13/11/2022

About light and dark

 

In everything we love deeply, there seems to always be light and dark. But can love endure when the darkness trumps the light? I'm not sure...


Here is something I wrote when I thought I saw the light:

'Heavenly Gardens'



Heavenly Gardens


An enemy of our future

Is walking by at dawn.

Our city, darker and darker,

Violated by a gesture,

All broken, drowned and done.

Paris floats like a dreamer.


Its people have become ghosts,

Lost in fear and in terror

Due to men whose hearts turned to stone.

Our meaning has gotten lost

And we no longer can honour

The promise we’ll never be alone.


After death should have come heaven,

We could only find blurred limbos.

Our children will have to look at a glow,

For a path cast away behind a forgotten garden;

And, you and I, we don’t know where it goes.

I only fathom my soul’s salvation, far below.


But the victims are sometimes silenced,

And the real perpetrators masquerade as saviours.

They have buried the traces of the past and distanced

Themselves from their old guilty crimes and dishonours.

Lost lives are all mourned,

But only some get to defend their dolors.


Deep inside my heart, I feel another world breathes,

Way underground, or over the rainbow,

And you and I can reach its gates if we drive

Far, far away, along the right way, beyond death.

Under a wreath, I will carry a crown and take a bow

While you will be able to catch the beat where we thrive.


- By Melissa Chemam







10/11/2022

Talking about the French "New Wave" in cinema...

 

Thanks, BIMM Bristol, for having me.


 -Trailer






06/11/2022

Psychology

 

Communal Narcissists:

Spoilers of everything I did in the past 20 years...




05/11/2022

John Akomfrah – Mimesis: African Soldier


 

1 October 2022—8 January 2023

John Akomfrah – Mimesis: African Soldier



Mimesis: African Soldier by John Akomfrah uncovers the undiscussed story of the Commonwealth soldiers who volunteered to fight in World War I: the war of their colonial masters.


Akomfrah blends archive imagery of African and Asian soldiers at work, digging trenches and fetching and carrying with original, newly filmed footage imagining the men as they leave their partners behind.

With a soundtrack that mixes African and Indian song with new compositions, John Akomfrah paints a vivid cinematic portrait of a forgotten, or overlooked history.


“The most important thing for me, the takeaway, is that African soldiers fought in this war, that they played a variety of roles in the war as foot soldiers, as carriers. Every facet, every avenue, every job in the war, if you look long enough, you will see someone of either Asian or African origin/heritage in that role.” – John Akomfrah


-


The film is 73 minutes long. 

Mimesis: African Soldier was commissioned by 14-18 NOW and shown at the Imperial War Museum to mark the centenary of World War I. Bristol Museum & Art Gallery jointly acquired the film in partnership with Glasgow Museums in 2019. The exhibition is sponsored by UWE Bristol.



Exhibition clip:




November thoughts

  Dear readers,


Now that both Facebook and Twitter are so irrelevant, old-fashioned blogging looks like a safer space for self-expression.

As we enter the last two months of the year, the impression, looking back, for a journalist and writer focusing on the Global South and North/South relations, culture and multiculturalism, migrations and human rights, it wasn't a great year to say the least.

To make things worse, on a personal level, it was quite a difficult one, health-wise firstly, and secondly with the heartbreak of witnessing the spiralling downfall of my second nation, Britain. 

I've been writing a lot more on arts and writers in the past six months, in order to foster hope and solutions more than negative news, and you know how heavy the latest has been since the start of the war in Ukraine.

We all thought that recovering from the Covid crisis would be hard, but we couldn't imagine it would be this hard... The climate crisis has been seriously aggravated by the war, drought, hunger, and more health crises are striking the South, while the North is in serious recession coupled with high inflation and people's panic.

On Wednesday, I was invited to give a lecture to master's students in Paris, on an important news story, and I chose to speak about the state of Europe, through the lens of the post-Brexit British crisis, and this week hasn't helped anyhow. It would be too long to summarise here the talk I gave though I wish I could...

What makes things harder is to have lost the support of so many people this year too.

Many have had their own difficulties to deal with, I admit. And I hope one or two will eventually reappear. But for most others I don't even know where to start when it comes to fathom the rift.... 

Meanwhile, the state of the media, especially in France, really worries me.

As I hate being negative, and my brain is wired for idealism, I will try hard to come back with better news.

In the meantime, I'll focus on art and cinema history, creativity and resistance to all forms of fascism...

I'll be in England soon and hope for some heartwarming reunion. 

Friendship is more important than ever.

While I'm in Blighty, good luck to the ones getting reading to cover these mid term elections in the US.


With hope, always,

m



13/10/2022

Feature on 10 years of African art in London: With Grada Kilomba, Nu Barreto and Touria el Glaoui - BBC Culture

 

My first piece for BBC Culture: 



The slave ship in a London courtyard

A new installation of 140 blocks of wood summons up a forgotten history, writes Melissa Chemam.


Laid out on the stone courtyard of London's Somerset House, like the fossilised remains of a whale, there is the outline of a slave ship. Made up of 140 blocks of charred wood, it is O Barco / The Boat by Grada Kilomba, a Portuguese writer and interdisciplinary artist of African descent (from Sao Tome and Angola). Forming the shape of the bottom of a boat, the piece references the slave ships that carried for centuries millions of Africans, enslaved by European empires. The blocks also contain poems in six different languages, inscribed on the surface. "Addressing the history of European maritime expansion and colonisation, the piece invites the audience to consider forgotten stories and identities," the curators explain; the civil administration responsible for the British Royal Navy was once based at Somerset House.
Read here: 

06/10/2022

Afrika Eye - Nov. 2022


Happy to announce that I'll be participating to the festival Afrika Eye in Bristol in November 2022: 

  



“Afrika Eye 2022 is in our sights" We’re back for our 16th edition of the festival with a programme jam-packed with films, dance, music, food, panel discussions and a stunning photography exhibition. Artists from across Africa and within the diaspora bring insights, creative ideas and extraordinary projects, which broaden and enrich our knowledge of a continent that has for centuries been part of our shared histories without ever having an equal voice – ‘Untold Stories’ gives artists a platform to tell it how it is. Annie Menter Festival Director


Art & Activism





Tuesday 8th November 6:30pm


Cinema Room (G.H01), 3-5 Woodland Road.

University of Bristol

BS8 1US




Ouméma paints graffiti, Chaima dances, Shams performs slam poetry. Three young women, of the Tunisian revolution, who share the struggle for women’s freedom in their country. They lead a peaceful fight, through their practice, with the street as their stage, they aim to recapture this space, largely occupied by men in Tunisia. Their commitment to their art means that their daily lives fluctuate between fear, hope, creativity and a thirst for freedom.

We will be joined by director Caroline Péricard, journalist Melissa Chemam, documentary protagonist Oumema and young film students for a post-screening discussion.

Chair: Professor Siobhan Shilton.

This event is a partnership between UoB, Future Cities and Boomsatsuma

Doors 6:30pm

Start 7pm

Tickets £6




-


Details here:

https://www.afrikaeye.org.uk/art-and-activism


General programme of the festival:

https://www.afrikaeye.org.uk/programme