13/01/2021

What do humanitarian crises mean in a world where people would rather just play games?

 

January 13. Here we go, a new report sheds light on an issue I've had on the back of my mind for years... Ever since I started studying journalism.

Yesterday (Tuesday 12), the NGO Care International published a report showing that the launch of PlayStation 5 gaming platform received 26 times more news attention than 10 humanitarian crises combined in 2020.






 

Having worked on crisis response for so many years, in the news or as a communication person for NGOs/UN organisations, over the years, most of the time, I couldn't get even my best friends to pay attention to humanitarian crises. This "turning-a-blind-eye" attitude can now be measured... 

https://insights.careinternational.org.uk/media/k2/attachments/CARE_10-most-underreported-humanitarian-crises-2020.pdf

 

The Charity Care International says the media is failing countries by underreporting humanitarian emergencies, with women suffering most. And how could we disagree? 

 

The humanitarian crises include violence in Guatemala, hunger in Madagascar and natural disasters in Papua New Guinea. They were all largely swept aside by news of Covid-19, global Black Lives Matter protests and the US election of course. More clickbait-friendly events such as the Eurovision song contest and Kanye West’s bid for the US presidency received 10 times more online news attention than the humanitarian crises in question, according to the report.

 

In November, I wrote an opinion piece on the dominance of the United States in the news:

https://westenglandbylines.co.uk/the-british-press-is-obsessed-with-the-american-elections/  


A nation that this week has proved could not be taken as a world leader or an example for democracy worldwide. So when will journalists finally accept to reform their priorities and finally open up to the rest of the world? 

 

In 2019, after my book on Bristol’s culture and rebel spirit came out, I started drafting an essay to highlight a few key points on these issues, having worked in world news since 2005, for different broadcasters including the BBC World Service in Africa. 

 

But, not to my surprise, most publishers and agents I got in touch with declined even considering supporting my work let alone publishing it. Now that I teach journalism at the University of the West of England, I want to try again to open that discussion. I want my students to know about the Ugandan election of tomorrow (Thursday 14 January): https://www.bbc.co.uk/news/world-africa-55573581

 

I want them to at least to hear about it, or just to get to know the country exists… While they have heard about the US election all day every day for months, including via the British press. 

 

Through my work, I try to highlight how the relations between the Western World and the rest of the world are evolving. Over the years, I have been based in London, Paris, Prague, Miami, Nairobi and Central Africa, mostly as a freelance journalist, paying for most of my travels. I managed to go to Haiti, South Africa, Uganda, Turkey, Iraq. All to report on under-reported stories. I worked with a filmmaker on a project on colonial history, and its consequences in our days (details here: https://deadline.com/2020/02/raoul-peck-exterminate-all-the-brutes-josh-hartnett-hbo-1202862295/). I write about African, European, Middle Eastern and Caribbean Artists. I still follow African elections from England. 

 

Now that travels have become dangerous if not banned, I’m gathering a collection of lessons in journalism and in politics that I learned by being a reporter for 15 years over four continents.

 

Can our media change? Well, they will have to! The media are the reflectors of world events that people use to connect with different places and people, and to make decisions as citizens. In a world every day more global it is sick to continue to deny over 200 countries any form of media attention at all. 

 

10/01/2021

'England'

 

These are weird times.

Here is my song of the day...

This album means SO MUCH to me. It's pure talent. 

But mostly, it encapsulates a lots of emotions that came to me at the time of its release, when I left England for Kenya and had such a complicated relation to my country of birth... 

It does resonate really strongly this year! post Brexit...


PJ Harvey - England






from the album Let England Shake, Mercury Prize 2011


Lyrics:


I live and die through England
Through England
It leaves a sadness
Remedies never were within my reach
I cannot go on as I am
Withered vine reaching from the country
That I love
England
You leave a taste
A bitter one
I have searched for your springs
But people, they stagnate with time
Like water, like air
To you, England, I cling
Undaunted, never failing love for you
England



06/01/2021

Winter News // Letter: Welcome, 21!


Dear friends and art lovers,


I hope this email finds you well! What a year we've had...

I had planned to entitle my last newsletter of the year: "From Paris with Love!"...
Well, this couldn't happen, and - as most people this year - I had to end 2020 where my Covid experience started... 

As I can't stand feeling defeated, let's focus on prospects and promises; we'll rise again, I'm sure. 

So for now, best wishes for the new year to you all. Hope it'll be kind enough and will help us build a better world. 

I also want to thank all of you for your support, friendship or creativity and inspirational spirit! 

This newsletter is not only about my work or my writing, this is about trying to create a community of ideas and support. I hope my words, as free as they are, are somehow helpful in this matter.  
 
Many thanks!
melissa 


-

New Books: 'African' Art at Arnolfini & Bristol Reggae


My main book project for 2021 is the result of my writing residency at the Arnolfini, and will come out here in Bristol in early March. All details here

We're planning an event for early March 2021, hopefully in person at the gallery.
To get to know more, check Arnolfini's website.






In the meantime, my chapter about Bristol reggae is now published in a new book by Palgrave Macmillan just out this month of December 2020: 

Narratives from Beyond the UK Reggae Bassline 
It's been a long process, happy it's out! 

I'm now working on the next project: more on this in 2021, hopefully.


-

MORE ON ART & MUSIC

In the meantime, here are some of my recent articles about creativity:


Why is Arabic Provoking such Controversy in France? — The Markaz Review

'Daydreaming' - 30 Years On - in the Reader's Digest

'‘We Want the Ability, Space & Time to Retell Our Own History’' - on Black History Month in Britain for Byline Times 

-

PODCAST... Last episode of the year

Meanwhile, our Podcast, The Quarantini, has reached 28 episodes!

Episode 28: A Quarantini... 

Check our website in a few days.

And will continue into 2021... 

There will be more good news, more great interviews, once or twice a month. And you can still listen to all previous episodes here: The Quarantini

-

Thank you very much for your interest and support.
It's all hard work and passion, that is what keeps us going.
  
Wishing you all the best for this beginning of the year. 
Send some news if you have a moment!

With warm regards,
melissa 

-

Melissa Chemam
Writer, Cultural Journalist, Reporter
Writer-in-residence @ Arnolfini Gallery
Lecturer in journalism @ UWE Bristol
 

04/01/2021

21!

 

There we are, past the threshold of a new year. 

Best wishes to you all! 

I don't want to be too optimistic but 21 has been my lucky number for quite some time... It comes to me in the lucky places, as a calling or a reminder of happier times, as a sign some force is watching over me... It's hard to explain. But it resonates with, let's put it this way.

-

I haven't written much here in December, it was a terribly tiring month my end, up until the 20th, when the border between the United (or more, like, dis-uniting?) Kingdom and France was closed. I had to cancel my plans to travel "home", if it is ever a home to me ever, not that I feel this way... 

-

Since the 21st of December, day of the Winter Solstice, a pause has begun. And I still live in this bubble of alone time, completed through walks with friends, filled with books and films about books!

The latest have involved some stories from Jane Austen, Charles Dickens and the Brontë Sisters, books by Elif Shafak and Don Miguel Ruiz.

Here is one:

Guernsey Literary and Potato Peel Pie Society

The story a London writer who survived WWII, unlike her parents, and becomes obsessed with a new stories when she starts corresponding with a man from the island of Guernsey. Despite the success of her recent release, she decides to write about the island's secret Book Club formed during the occupation of Guernsey by the Nazis.

Trailer: 


Anecdote: the harbour scenes have been filmed in Bristol, "my" city...


-


Another great story about how books change outlives:

The Invisible Woman


Ralph Feinnes was the director and star of The Invisible Woman, with Felicity Jones as a co-star.

Here they tell The Guardian how Charles Dickens's affair with Ellen Ternan inspired the writing -€“ and why they don't view this relationship, between an older man and a teenager, as predatory:


It was "infatuation that became a huge love", Fiennes explained, despite the age and power imbalance. A love that totally transformed both of the characters and most probably inspired Dickens' strength and understanding for the writing of his novel Great Expectations

-

Thanks for these comforting stories.


TBC...


17/12/2020

A Quarantini with...

 

Podcast Episode 28: Last of 2020! 

A Quarantini with... Marjorie Hache


What has it been like to go through the last year and be in lockdown in Paris? Or Scotland!? And what has it been like for the music industry? 

In this episode we talk to Majorie Hache, a Scottish/French music journalist who tells us all about it.

ALSO - we've chosen one of our favourite pieces of music from the year - one which marks the lockdowns we have and are going through - it's called 'Gotta Be Patient' and it's by Stay Homas, a group of musicians in Barcelona who wrote songs every week, performed on their balcony.

PLUS - we bring you our usual round up of positive responses to the virus from around the world....


Music: 

Gotta Be Patient, Stay Homas

Hot Flu, Seb Gutiez, The Old Bones Collective - opening music

Hosts: Melissa Chemam and Pommy Harmar

Producer: Pommy Harmar


-


To listen:




-


link:

https://the-quarantini.captivate.fm/episode/a-quarantini-with-marjorie-hache


-


we also have a bonus episode to come... in French!

Thanks for listening and stay tuned!


15/12/2020

Feature: On 'Locating Strongwoman' - A Collection Of Poems

Latest feature article: for the wonderful website I AM History, supporting African and Black artists:

https://www.iamhistory.co.uk/culture/2020/12/14/an-interview-with-tolu-agbelusi-on-locating-strongwoman-a-collection-of-poems



Tolu Agbelusi: On Locating Strongwoman - A Collection Of Poems

Untitled design.png

By Melissa Chemam


“I am all the things I give myself permission to be,” poet, performer and educator 

Tolu Agbelusi told me, toward the end of our Zoom conversation about her beautiful

poetry debut, Locating Strongwoman. The book is an attempt at defining oneself as 

a woman, beyond stereotypes and with incredible authenticity. “All my life, I was 

always in the margins,” she added, I always felt in between, I couldn’t be pigeon-

holed by anyone and I don’t need to be.” An experience that  her poem ‘What Exactly 

Do You Want To Know’ addresses.

Born in Nigeria, raised in Britain from 14 years old, trained as a lawyer in France, 

Tolu also lived in the Caribbean and in Angola and is now based in London. “I’ve 

often felt like people put others in boxes and in my case it was not to include me, 

as a Black woman for instance, but to exclude me.” She was even told that she 

wasn’t African enough after some live shows. Yet these experiences only helped 

her to define who she wanted to be. 


Growing up in Nigeria, her mother was an English teacher, so Tolu was always 

exposed to books. And poetry became a way for her to cultivate her inner world, 

especially when they moved to England and she was preparing for her A Levels. 

“Then I used to write as a way to escape. I created a personal world not to be

discovered by anyone. For my A Level in French, I chose to study a poem on 

‘negritude’ by Aimé Césaire: it had a huge impact on me. So had books like 

Daughters of Africa by Margaret Busby and poems by Maya Angelou.” 


She started studying English at university and was writing so much that at 21 years

old, she did her first poetry performance, at Poetry in Motion in London. Then she

left for Paris to pursue a law degree and started working. “Poetry found me again when I was unemployed and depressed. Soon, I thought it was more than just a 

hobby and I started to take much more time to write but also to read like a writer. 

It became a necessity for me: the more I did it, the more I felt good at it.” It also 

became a means to empower herself and others. “Language is power,” Tolu said,

“I now teach poetry too and use performance as a tool to express myself.”


Her poems also address a lot of taboos, and Tolu does feel that – whether in 

England, France or Nigeria – certain conversations are very difficult to have, 

about identity, femininity and togetherness, because some people are not expecting 

her to speak about race, gender or relationships as freely as she does. “I definitely 

had to break a few doors down. I spent a lot of nights going to poetry events, 

waiting for flyers about the next events, dragging my friends who didn’t even like 

poetry for support. And after many open mic events, people started to ask me to 

come again. But of course, I still face barriers, in bigger events, in certain 

institutions. That’s also why I created my own events, the Home Sessions.” 


The poems that we find in Locating Strongwoman were created over all these years 

of writing and performing, plunging into her emotional self. “I’m a storyteller,” 

Tolu added. “Some of these stories are my stories; others are inspired by people I 

know or read about, but together they form a character that I am, sometimes 

powerful, other times not that strong, but all these emotions are true.” She 

beautifully addresses motherhood, family links, love but also consent, pain and silence. The poem ‘How It Begins’ was for instance inspired by her experience in 

French Guiana, during a sexual assault. “They all reflect different levels of strength,

Tolu reflected. “There are the multiple versions of me, because no one is ever one 

thing only.” And her whole book beautifully illustrates this experience, as I’m sure 

many readers - like myself - will delightfully find out.


08/12/2020

DOPE: 'Bristol Underground'

 

New publication:



in 

DOPE 12

£3.00

DOPE is a quarterly newspaper.

DOPE 12 features: Art in Ad Places, Brighton ABC, Cat Sims, Clifford Harper, Connor Woodman, Game Workers Unite, Koshka Duff, Lucy Parsons, Marco Bevilacqua, Massive Attack, Meg Primmer, Melissa Chemam, Michelle Tylicki, OT Pascoe, Peter Gelderloos, Protest Stencil, SÅ‚awek Rzewuski, & Stacey Clare.

DOPE is distributed in solidarity by our network of street-vendors around the UK. Help us spread more solidarity DOPE by picking up a print copy. 

See more here: https://dogsection.org/press/dope12/?fbclid=IwAR2bIiV-RevUDxE0sjImBrSee7ynXU2af3kOFTr8Vu15YUP5jH_JzcuBcfI



07/12/2020

New podcast episode: on the digital divide

 

A Quarantini with Dr Gemma Burgess:

on the digital divide


Episode 27

FULL
Published on:

30th Nov 2020






The pandemic has brought home the desperate need for faster broadband and a UK-wide policy to tackle the growing digital divide. Dr Gemma Burgess from the University of Cambridge has been researching digital poverty in Britain and she tells us about it in this episode. You can read her article here. We also hear from Bristol teacher Jason Gillman who is fundraising for laptops for his students who cannot do their school work when self-isolating at home. You can donate here.

ALSO - we celebrate our favourite band The Old Bones Collective who provide every episode's opening music....

PLUS - we bring you our usual round up of positive responses to the virus from around the world....

Music: 

Carlos, Seb Gutiez, The Old Bones Collective

Hot Flu, Seb Gutiez, The Old Bones Collective - opening music

Hosts: Melissa Chemam and Pommy Harmar

Producer: Pommy Harmar






25/11/2020

10 ans de WikiLeaks: Quel avenir pour Julian Assange et ses lanceurs d'alerte?

 

Mon dernier reportage pour DW:

https://www.dw.com/fr/les-conservateurs-allemands-préparent-laprès-merkel-wikileaks-dix-ans-de-galère-pour-julian-assange/av-55717198?maca=fr-Twitter-sharing


WikiLeaks, dix ans de rebondissements politico-judiciaires 

Le journalisme n'est pas un crime - un des arguments mis en avant pour protester contre l'extradition de Julian Assange

Le journalisme n'est pas un crime - un des arguments mis en avant pour protester contre l'extradition de Julian Assange


En 2010, le site lanceur d’alerte WikiLeaks s’attirait les foudres de Washington en publiant des documents confidentiels de la diplomatie américaine, et notamment des câbles diplomatiques Ã  partir du 28 novembre 2010.  

Depuis, les ennuis se sont enchaînés pour Julian Assange, le fondateur de WikiLeaks. La dernière phase de son procès s’est terminée début octobre en Angleterre. Ce procès était réclamé par les Ã‰tats-Unis pour des accusations d’espionnage, et pourrait conduire à l'extradition vers ce pays du citoyen australien. La justice britannique se prononcera en janvier sur cette éventuelle extradition.  

En jeu : la légalité des activités des agences d'informations, des lanceurs d'alertes mais aussi des journalistes en général, pour qui leurs informations sont devenues indispensables. 

Retour sur plus de dix ans de bras de fer diplomatique et judiciaire. 

-

Vu d’Allemagne est un magazine radio hebdomadaire, proposé par Hugo Flotat-Talon et Anne Le Touzé, diffusé le mercredi et le dimanche à 17h30 TU, et disponible aussi en podcast. 

Ont contribué à ce numéro: Johannes Senk (interviews de Stefan Seidendorf et Karl-Rudolf Korte) et Melissa Chemam (enquête sur WikiLeaks).


-

Pour Ecouter DW:

https://www.dw.com/fr/les-conservateurs-allemands-préparent-laprès-merkel-wikileaks-dix-ans-de-galère-pour-julian-assange/av-55717198?maca=fr-Twitter-sharing


17/11/2020

A Quarantini with Aisha Thomas

 New podcast episode! 


Link: https://the-quarantini.captivate.fm/episode/a-quarantini-with-aisha-thomas


In the year of the pandemic, of George Floyd's murder and the toppling of slave trader Colston's statue here in Bristol, we ask Aisha Thomas, educator and mother what it means to her to be black and to teach black children.

We are also deilghted to have music from Aldous Harding who is over here recording her latest album and has kindly let us play a track from one of her previous albums - Designer.

PLUS - our usual round up of positive responses to the virus from around the world....


Music: 

Fixture Picture , Aldous Harding

Hot Flu, Seb Gutiez, The Old Bones Collective - opening music

Hosts: Melissa Chemam and Pommy Harmar

Producer: Pommy Harmar


A Quarantini with Aisha Thomas