26/05/2016

Crise des migrants - expositions de photos prises en Grèce et en Serbie


Le dernier projet que j'aide à mener. Venez!!



EXPOSITION DE PHOTOS - PARIS, MAIRIE DU 10E

L'association WAHA International a le plaisir de vous convier à son exposition des photographies de Livia Saavedra pour WAHA sur "La Route" des migrants, entre Grèce et Serbie, sur les pas des équipes de WAHA International à Lesbos, Chios, Idomeni, Horgos en Serbie.

RDV pour le vernissage le mardi 21 juin à partir de 18h.
Paris, Mairie du 10e arr., 72, rue du Faubourg Saint-Martin, 75010

L'association WAHA International et Livia Saavedra vous invite à leur événement :
"La Route" - Exposition de photographies de Livia Saavedra pour WAHA International
Grèce / Serbie : Sur la route des réfugiés

Depuis l'aggravation de la crise syrienne et la naissance de l'Etat islamique, les déplacements de population dans le monde ont atteint leur niveau le plus élevé depuis 1945. Les personnes fuyant combats, horreurs et bombardements ont dû chercher refuge de plus en plus loin de chez eux. De nombreux Syriens ont ainsi été poussés vers l'Europe, sur une nouvelle route, de la Turquie aux îles grecques et aux Balkans, dans l'espoir de rejoindre les pays stables d'Europe occidentale.
Depuis septembre 2015, l’association WAHA International travaille en Grèce, en Turquie, dans les Balkans, puis plus récemment en Syrie et en Irak, pour venir en aide aux réfugiés et aux déplacés sur cette route vers des lieux plus sûrs.
La photographe Livia Saavedra s’est rendue en septembre et octobre 2015 à Lesbos, en Grèce, et à Horgos en Serbie, à la rencontre du personnel de WAHA International. Elle s'est de nouveau rendue sur l'île grecque de Chios en février 2016 et dans la région d'Idomeni. Cette exposition est le reflet de ces situations.

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Le site de Livia Saavedra: http://cargocollective.com/livia/La-Route
Sur le site de WAHA International: http://www.waha-international.org/?what-we-do=1893


'Decks Dark'



My favourite song on the album. So favourite I actually like the album version more, this doesn't happen often.

Lovely to be able to share it though:


Radiohead - Decks Dark - Paris Zenith 2016



25/05/2016

Incantations



For my friends, for the rivers, for the ones on the road, unwillingly, looking for a place where to stop and rest for a while, this is my humble contribution... A few words. Thoughts. Singing. Cantare.

Incantations.

And the wondrous sound of it...



24/05/2016

May, mirror of November...


How can time fly so quickly ? 

It's been six months since these dark times of November... 

It feels like we haven't moved, though. Same fear-driven neighbors, same coldness, same grey light. But in our heart, it's rushing toward summer!

France still functions under the rule of a state of emergency and maybe we're all a little restless, worried, unsettled. How would you not be in such a world? Uncertain, fearful... But who doesn't know that one must never let fear win!? Who doesn't? Who hasn't been there yet?

But god knows, we have music and art to bring comfort and meaning and how grateful can one be for that? Never enough.


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Here is a selection of recent beauty I've spotted along my latest journey to England.


Damien Hirst's Butterflies at ART 16 London:








Discover also at ART 16 the work of Lithuanian painter Jonas Gasiunas:






More of his work here: http://www.artnet.com/galleries/meno-parkas-gallery/artist-jonas-gasiunas/



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Musically, still there...

"Dobro"




Bristol newest street art

23/05/2016

Music







Why I love England


 Monday morning, the sun is out, I have a couple of articles to finish, and the news it all about Ken Loach and Marvin Rees... Doesn't seem like a good time to leave England!!

I briefly met with Bristol new mayor on Saturday while at the teachers' union meeting, interviewing people on the Brexit campaign. I'll have to come again to take time to approach him.

I wanted to stay still for a while, but will it even be possible?

England, I might not be able to stay this time, but we'll find a way soon...

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Important changes:


From Bristol:

"Idon’t want to be tagged as the black mayor. I’m a mayor for all of the city,” says Marvin Rees. “But my story of growing up here as a mixed-race kid does matter. There is something special about that.”



From Cannes:

“When there is despair, the people from the far right take advantage,” said Loach. “We must say that another world is possible and necessary.”


Read here:
http://www.theguardian.com/film/2016/may/22/ken-loach-cannes-2016-palme-dor-win-i-daniel-blake

Ken Loach stuns at Cannes 2016 with Palme d'Or win for I, Daniel Blake


The 79-year-old Briton has triumphed at the Cannes film festival for the second time with his welfare state drama, as Andrea Arnold’s American Honey takes third prize and dark horses pick up awards across the board

(...)
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Read Marvin's interview with the Guardian's John Harris:

http://www.theguardian.com/cities/2016/may/23/bristol-mayor-marvin-rees-racism-inequality



Bristol mayor Marvin Rees: ‘My dad arrived to signs saying​: ​No Irish, no blacks, no dogs’

His election as UK’s first black mayor was deeply symbolic. How does he plan to tackle Bristol’s growing problem with inequality – and its racist past?

"I don’t want to be tagged as the black mayor. I’m a mayor for all of the city,” says Marvin Rees. “But my story of growing up here as a mixed-race kid does matter. There is something special about that.”
Earlier this month, Rees defeated the incumbent mayor of his home city of Bristolwith a final vote-share of 63%. In London, Sadiq Khan’s win was being held up as a huge moment for Britain’s Muslim population, and welcome proof that divisive, borderline-hateful campaigning is often more likely to backfire than succeed – but 120 miles up the M4, an equally dazzling story was playing out. Rees, after all, had become not just the local elections’ other big Labour story, but also the UK’s first black mayor. Moreover, in a city with a history intertwined with slavery and the black community’s fight for rights and recognition, his arrival in power was deeply symbolic.
“Fifty years ago, my dad arrived here from Jamaica to signs saying: ‘No Irish, no blacks, no dogs’,” Rees tells me. “At around the same time, we had the Bristol bus boycott because they wouldn’t employ black and Asian people. And now they’ve elected a mixed-race guy to be mayor. That says something about the journey Bristol has been on.”
He checks himself, wondering aloud whether to carry on in this vein, and referring to what tends to happen to his quotes in quickfire news stories. There’s a pause. “I’ll be open, ’cos this is a longer piece, isn’t it?” he says, eventually. “I grew up in Bristol, and I would walk to school and have guys drive past me calling me a nigger. This was not unusual; this was normal. Normal. But it was strange, because, for me, there was a strange cocktail of race and class.” His mum and extended family, after all, were white, and at primary school he was the only black kid in his class.
“Some of the closest people to us were poor, white kids. They were our natural cohort. My primary carers were white, and from a really well-known, old Bristol family. My great grandad was one of Bristol’s first taxi drivers.” When there were riots in the St Pauls area of the city in 1980, “a black kid said to me: ‘Marv – whose side are you going to be on in a war between black and white?’ I couldn’t answer. I didn’t know how to.”
His complex background, Rees says, puts him in a good position to navigate tensions in the city that still linger. “I got to a point where I thought, ‘You know what? If the world can’t cope with my identity, it’s not me that’s the problem,’” he says. “I’m here and I’m present. It’s the categories that are a problem, and the way they box us in. That’s where I stand now. I talk to mixed-race kids, and I think there’s a really rich seam there to be mined, about identity, Britishness, belonging and not belonging, and how we make peace after historical injustices.”
How would he characterise what he has had to contend with? “Oh, where do I fit? And do I fit?” And how does he feel now? “When I was growing up, I probably thought it would have been really nice to have just slotted into a box. We all want that, don’t we? ‘It would be really nice to get rid of this complexity that I don’t have words for, and not be a problem for anyone.’ But now, no: I think there’s something really rich in it.”
Rees is a 44-year-old father of three who lives on the southern edge of central Bristol. He has a fascinating backstory. Before he went to Swansea University, he came close to signing up as an officer in the Royal Marines (“They kept on telling me: ‘You’ll be the first British-born black Royal Marine officer’”), before a minor eye defect ruled him out.
After graduation, he spent time in the US working for campaigning and community-organising groups – including Sojourners, a famous church-based organisation rooted in Washington DC and largely focused on inner-city poverty. This experience clearly shaped how he does his politics: rather than use the dried-up vocabulary of many UK politicians (“hard-working families” and all that), he tends to talk in incisive, inspirational terms that link specific issues to great causes, in the manner of someone running for office in the US.
Rees joined the Labour party in 2004, having spent time with the campaign group Operation Black Vote, one of whose founders presented him with a simple argument: “‘You’ve got a great analysis of why the world is rubbish. But what are you going to do about it?’ The challenge was: join a party, get yourself elected and take up a position of influence.”
When Bristol was the only English city to vote for a mayoral system in the referendums of 2012, he stood as the Labour candidate for mayor and lost – to George Ferguson, an independent, who spent four years as a vivid figurehead for the city and an unquestionably creative politician, but was criticised for doing too little about Bristol’s rising problems with housing and inequality. This year, by contrast, Rees’s win was portrayed as a loud shout from the city’s more neglected neighbourhoods, and a sign that Bristolians had belatedly accepted the mayoralty’s importance: turnout rocketed from 24% to 45%, and, whereas Ferguson’s win had been based on 31,000 first-preference votes, Rees got 56,000.
He is taking office just as Bristol faces testing circumstances. Two years ago, the Sunday Times hailed it as Britain’s best city to live in, praising its “great shopping, great scenery and great social scene”. Bristol remains a byword for admirable social diversity and vibrant community politics, based on a shared idea of defying convention and doing it yourself (as seen in everything from food recycling co-ops to self-built community centres). Last year, it was Europe’s official green capital. But as word of the city’s wonders has spread, it has also thrown its problems into sharp relief. As a 40-minute walk around its central neighbourhoods – from, say, opulent Clifton to down-at-heel Lawrence Hill – proves, it is a city characterised by glaring inequality, which seems in many ways to be getting worse.
“We have a story to tell,” says Rees. “And it’s a fantastic story; it’s a true story. But the integrity of us telling that story is undermined by the fact that 25% of our kids are in poverty, inequality is increasing and the city is increasingly unaffordable. That’s no way to run the place. I think it’s a challenge for all of us – for our moral integrity and our future economic strength. At the moment, we haven’t cracked it. I’m not saying it’s easy. But the first thing you have to do is recognise it and not pretend it’s not an issue.”
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As in other rapidly changing cities, gentrification is a charged issue, with many long-term residents feeling pushed out. The basic story is simple: people (and companies) fleeing London contribute to double-digit house-price inflation, rents soar and the character of renowned areas of the city – particularly St Paul’s, the byword for Bristol’s black community where Rees spent some of his childhood – is said to be under real threat. Rees is all too aware of the issue: his own sister, he says, recently decided to move back to Bristol from London, but discovered it was prohibitively expensive.
“When I was in the US in the 90s, in Washington – that was when I first came into contact with this idea of gentrification,” he says. “Columbia Heights, the neighbourhood where I was living, was being gentrified. And then I came back to Bristol, and I had a sense that this stuff was bubbling away. In the last year, I’ve heard people here start to use the word a lot.
“It breaks down communities, it creates instability. There’s a tangible sense of resentment. And it’s not the fault of individual people. Some people have been very sensitive to being at the forefront of that gentrification. But it’s about a system. Because of the way housing markets work, everyone’s being pushed around. It’s poor people and middle-income people – and now even people who earn good money – who can’t afford to live in a place.”
Rees is about to appoint a dedicated “lead” on housing, who will try to get to grips with all this. As well as pledging to protect children’s centres, increase school places and concentrate on apprenticeships, his campaign promised a drive to build 2,000 new homes a year by 2020, including 800 that would be “affordable” – with, he assures me, a particular emphasis on rented social housing. If that seems modest, he says he has complex planning issues to deal with, as well as edicts from central government – such as a push to sell off publicly owned land.
But he talks about the challenges with an energetic sense of purpose – particularly when it comes to the paltry share of new housing developments given over to “affordable” homes. The city council has an official target of up to 40% – but, as was recently revealed by the super-vigilant city news outlet the Bristol Cable, many projects have delivered nothing at all.
“I went to meet one developer, and I asked them: ‘Who’s going to live here?’” Rees recalls. “And they came up with a beautiful description that sounded like something from an estate agent: ‘Forward-looking people, after something different.’ I said, ‘No – who’s going to live here?’ And a colleague of mine said: ‘Are there any affordable homes?’ They said, ‘No.’ They just kept on saying they’d come up with a community building for local people. But who’s going to live in a place where you can do salsa or pilates for £20 an hour? We need homes for people, not more community venues. That’s Lazarus economics, whereby rich people sit round a table and a few crumbs fall off.
“I said to them, ‘If you build a development with no affordable housing, it has an impact. It’s not a neutral act. It’s actually harmful. And if I become mayor, I’ll end up spending money on the social consequences of you doing a development that compounds our inequalities. Inequality costs money, right? So what you’re doing is asking me to support something I think will hurt Bristol.’ It is not an option to come here and expect to do development without making sure there are houses for real people.”
While Jeremy Corbyn was hardly in the foreground of Khan’s London campaign – and Khan followed his win by further distancing himself from the Labour leader – he seem to have a much more harmonious relationship with Rees. Corbyn visited Bristol a few times during the mayoral campaign and returned hours after Rees’s triumph, praising him as someone with “a fantastic personality [with] this ability to unite the whole city to face the problems you all have”. Rees voted for Andy Burnham in last year’s leadership election, but gives Corbyn his due. “Jeremy has been fantastically supportive to me, and I really appreciate that. I think he understood my story and what it could potentially represent.” He then pauses. “But my thing was, this was a Bristol election, and some of the people who mobilised around me were people who have known me since I was a kid. They weren’t thinking about that conversation that happens in the Westminster bubble.”
Signifiers for the troubling aspects of Bristol’s past are not hard to find: one thinks, for example, of Edward Colston, the 17th- and 18th-century slave trader and philanthropist whose statue stands in the city centre, and whose name adorns the Colston Hall, one of the city’s key arts venues. At a time when Oxford University students have demanded the removal of the now-infamous statue of Cecil Rhodes, I suggest, such features of the cityscape are more highly charged than ever.
Rees won’t be drawn on the Colston statue (“a landmine question,” he says), so I try another tack. Is further addressing the slave era’s legacy on his agenda? “It’s always on my agenda. But I think something has already been done.” He cracks a smile. “I got elected.”

Bristol For Refugees


Bristol Refugee Week



If you are from a refugee background and want to run a stall at Celebrating Sanctuary in Queen Square on Sunday 12th June please get in touch with Richie at richie@tribeofdoris.co.uk
(NO food stalls please!)



Support Bristol Refugee Festival 2016 programme of arts, cultural & educational events and help us plan and expand our activities for 2017.

In its 11th year Bristol Refugee Week is part of a nationwide programme of arts, cultural and educational events that:
  •  celebrates the contribution of refugees in the UK
  • promotes a better understanding of why people seek sanctuary

Due to many factors, this year events will stretch across a month - 24th May - 26th June, giving us the opportunity to turn it into "Bristol Refugee Festival"!
The main event 'Celebrating Sanctuary' in Queen Square is a free public event that has becoming an annual day out, with great music, food and activities for all the family. There are also many other events such as the Refugee Women of Bristol Dance and The City Community Cup Football Tournament; all becoming popular calendar events.  
We will use the month to:
  • encourage  greater understanding between communities
  • raise awareness of the issues and difficulties facing refugees and asylum seekers
  • highlight the work of the many organisations working on their behalf in Bristol. 
The festival relies on generous donations of money, time and gifts in kind. 
 Can you help? Every pledge you give will make a difference and together we can help refugees and asylum seekers  feel more welcome, secure  and understood in our City Of Sanctuary .
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See also the programme for the month-long festival:


20/05/2016

Bristol in the Public Art Review... Issue #54



... with my first article for this American art review:



 






The spring/summer 2016 issue of Public Art Review features a profile of a socially-engaged artist, climate change art, and much more! Please allow 1-2 weeks for delivery.


http://shop.forecastpublicart.org/index.php?p=product&id=108



Issue 54 - Spring/Summer 2016







Bristol Carnival founder Carmen Beckford has passed away




It's is with sadness that I announce the passing of Miss Carmen Beckford M.B.E aged 87



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Carnival founder Carmen Beckford dies



Louis Emanuel , May 20, 2016

One of the founding organisers of St Paul’s Carnival who went on to become a figurehead for race relations in Bristol has died, aged 87.
Carmen Beckford MBE, a retired nurse who arrived in the UK from Jamaica at the age of 17, passed away in her adopted home of Bristol on Wednesday after a long illness.
Her legacy is set to be immortalised in a giant mural as one of “seven saints of St Paul’s” due to be painted onto streets this summer.
Paying tribute on Wednesday, Peter Courtier, former director of Bristol Racial Equality Council, said Beckford "courageously fought against racial discrimination and inequality" in a city which "owes her so much".

Born in St Thomas, Jamaica, in 1928, Beckford left for the UK to train as a nurse at Ashford Hospital in Kent. She moved to Bristol in 1965 to work as a midwife in Downend and soon become active in the local community.

Carmen Beckford pictured right alongside artist Michelle Curtis with the illustration which will form the base of a mural in St Paul's. Pictured left on her 87th birthday
She was instrumental in setting up St Paul’s Carnival - known as St Paul’s Festival at the start -  in 1967 with the help of St Paul’s and Environs Consultative Committee and the West Indian Development Association, aided by the vicar of St Agnes Church.
Beckford, a lover of music and dance, was put in charge of entertainment at the carnival which grew to host more than 100,000 people.
Her work with the community didn't go unnoticed and she was encouraged by the Jamaican High Commissioner to apply for the role of Bristol first community development officer at Bristol City Council, a role held between 1978-86 which included working to improve race relations in the city.
Throughout her life she also sat on the Commonwealth Coordinated Committee alongside bus boycott campaigner Paul Stephenson and established the West Indian Dance Team in Bristol.
The club went on to perform at Colston Hall and traveled as far as Germany. Beckford said of the team later: “When you have self-respect and pride no one can mess with you. I was involved in all of their lives, I would tell my girls when you are walking on the street keep your head high and no loud talking as you are members of The West Indian Dance Team.”
Her work in the community was officially recognized by the queen in 1982 when Beckford was awarded an MBE, becoming the first black recipient in the South West.
Carmen Beckford was instrumental in setting up St Paul's Carnival in 1967
Later, when asked about her contribution to Bristol as one of the city’s most important black leaders, she said: “I never paid much attention to what other people felt was right or wrong, or whether people felt that I should be doing this or that.
“I just followed what was in here (her heart), as that is the only voice that matters and trust that he (God) is guiding me to do the right thing.”
Asher Craig, councillor for St George West and close friend of Beckford’s told Bristol24/7: “She was a beautiful woman and had a heart of gold. She was extremely stylish and was an amazing networker who had all the skills and expertise of a socialite, which she capitalised on in her role as the entertainments officer on the board of St Paul’s Carnival. 
“The legacy of Carmen Beckford's contribution towards helping to create a more equal and integrated city must never be forgotten and I will ensure that it lives on."
Peter Courtier, former director of Bristol Racial Equality Council added: “Black women pioneers had it hard in the Black rights struggles of the 60s, 70s and 80s. She courageuosly fought against racial discrimination and inequality. I and Bristol owe her so much. RIP Carmen.''
Carmen Etheline Marjorie Beckford, who lived in Filton, was born on December 21, 1928, and died on May 18, 2016 at Westbury Care Home. She was the eldest of seven children and leaves behind her brother Derek Beckford, sister Loris Mair and many nieces and nephews.