has sought to use since the start of the war and how they have shaped the documentation process. These institutions, such as the International Impartial and Independent Mechanism (IIIM) and the International Commission of Inquiry on the Syrian Arab Republic, seek to document alleged violations, identify perpetrators, and hold them to account – ends that then become overemphasized by information gathering efforts. The paper contends that these goals should not be the limit of activists’ imaginations, urging them to collect and use information with other accountability aims in mind.
"Progress towards criminal prosecution has been slow and may not always represent the most effective path to justice for Syrians," says Nousha Kabawat, co-autor of the report. "We must imagine forms of justice that lie beyond the confines of these mechanisms and do work to support an array of efforts now."
The paper points out that many Syrian organizations are currently pursuing such alternate paths towards justice. These efforts may foreground the importance of acknowledgement of the crimes as a first step to alleviate victims’ suffering and open the door for them to participate in other transitional justice processes, which their experiences and opinions can inform.

How can documentation be used towards justice?

Acknowledgment is also not a step that has to wait for the wheels of criminal justice mechanisms to grind forward, but can happen now and pressure the international community to stand against the attacks.
Beyond acknowledgement, documentation collected now can support justice efforts in a post-conflict Syria. Information should be collected and shared more effectively among Syrian and international groups as a way to start advancing processes that will be crucial for the Syrian future such as the search for the disappeared and answer questions about property and civil status.
“We must not wait for peace to start the search for the disappeared," Travesí says. "We can use documentation now to map and protect burial places, empower families, coordinate national and international work, and provide psychological support to victims and their families.”
The paper reflects ICTJ’s ongoing involvement in the Save Syrian Schools project. The project will also issue a report on its findings on March 22. Stay tuned for more.

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Marx in America!



In Theaters from February 23rd...





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Condition noire : Conversation française, conversation américaine


Alors que les Etats-Unis sont en plein "Black History Month", l'Université Columbia à Paris organise cette conférence à la fin du mois :



"La Condition noire : Conversation française, conversation américaine"

Lundi, 26 février, 7pm
Columbia Global Centers
Reid Hall, Grande Salle
(4 rue de Chevreuse  75006 Paris)


Wall graffiti


Nous assistons à une intensification des tensions autour des questions dites raciales aux États-Unis et en France. Bien que des similarités puissent être constatées entre les deux situations, de profondes différences existent entre les séquelles du colonialisme français et la "binarité noir-blanc" aux États-Unis, née d’un passé douloureusement marqué par l'esclavagisme. 
Cette table ronde s’inspirera de la question posée par W.E.B. Dubois dans les premières pages de son livre Les âmes du peuple noir «Quel effet ça fait d'être un problème ? »  C'est la question qui unit la diaspora mondiale et à travers laquelle se manifestent les variations locales.  Dans un contexte de mondialisation rapide et de révolution technologique, comment distinguer, comprendre et traduire les subtilités des expériences singulières et des nuances culturelles ? 

Cette table ronde a lieu à l’occasion de l’exposition « Black Dolls, la collection Deborah Neff » du 23 février au 20 mai à la Maison Rouge – Fondation Antoine de Galbert


Avec :


Patricia J. Williams est professeure de droit à Columbia University. Elle est également journaliste et signe une chronique mensuelle pour The Nation Magazine. En 2000, Williams a reçu le prix MacArthur pour son travail dans les domaines des droits de l'homme et de la sécurité humaine.


Pap Ndiaye est professeur des universités à l'Institut d'études politiques de Paris (histoire nord-américaine). Il est l'auteur de La condition noire. Essai sur une minorité française (Calmann-Lévy, 2008) et Les Noirs américains. En marche pour l'égalité (Gallimard "Découvertes", 2009).


Balla Fofana est diplômé d’un Master en communication politique de l’Université Paris-Est Créteil (UPEC) et du Centre de Formation Professionnelle pour Journalistes (CFPJ). Ancien membre du Bondy Blog, il a également été journaliste au service économie de TF1 de septembre 2014 à août 2016. Il est actuellement en poste chez Libération. Et travaille également depuis 2014 sur des projets de sensibilisation et d’éducation aux médias dans des lycées en région parisienne.


Gratuit et ouvert au public


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Lien : https://events.reidhall.com/en/?event=1517499256&utm_source=Paris+database-in+Paris&utm_campaign=3fb664dd63-EMAIL_CAMPAIGN_2017_01_26&utm_medium=email&utm_term=0_51a93049cb-3fb664dd63-212108477


03/02/2018

...blossom



“And the day came when the risk to remain 

tight in a bud was more painful than the risk 

it took to blossom.”



― Anaïs Nin



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02/02/2018

American Marx


Our film is travelling to North America!
And so will Raoul Peck for the premiere mid-February.

I'm... still boycotting Trump's "Disunited" States. For what good it can bring!
But they are the response.

Article published by The Playlist:
https://theplaylist.net/young-karl-marx-trailer-exclusive-20180201/



The Playlist logo


‘The Young Karl Marx’ Trailer: Happiness Requires Rebellion [Exclusive]




Following his outstanding, acclaimed documentary “I Am Not Your Negro,” director Raoul Peck tackled another culture changing, and politically charged figure in “The Young Karl Marx.” However, he takes a feature film approach this time around, but the results are no less compelling.
Starring August Diehl, Stefan Konarske and “Phantom Thread” breakout Vicky Krieps, the film traces the footsteps of Karl Marx through the Socialist movement and founding of the Communist League, as it originated in Paris during the 19th century. The drama sees Marx teaming with his wife Jenny and industrialist friend Friedrich Engels to fight for the oppressed and spark revolution. Here’s the official synopsis:
At the age of 26, Karl Marx (August Diehl) embarks with his wife Jenny (Vicky Krieps) on the road to exile. In 1844 Paris they meet young Friedrich Engels (Stefan Konarske), son of a factory owner and an astute student of the English proletariat class. Engels brings Marx the missing piece to the puzzle that composes his new vision of the world. Together, between censorship and police raids, riots and political upheavals, they will preside over the birth of the labor movement, which until then had been mostly makeshift and unorganized. This will grow into the most complete theoretical and political transformation of the world since the Renaissance – driven, against all expectations, by two brilliant, insolent and sharp-witted young men.
“A few years back, while the world was going through yet another financial crisis, I felt the need to go back to the basics: The analysis of the violent capitalist society we are still embedded in, through these three young Europeans of wealthy families (Karl, Friedrich and Jenny) who decided to change this utterly unequal world,” Peck said about his inspiration behind the film. “And they eventually did; though not the way they imagined it. I am thrilled to be working with The Orchard to bring the film to the American audience later this year.”
“The Young Karl Marx” opens on Friday, February 23rd in New York at The Metrograph and Los Angeles at Laemmle Royal, with a national rollout to follow.
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American trailer:

The Young Karl Marx (2018) | Official US Trailer HD



Published on 1 Feb 2018
In select theaters February 23. Available on Digital Platforms March 6.

In the mid-1800s, after decades of the scientific and economic march of the Industrial Revolution has created an age of both new prosperity and new problems, a 26-year-old writer, researcher and radical named Karl Marx embarks, with his wife Jenny, on the road to exile. In Paris in 1844 they meet young Friedrich Engels, the well-to-do son of a factory owner whose studies and research has exposed the poor wages and worse conditions of the new English working class who operate looms, printing presses and other engines of industry that enrich their owners while punishing laborers. The smooth and sophisticated – but equally revolutionary and radical – Engels brings his research, help and resources to provide Marx with the missing piece to the puzzle that composes his new vision of the world. Together, between censorship and police raids, riots and political upheavals, they will preside over the birth of the labor movement turning far-flung and unorganized idealists and dreamers into a united force with a common goal. The organizations they create and ideas they put forward will grow into the most complete philosophical and political transformation of the world since the Renaissance – started, against all expectations, by two brilliant, insolent and sharp-witted young men whose writings, works and ideas were embraced by revolutionaries even as they were corrupted by dictators. As director Raoul Peck himself puts it, “Before they’d even reached the age of thirty, Karl Marx and Friedrich Engels had undoubtedly started to change the world – for better or worse …”

THE ORCHARD FILMS

WEBSITE: http://www.theorchard.com/filmtv
FACEBOOK: https://www.facebook.com/OrchFilms
TWITTER: https://twitter.com/OrchFilms
INSTAGRAM: https://www.instagram.com/orchfilms


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01/02/2018

Music talks


Life in songs...




Michael Jackson - 'Working Day and Night' live in Toronto in 1984






Nick Cave - 'Do You Love Me?'








"Our Deepest Fear"


Long, busy week. Intense, though joyful month!

Just a thought for tonight:


"Our deepest fear is not that we are inadequate. Our deepest fear is that we are powerful beyond measure. It is our light, not our darkness that most frightens us. 
We ask ourselves, Who am I to be brilliant, gorgeous, talented, fabulous? 

Actually, who are you not to be? There is nothing enlightened about shrinking so that other people won't feel insecure around you. We are all meant to shine, as children do. We were born to make manifest the glory of God that is within us. It's not just in some of us; it's in everyone...

And as we let our own light shine, we unconsciously give other people permission to do the same. As we are liberated from our own fear, our presence automatically liberates others."


- Marianne Williamson



28/01/2018

Trying to save Bristol's art and music venue Trinity Centre


Words from Bristol's Trinity Community Arts:


Conservation works January 2018 Update


In October work commenced on the second phase of Capital works to protect the building's fabric into the future. This is the final major-works phase relating to the repair and conservation of the historic fabric. These works where enabled through the help of Heritage Lottery Fund, Historic England, All Churches Trust and 13 other funders, as well as generous donations from members of the public.
With full scaffolding in place, specialists have been able to undertake a more comprehensive metalwork survey. Investigations to metal cramps and the stained glass windows reveal the damage to the building is far worse than anticipated.
If we don't do these works now, Trinity will be placed back onto Historic England's At Risk Register. In real terms this means we are going to have to raise an additional estimated £200 000, otherwise Trinity will be forced to close - and we need your help to do that. 
This Spring, to help us raise the funds we need to keep Trinity open, we will be launching an individual giving campaign.  People can help now by donating towards the conservation project via our website:

Donate now to become part of the heritage, a part of the community and part of this much love building:




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Our mission is to empower communities through arts ensuring everyone has the opportunity to access, be part of and shape arts and culture in Bristol. We are based in The Trinity Centre, this much-loved, Grade II* Listed historic landmark is a cultural hub for the city, used by over 60,000 people annually.



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Video:


A Trinity Story





Short film about some of the amazing groups and projects hosted within the Trinity Centre & Garden, Bristol, UK. If you like what we do, visit: http://3ca.org.uk/about/support-us and pledge your support. 

Trinity Community Arts is a registered charity. Our mission is to empower communities through the arts and make sure everyone has the opportunity to access and shape arts and culture in Bristol.

Based in The Trinity Centre, this much-loved historic landmark is a cultural hub for the city, where people of all ages and backgrounds can come together - connecting communities and developing people's skills through the arts. 

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26/01/2018

'Pure Modulations In Space And Time'


My friend and the talented singer - songwriter Lady Nade has been secretly plotting this collaboration... And I love it!!

Lady Nade meets North Sea Navigators!!

Bristol born and bred :)

Love you all there xx


'Pure Modulations In Space And Time'






Published on 22 Jan 2018

Provided to YouTube by Republic of Music

Pure Modulations In Space And Time · North Sea Navigator
Pure Modulations In Space and Time

℗ Blurred Recordings
Released on: 2018-01-23

Artist: North Sea Navigator