11/06/2013

DISGRACE et AME HUMAINE



                 "Bien qu'il consacre chaque jour des heures à sa nouvelle discipline, il trouve que le principe sur lequel elle repose, tel qu'il est exprimé dans la brochure de Communications 101, est ridicule : 'la société humaine a créé le langage pour nous permettre de communiquer nos pensées, nos sentiments et nos intentions les uns aux autres'. A son avis, qu'il se garde bien d'exprimer en public, la parole trouve son origine dans le chant, et le chant est né du besoin de remplir de sons l'âme humaine, trop vaste et plutôt vide".


'Disgrâce' de J.M. Coetzee,
traduction Catherine Lauga du Plessis
Editions du Seuil

Everything is not lost



'Each thing that goes away returns and nothing in the end is lost'. 

Fragments, Ayi Kwei-Armah, 1969


154550
Born to Fante-speaking parents, with his father's side Armah descending from a royal family in the Ga tribe in the port city of Sekondi-Takoradi, Ghana, [1] Armah, having attended the renowned Achimota School, left Ghana in 1959 to attend Groton School in Groton, MA. After graduating, he entered Harvard University, receiving a degree in sociology. Armah then moved to Algeria and worked as a translator for the magazine Révolution Africaine. In 1964, Armah returned to Ghana, where he was a scriptwriter for Ghana Television and later taught English at the Navrongo School.

Between 1967 and 1968, he was editor of Jeune Afrique magazine in Paris. From 1968-1970, Armah studied at Columbia University, obtaining his MFA in creative writing. In the 1970s, he worked as a teacher in East Africa, at the College of National Education, Chang'ombe, Tanzania, and at the National University of Lesotho. He lived in Dakar, Senegal, in the 1980s and taught at Amherst and the University of Wisconsin–Madison

10/06/2013

Africa-upon-Thames - Part II


 London art scene meets African creators this summer.

The Tate Modern galleries open and tow exhibitions will be on display.

The second one is about African Modernism.

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Presentation:


Ibrahim El-Salahi: A Visionary Modernist
Tate Modern: Exhibition
3 July – 22 September 2013
Adult £11.00 (without donation £10.00)
Concession £9.50 (without donation £8.60)
Help Tate by including the voluntary donation to enable Gift Aid

Ibrahim El-Salahi exhibition banner


The first Tate Modern exhibition dedicated to African Modernism traces the life and work of Ibrahim El-Salahi. This major retrospective brings together 100 works from across more than five decades of his international career. The exhibition highlights one of the most significant figures in African and Arab Modernism and reveals his place in the context of a broader, global art history.

The exhibition outlines the artist’s personal journey, beginning in Sudan in the 1950’s and followed by his international schooling at the Slade School in London. After a period of research and self-discovery, he returned to Sudan in 1957. There, he established a new Sudanese visual vocabulary, which arose from his own pioneering integration of Islamic, African, Arab and Western artistic traditions. El-Salahi lived in Qatar before settling in England in the 1990s. His recent paintings reflect his joy for life, his deep spiritual faith, and a profound recognition of his place in the world.
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About the artist:
Ibrahim El-Salahi: A Visionary Modernist is organised by the Museum for African Art, New York, in association with Tate Modern, London. It is curated by Salah M Hassan, Goldwin Smith Professor of African and African diaspora art history and visual culture and Director of the Institute for Comparative Modernities at Cornell University, and will be curated at Tate Modern by Elvira Dyangani Ose, Curator of International Art, Supported by Guaranty Trust Bank Plc. The exhibition first opened at the Sharjah Art Museum in May 2012 and travelled to the Katara Cultural Village Foundation, Doha, Qatar in October 2012. An illustrated catalogue accompanies the exhibition, edited by Salah M Hassan with contributions by Sarah Adams, Ulli Beier, Iftikhar Dadi, Hassan Musa and Chika Okeke-Agulu, as well as special texts by El-Salahi.

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Other exhibitions at Tate Modern this summer 2013

Saloua Raouda Choucair
17 April – 20 October
In Choucair’s 97th year, this retrospective celebrates the artist’s extraordinary body of work and her contribution to international modernism.
Ellen Gallagher: AxME
1 May – 1 September
One of the most acclaimed contemporary artists to have emerged from North America, her work reflects on the complexities of Afro-American identity, defying conventional categories.
Meschac Gaba: Museum of Contemporary African Art 
3 July – 22 September
Immerse yourself in this fascinating twelve-room installation which reflects on the nature of the museum and blurs the boundaries between art and the everyday.


On writing



“I hate writing, I love having written.” 

Dorothy Parker


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"Je déteste écrire mais j’adore avoir écrit".

Dorothy Parker 




On indifference


 I have known for a while that indifference is the most shared feeling in our brave new materialistic and individualistic world.

But I would not have thought that facing their indifference again would - this time - be so melancholically saddening.


09/06/2013

Africa-upon-Thames


 African artists will be on display in London this summer, at the prestigious and irreplaceable Tate Modern.

It is led by Benin-born artist Meschac Gaba and his initiative from The Netherlands 'The Museum of Contemporary African Art'.

Presentation:

Meschac Gaba: Museum of Contemporary African Art
Tate Modern: Exhibition
3 July – 22 September 2013
FREE
1 of 7

  • Meschac Gaba
    Architecture Room
    From Museum of Contemporary African Art 1997–2002
    Installation at Kunsthalle Fridericianum, Kassel, 29 August – 15 November 2009
    Photo: Nils Klinger  
    © Meschac Gaba

"When you want to build a museum, you need the building, you need an architect. I’ve been my own architect but I invite the public to build it with me".
Meschac Gaba
Immerse yourself in Meschac Gaba’s Museum of Contemporary African Art 1997–2002, a 12-room installation which reflects on the nature of the museum and blurs the boundaries between art and the everyday. 
Constructed over a five year period this multi-layered, humorous and questioning work contains a vast array of made and found objects from paintings, sculptures, drawings and videos to musical instruments, religious objects and shredded banknotes, all carefully arranged in the style of a West African market.
Explore the 12 rooms and discover the different aspects of what Gaba believes to be a core part of the museum experience. Some of the sections, such as theMuseum ShopLibrary and Restaurant represent familiar concepts, even if the way they are realised is unfamiliar. Other sections such as the Marriage Room,Game Room and Salon offer visitors alternative environments for research, play, reflection and social interaction.
The inclusion of several rooms from the Museum of Contemporary African Art in Documenta XI in 2002 cemented Gaba’s reputation as one of the most important African artists working today.
This free exhibition marks Tate’s acquisition of the Museum of Contemporary African Art and will be the first time it is shown in its entirety in the UK.
Meschac GabaArchitecture Room

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Talk:

Wednesday 3 July 2013, 18.30 – 21.00
This event is a special occasion to mark Tate’s largest acquisition and display of Meschac Gaba’s complex work titled: Museum of Contemporary African Art 1997-2002.
The Tate organises this unique opportunity to hear the artist talk to Tate Modern’s Director, Chris Dercon about this work, the significance of its display at the Tate Modern and where it fits within his practice more broadly.


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More on Meschac Gaba:

Born in 1961 in Cotonou, Benin, Meschac Gaba now lives and works in Rotterdam, the Netherlands. Gaba emerged onto the international art scene with his twelve-part project The Museum of Contemporary African Art, 1997-2002, which concluded at Documenta XI, Kassel, Germany.
Through a broad range of artistic strategies, Gaba explores globalism, economic power, commercialism, public space and the role of the western museum. His work has been included in the Dutch Pavilion at the Venice Biennale, 2003, Africa Remix, 2004-2005 and will feature in the 2006 Sydney and Sao Paulo Biennales.

http://www.latriennale.org/fr/artistes/meshac-gaba

http://www.paris-art.com/createur/meschac-gaba/2109.html


08/06/2013

Join us in Joburg - /1


I dream about South Africa.

But why just dreaming? Why don't we go soon? End of summer in Europe is the beginning of the austral spring in Johannesburg... Hum. Let's plan.

First 'rendez-vous': The Joburg Art Fair late September. 2012/13 is a special year for South Africa and France as the two countries focus on each other's cultures. The South African season in France in just beginning this spring. In South Africa, people are getting ready for their own art fair in one of the most vibrant city in Africa.

The 2013 FNB Joburg Art Fair will take place between the 27th and the 29th of September. Let's bet we'll meet there...

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FNB Joburg Art Fair 2013

The 2012 FNB Joburg Art Fair welcomed 10 000 visitors, 27 galleries from 6 countries and 12 Special Projects.
The dates for the 6th edition of the FNB Joburg Art Fair are 27-29 September 2013.

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FNB Art Prize 20135 June 2013
Cedric Nunn, Arniston kids body surfing off the Western Cape coast, 1989. 50,5 x 40,4 cm
Untitled (from Conflict Resolution), 2012. Oil on canvas, 180x220 cm
We have received fantastic submissions for the 3rd FNB Art Prize which will be judged by the 20th of June and announced to the public in early September.
The guest judges this year are Elvira Dyangani Ose, Curator for International Art at the Tate Modern, and Prof. Federico Freschi, Executive Dean of the Faculty of Art, Design and Architecture at the University of Johannesburg. Artlogic will as always be the third judge.
The FNB Art Prize has been organized in partnership with Artlogic in the frame of the FNB Joburg Art Fair since 2011. The Prize is open to galleries that participate in the Art Fair and awards the winning artist with a R100 000 cash prize and a dedicated booth at the Fair.


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07/06/2013

'La Grande Catherine et Potemkine'



 J'apprends par Twitter et l'auteur que le prochain livre de Simon Sebag Montefiore sera publié en France à la rentrée aux Editions Calmann-Lévy.

L'historien britannique connu dans le monde entier pour ses deux précédents succès, 'Le Jeune Staline' et la "biographie" de 'Jérusalem', prépare aussi un roman...

Infos à suivre.

En attendant :

La Grande Catherine et Potemkine

Simon Sebag Montefiore


A paraître

Livre La Grande Catherine et Potemkine auteur Simon Sebag Montefiore -Calmann Lévy

 'Qui était Grigori Potemkine, l’amant de la femme la plus puissante du XVIIIe siècle ? La Grande Catherine, impératrice de toutes les Russies, est une femme connue pour sa fougue, son génie politique et son charme fascinant. Sous son règne, la noblesse connaît un âge d’or ; marquée par les Lumières, la tsarine étend son empire, lance des réformes agraires, administratives, industrielles, entretient une correspondance avec Voltaire et Diderot et se fait volontiers mécène. Elle gouverne aux côtés de l’homme de sa vie, le prince Potemkine, extravagant à l’extrême et homme politique prodigieusement doué. Ce nobliau de province haut en couleur, aussi fantasque que génial, s’impose d’année en année comme le véritable co-régent de cette autocrate implacable et brillante, et devient l’époux clandestin de l’impératrice et son plus fidèle ami. Amant magnifique d’une souveraine hors du commun, son nom est aujourd’hui malheureusement plus connu pour la mutinerie de 1905 sur le cuirassé russe Potemkine que pour son œuvre, qui contribua à faire de la Russie une grande puissance.   Dans ce livre tourbillonnant, Simon Sebag Montefiore nous entraîne dans l’effervescence des fêtes de cour, des secrets de diplomates et des intrigues de palais parfois meurtrières. Il raconte également les terribles batailles livrées contre les Turcs qui furent une des nombreuses obsessions du « Prince des princes ». Il narre enfin les amours licites et illicites entre les grands de l’entourage de Catherine II, et celles de l’impératrice elle-même, qui malgré ses nombreux favoris, ne cessa jamais d’aimer Grigori.   À partir d’archives inédites ou méconnues, et en s’appuyant largement sur la correspondance intime du couple, l’auteur ressuscite cette alliance de passion et de pouvoir, et réhabilite Catherine et Potemkine, géants de leur temps et amants éternels'.

Venice and Angola: First African country to triomph in the art world




Read the BBC despatch here: http://www.bbc.co.uk/news/world-africa-22791617

Africa triumphs at the Venice Biennale


Paula NascimentoThe Angolan show was curated by architects Paula Nascimento (above) and Stefano Rabolli Pansera

The long queues in front of Angola's pavilion at the Venice Biennale bear witness to the extraordinary success that Africa has just had at the "Olympics of the art world".
Ever since it was announced that, out of 88 contenders, Angola had won the Golden Lion award for the best national participation, art lovers and journalists from all over the world have been flocking across the Accademia bridge - from the distant main exhibition areas, the Giardini and the Arsenale - to try to see the show.
Many have left Venice without being able to do so.
The centrepiece of the pavilion - located in a 16th-century building, the Palazzo Cini - is a series of 23 posters, which visitors can take home, with images of objects that photographer Edson Chagas found in the streets of Luanda.
(...)
'Viva Africa'
Angola's triumph has been celebrated across Venice by the other participating African nations.
"The excitement to me is overwhelming because it's very important. Angola, this is their first participation and they've done it, and they've done Africa proud… 


Start Quote

Raphael Chikukwa
Angola, this is their first participation and they've done it, and they've done Africa proud”
Raphael ChikukwaZimbabwe pavilion curator
Read the entire article here: http://www.bbc.co.uk/news/world-africa-22791617

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In the African press:

Mail & Guardian (South Africa)

Angola marks Venice Biennale debut with a victory


Curated by Paula Nascimento and Stefano Rabolli Pansera, the exhibition, which was commissioned and supported by the Angolan Ministry of Culture, features a selection of photography, painting and sculpture in a novel setting.
Being a newcomer to Venice, Angola has had to rent an exhibition venue for the duration of the exhibition, which runs until November 24. Rather than follow the lead of Zimbabwe and Kenya, which inhabit temporary venues on the busy tourist promenade between the gardens and St Mark’s Square, Angola is showing its artists in Cini Palace, a plush historic building near Accademia Bridge, a busy tourist destination....

Angola Press:
Le Prix de Venise est le fruit du soutien du gouvernement angolais à la Culture 
Angop
La  ministre de la Culture, Rosa Cruz e Silva
La ministre de la Culture, Rosa Cruz e Silva
         
Luanda - La ministre de la Culture, Rosa Cruz e Silva, a reconnu mercredi, à Luanda, que le prix remporté par l'Angola à la 55ème édition de la biénnale internationale d'Art de Venise, était le fruit de l’investissement que le gouvernement angolais avait fait pour encourager la créativité et les créateurs.

       
Dans une déclaration à la presse, peu après son arrivée à l'aéroport international "4 de Fevereiro" de Luanda, Rosa Cruz e Silva a salué le travail d’Edson Chagas et des architectes Paula Nascimento, Jorge Gumbe et Stefano Pansera.

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Some comments from a Tanzanian-German Curator too:


Angola wins, but Germany's "ART - Das Kunstmagazin" wonders: Where is Angola?

by Safia Dickersbach



With Angola for the first time a sub-Saharan African country has won the Leone d'Oro/Golden Lion prize for the best national pavilion of the Venice Biennial. This distinction for an African national pavilion during this year’s 55th Venice Biennial has been greeted with inappropriate prejudice by "ART - Das Kunstmagazin", the leading art magazine from Germany. "ART" commented the jury's decision with the question  "Angola! Where is Angola?" It claimed that hardly any visitor actually saw the work of the photo artist Edson Chagas in Palazzo Cini and speculated about "successful lobbying and networking" by curator Stefano Rabolli Pansera. The only reason which was given for these vague conjectures was the fact that Stefano Rabolli Pansera had already curated Angola's contribution to the architecture biennial a year ago. The German article is available here:                                      

http://www.art-magazin.de/kunst/62397/angola_venedig_biennale



Safia Dickersbach, an art market practitioner, born in Dar-es-Salaam, Tanzania, currently based in Berlin, Germany, is the Public Relations Director of Artfacts.Net, a British company which is the leading online database for modern and contemporary


Oublions tout... Paris, Nova, Café A.


Ce soir, oublions tout. Les crises, les conflits, les fachos, les emails et appels sans réponse...
Allons guincher et c'est gratuit. Merci Nova.



NOVA CLUB EN DIRECT DU CAFÉ A

L'émission de David Blot repose ses platines dans son endroit fétiche.

Nova Club en direct du Café A
David Blot vous donne rendez-vous dans son bar de prédilection pour vous présenter en direct et en public ses invités venus partager leurs meilleurs disques. De la bière et de la bonne musique, ça se passe vendredi à 20h au Café A, très beau lieu abrité par la Maison de l’architecture qui se trouve dans l’ancien Couvent des Récollets, entre gare de l’Est et canal Saint-Martin.
Au programme de cette session des selectors : du bon son inspiré avec Ezechiel Pailhes, moitié de Nôze qui vient de sortir son premier album solo et Orval Carlos Sibelius et ses sonorités pop et planantes. A leur côté, Fleur Fortuné du duo graphiste qui s'occupe de l'image de M83 ou Sébastien Tellier : Fleur & Manu. Sera là également Lionel Bensemounde la Clique qui nous parlera (en musique) de son nouveau club le Nuba et du festival Calvi On The Rocks qui démarre début Juillet. Nova Club pop et soleil, venez donc faire un tour au Café A ce vendredi.
Entrée libre et gratuite
148 rue du Faubourg Saint Martin, Paris 10ème
Métro : Gare de l’Est