14/02/2018

Art: 'One and Other'. A project by Kader Attia & Jean-Jacques Lebel


 Art!! I need more art, more beauty, more meaning!

Opening tomorrow in Paris' Palais de Tokyo:



One and Other A project by Kader Attia & Jean-Jacques Lebel


L’Un et l’Autre [One and the Other] is not an exhibition but a research laboratory. It is the result of an exchange of our perspectives, of a partnership underpinned by our deep friendship. We present here a selection of our work linked to the major questions of our civilization, which are approached principally through two installations. The first addresses the fabrication in and by the dominant media of the absolute Other, a violent and warlike entity that never fails to inspire fear: the Satan, the Savage, the Terrorist. The second concerns the persistence throughout history of humiliation, rape and torture in imperialist war crimes.
As a counterpoint to these installations, we present some of the enigmatic and polysemic objects that we have collected over the years, objects charged with spirits that are invisible to the naked eye, which speak to us all, which transmit coded discourses, and which enact both réparations and détournements.
Alongside this heterogeneous ensemble — of visual and sound works, of films and viewpoints, of nameless objects, of face and stomach masks, all woven together with one another — we have looked to bring together artists and filmmakers whose approaches intersect with our own. Together, we form a ‘collective assemblage of enunciation’ (Felix Guattari), an endless ‘montrage’ which generates multiple perspectives, horizons and criteria for appreciation and evaluation. This transcultural laboratory is only just getting started.” 
 - Kader Attia and Jean-Jacques Lebel


With: Marwa Arsanios, Sammy Baloji, Alex Burke, Gonçalo Mabunda, Driss Ouadahi, PEROU – Pôle d’Exploration des Ressources Urbaines


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« The idea for our upcoming exhibition at Palais de Tokyo is to display our thought, so as to share it, both through works by artists, and everyday objects, and to show how each object is fully charged with energy, meaning and poetry without us realising it. » 
 - Kader Attia



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link: http://www.palaisdetokyo.com/en/event/one-and-other



Subodh Gupta in Paris in April



Subodh Gupta
Première rétrospective en France

La Monnaie de Paris présente la première rétrospective en France de l'artiste indien Subodh Gupta (né en 1964 et vivant à New Delhi). Figure emblématique de l'art contemporain indien, les oeuvres de Subodh Gupta sont aujourd'hui présentes au sein de grandes collections privées et publiques. Elle s'articule autour de pièces historiques, rendant compte des origines de son travail, d'oeuvres monumentales et de ses plus récentes explorations autour du son.

Subodh Gupta conçoit des oeuvres à partir d’objets tirés de la vie quotidienne, usagés ou neufs, emblématiques de l'Inde. L'artiste joue de ces évocations claires et directes à son pays par le biais d'œuvres en trompe l'oeil. Les objets du quotidien sont transfigurés par leur moulage en bronze, laiton, cuivre ou nickel. Libérés de leurs fonctions, mis à l'arrêt, accumulés ou reproduits presque à l'identique dans un nouveau matériau, ils s'exposent comme œuvre au regard du visiteur. Les ustensiles de cuisine métalliques – notamment la traditionnelle boîte à repas ou dabba en hindi – sont souvent utilisés.
Assemblés, juxtaposés ; ils traitent autant de l'acte de cuisiner et de la nourriture du corps que de celle de l'âme comme différentes nourritures spirituelles. La monumentalité et le sentiment d'abondance qui se dégagent de certaines installations, comparativement à des sculptures de plus petites échelles, agissent comme des métaphores des tensions à l'œuvre dans son pays et plus largement dans le monde : entre la vie rurale et la vie urbaine des mégalopoles, entre l'industrie et l'artisanat, entre une vision politique et une autre plus métaphysique.
L'exposition investit les salons historiques du 11 Conti, le long de la Seine, se prolonge dans l’escalier d’honneur et se poursuit dans les cours intérieures de la Monnaie de Paris où des oeuvres monumentales et inédites seront visibles gratuitement par les promeneurs.
Cette exposition annonce des axes forts de la programmation de la Monnaie de Paris : exposer les grands sculpteurs des XXe et XXIe siècles, avec des œuvres conçues pour l'espace privé, aux côtés d’oeuvres de grandes échelles, commanditées pour l'espace public ; réfléchir sur le savoir-faire et le geste artistique sur un site dont l'usine est encore en activité.
Une exposition placée sous le commissariat de Camille Morineau, Directrice des Expositions et des Collections de la Monnaie de Paris et Mathilde de Croix, Commissaire d’exposition à la Monnaie de Paris.

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Monnaie de Paris
Salons d'honneur, 1e étage aile est du palais et cours extérieures
11, quai de Conti, 75006 PARIS

DATES & HORAIRES

À découvrir à partir du 13 avril 2018
Du mardi au dimanche de 11h à 19h
Nocturne le mercredi jusqu'à 21h


'Harm of Will'


Song of the day.
'Harm of Will'...
Thinking of the hills of North Africa.

Thinking of these dreams where we meet. At the right time. In the right place.
Maybe in the past? Maybe in another timeline, another dimension...

Otherworldly sound, no...?

Love. Today. Yesterday. Everyday.


Björk - 'Harm of Will'






Lyrics

If there is a troubadour washing
It is he
If there is a man about town
It is he
If there is one to be sought
It is he
If there are nine she is
They are bought for me
This way is as is she
And he placed her
Unclothed
Long long long legged
On top of the family tree
And if he has chosen the point
While she is under him
Then leave her coily placed
Crouched sucking him
For it is I with
Her on knee
I leave her
Without pith or feel
And leave her be
Leave it be
For he controls what there'll be
He makes his face known to none
For if he is seen
Then all will
And all will know
Know me
Written by Guy Sigsworth, Bjork Gudmundsdottir, Harmony Korine • Copyright © Kobalt Music Publishing Ltd., Universal Music Publishing Group


13/02/2018

Back cover


Happy to share a few more word... 
We're thinking of printing this book later this year... 






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Follow the last steps and share music and art with me on my Facebook page too if you will:

https://www.facebook.com/frombristoltomassiveattack/


'Slumber'


Words for nighttime...


'Slumber'


I must have been made to live through nights...


I must have been designed by stars and satellites


For I love the sweet embrace of the darkness


But I've been struggling, fighting,


So many years...


Fighting with the simple embrace of slumber...



2/13/2018




12/02/2018

On "The Uniqueness Of Massive Attack"


"The Uniqueness Of Massive Attack" - My take on writing about Bristol - For Classic Album Sundays.


Link: http://classicalbumsundays.com/the-uniqueness-of-massive-attack-melissa-chemam/





BLOGS


The Uniqueness Of Massive Attack – Melissa Chemam



Over the past four years, as a freelance journalist, I have been travelling between Bangui (Central African Republic), Paris, Istanbul, Calais, Erbil (Iraqi Kurdistan), the South of France and Ventimiglia in Italy, London and… Bristol. I have mostly been covering post-conflict issues and the refugee crisis for different European radio stations and magazines. So I went to Bristol to write about a brighter, engaging and inspirational story. To explore the culture of England’s West Country, retrace the history of my favourite music, a fascinating journey through an artistic and social explosion.
I decided to write about the band Massive Attack when I read they were travelling to Lebanon, in July 2014. They were about to perform at the Byblos International Festival and to visit Palestinian youth they help, in a refugee camp in Burj El Barajneh, in the southern suburbs of Beirut. I contacted a friend who is a writer and music journalist to convince him I could write a book about them…

I had always loved their music and I know all of their albums by heart. Their engagement suddenly seemed very authentic to me; it completely stands out in the current music business. I started to think of a way to reach out to them, especially to 3D, also known as Robert Del Naja, the heart and soul behind Massive Attack’s writing process and social involvement. After months of preparation and once he agreed to meet me, I packed my bag for Bristol in February 2015.
I immediately liked the journey from London (where I had lived for two years) to the West country, the murals in Stokes Croft, the contrast between Saint Pauls and Clifton, the way art and music are present all around the city. I first stayed in Saint Pauls, walking everywhere, writing at the Watershed’s welcoming café and helloing Banksy’s famous ‘Mild Mild West’ and naked ‘Well Hung Lover’. After meeting with 3D, I contacted a snowballing list of Bristolians: some of 3D’s co-workers including sound-engineer and co-writer Neil Davidge, talented instrumentalists, rappers and vocalists like Mike Crawford, Sean Cook, Andy ‘Spaceland’ Jenks, Krissy Kriss, Mark Stewart and, six months later, Adrian Utley, Portishead’s guitarist. I also spent a lot of time in venues and art galleries, in Bristol – spending a day with Inkie or listening to Roni Size at the Hamilton House. In London too, in Paris – where I interviewed Tricky and met Nick Walker, then in Dublin and further, to see Massive Attack on stage. All these meetings and events helped me recreating the key moments that made possible The Wild Bunch then Massive Attack and the scene that followed.

The Wild Bunch, mid-1980s: Miles Johnson (aka DJ Milo), 
Robert Del Naja (3D), Grant Marshall (aka Daddy G), Nellee Hooper, Willie Wee


My book therefore retells the story of a rare group of unconventional and politically aware musicians and artists. The story starts with Massive Attack’s first album, the remarkable and inimitable Blue Lines, then goes back to their first influences. The Beatles, reggae, punk, soul music, hip-hop, Jean-Michel Basquiat and the graffiti stars of the film Wild Style. These include their very own hometown’s history, from the slave trade to recent riots… Then the book evolves until Massive Attack’s homecoming show in September 2016 and their coming projects.
It digs into the making of their groundbreaking albums, especially Mezzanine, which turns 20 year-old this year, described by many critics as the best thing that ever came from Bristol… It follows Massive Attack’s evolution as extraordinary performers, whose shows rival with the best acts in the world, and 3D’s artistic transformations, collaborating with Banksy, United Visual Artists and Adam Curtis. This very rich and fascinating path took them around the world, from Japan to America, Mexico and Turkey, Lebanon and the Congo…

Writing about them and about Bristol’s music and art scene, led me to write this parallel history of British culture, with underground origin, always pushing boundary and keeping an aware and open gaze on our fast-changing world.

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Massive Attack: Out Of The Comfort Zone by Melissa Chemam will be available from April 9th 2018 here.




'Fatal Assistance', a documentary on the failure of aid, by Raoul Peck



Very relevant film to the day...

Broadcast tonight in the U.S. on World Channel:
https://www.facebook.com/WORLDChannel/?fref=mentions


Behind the Scenes: Fatal Assistance - Interview







Published on 24 Jan 2018

About the film: 

Fatal Assistance is a riveting and insightful documentary by award-winning filmmaker Raoul Peck (Oscar nominee for I Am Not Your Negro) which takes viewers on a two-year journey exploring the challenging, contradictory, and colossal rebuilding efforts in Haiti following the 2010 earthquake. 


About the filmmaker: 

Born in Haiti, Raoul Peck grew up in Congo, France, Germany and the United States. His complex body of work includes films The Man by the Shore (Competition Cannes 1993); Lumumba (Director’s Fortnight, Cannes 2000, also bought and aired by HBO). He directed and produced Sometimes in April for HBO (Berlinale 2005); Moloch Tropical (Toronto 2009, Berlin 2010); and Murder in Pacot (Toronto 2014, Berlin 2015). 

His documentary on American author James Baldwin I Am Not Your Negro was nominated for the Best Documentary Academy Award in 2017. He served as jury member at the 2012 Cannes Film Festival, is presently chairman of the National French film school La Femis and is the subject of numerous retrospectives worldwide. 

In 2001, the Human Rights Watch Organization awarded him with the Irene Diamond Lifetime Achievement Award. 

His latest feature The Young Karl Marx was released in France in September 2017, and will open in the United States in February 2018.


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More on Velvet Film's website:





11/02/2018

"Last Goodbye"


Song of the day:


Jeff Buckley - "Last Goodbye"






This is our last goodbye
I hate to feel the love between us die
But it's over
Just hear this and then I'll go
You gave me more to live for
More than you'll ever know
This is our last embrace
Must I dream and always see your face?
Why can't we overcome this wall?
Baby, maybe its just because you didn't know you at all
Kiss me, please kiss me
But kiss me out of desire, babe, not consolation
Oh, you know it makes me so angry
'Cause I know that in time, I'll only make you cry
This is our last goodbye
Did you say, "No, this can't happen to me"
Did you rush to the phone to call
Was there a voice unkind in the back of your mind
Saying maybe you didn't know him at all
You didn't know him at all, oh oh, ya didn't know
Ooo didn't know
Well, the bells out in the church tower chime
Burning clues into this heart of mine
Thinking so hard on her soft eyes
And the memories, offer signs that it's over
Over


Songwriter: Jeff Buckley


10/02/2018

'Ain't No Sunshine' when she's gone - But you don't have to wait until she's gone...


 This blog has been gaining so many readers recently!! From all over the world and especially in France apparently, but also Japan, Colombia, Poland, Kenya, Russia! America of course.

I neglect it, I know but these are busy time, but I love connecting with people, and it means a lot to me to know that these pages are read. It's about sharing and discussing and passing on what I love.

Thanks for coming!

In order to thank everyone, here is one of the most beautiful song in the world!!
In a couple of versions.

Lots of love, people.
Take care of yourself.


Bill Withers - 'Ain't No Sunshine' 

(Old Grey Whistle Test '72)






MICHAEL JACKSON & JACKSON 5 

'AIN'T NO SUNSHINE' 

LIVE (720p HD DTS)





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The 100th Window is still open



Massive Attack's 4th album, 100th Window was released 15 years ago on Feb. 10, 2003.

It was so ahead of its time. Thus, the music and themes are still so relevant today.

I totally immersed myself in it when it came out, not reading a single review. I literally lived with it the autumn when I was working in Prague, my first long-term experience abroad.

There, between the remains of the Cold War, between East and West, while American president George Bush and his then ally British Prime Minister Tony Blair, the world looked so dangerously changing into a monster again...

Very few artists captured the complexity of these times with so much talent.

3D and Neil Davidge, when I interviewed them, separately, both reckoned the album was completely influenced by the consequences of September 11th...

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Here's the first single, written with and performed by Sinéad O'Connor:


'Special Cases'