29/08/2017

'Day I Die' or 'Possibly Maybe'


 Hey August, sorry to say that, but I'm so ready for September... Let's get out of this surviving mode.

Busy. Lots of work. Newsroom, the weekly magazine, that news agency. But that's not enough to change anything. So much in the pipeline and still no way out just yet. Started writing again, finished proofreading my book's second version, have this film to make come to reality after months trying, and these new jobs lining in. But it is not enough. Never enough to make things turn around.

For now, just music.

--

New song:


The National - 'Day I Die'






--

Sound of the moment, dwelling in nostalgia... and realising I'm not free here...


'Possibly Maybe' - Björk





"Possibly Maybe"

Lyrics

your flirt finds me out
teases the crack in me
smittens me with hope

possibly maybe probably love

as much as i definitely enjoy solitude
i wouldn't mind perhaps 
spending little time with you
sometimes
sometimes

possibly maybe probably love

uncertainly excites me
baby
who knows what's going to happen?
lottery or car crash
or you'll join a cult

possibly maybe probably love

mon petit vulcan
you're eruptions and disasters
i keep calm
admiring your lava
i keep calm

possibly maybe probably love

since we broke up
i'm using lipstick again
i'll suck my tongue
as a remembrance of you

-



27/08/2017

Björk - 'Isobel'


The singer once explained to the BBC this song is about a young woman being from the forest and arriving in a big city, unable to adapt completely. So she feels so isolated, hence the name "Isobel", Björk said...

So she hides back in nature and trains these moths to send emotional spirits towards urban people...

The video is an illustration of that feeling:


Björk - 'Isobel'






One of the songs of the moment...

-


'Isobel'
Directed by Michel Gondry.
Written by Björk/Nellee Hooper/ Marius De Vries/
Sigurjón Birgir Sigurdsson (aka Sjón).

Published by Universal Music Publishing Ltd/Warner
Chappell Music Ltd/19 Music/BMG Music Publishing Ltd.
® 1995 BjörkOverseas Ltd/One Little Indian Records Ltd.


Brexit's disasters - One more chapter...


 So much to reflect on this Sunday...

Just posted this on social media, with this article from The Independent:


'I don't feel welcome anymore': EU citizens explain why they are leaving the UK in their thousands

Statistics show 122,000 Europeans left UK in a year in what campaigners are calling a 'Brexodus'



-


My post in response: 


Someone in the UK tells me they can read this and not feel ashamed. 

If I read that in France, I'll be so alarmed. Here we have to courage, no plan to host refugees, it is an every day heartbreak to witness. I've been to Calais, to the Italian border, I live near La Chapelle but now there are people, entire families, sleeping in my street and the two streets around. Giving food, money, clothes, as a single person is hardly helping. Promoting organisations helping isn't even enough... 

But there, on the other side of the Channel, when there is no high unemployment rate and jobs in services are at such a high level taken care of by European workers, they want to get rid of legal, educated workers because they are not "ethnically" British...? 

Can someone tell me this is worth "taking back control"? 

This referendum has exposed hatred and selfishness that have beeb there, of course, for years, but in a brutal, disastrous and dangerous way. 

I hope some voices will make themselves heard soon enough to publicly denounce this trend in this country I used to love so much...


-

Read the whole article here:

http://www.independent.co.uk/news/uk/home-news/eu-migration-uk-brexit-referendum-latest-net-fall-figures-why-racism-hate-crime-brexodus-government-a7911196.html


“I don’t feel welcome here anymore,” says Lukasz, a Polish man who has lived in the UK since he was eight years old.
“It’s like staying at someone’s house and you definitely outstayed your welcome – that’s how I feel.”
The 28-year-old is one of thousands of European citizens considering leaving Britain because of last year’s vote for Brexit.
Figures released by the Office for National Statistics (ONS) showed that 122,000 Europeans left the UK in the year to March, with the unprecedented exodus driving a drop in net migration.
Business groups have raised mounting concerns over “brain drain” from vital industries, while organisations representing EU migrants have urged the Government to offer solid guarantees over their status following Brexit.
Lukasz, who did not want his second name published, moved to London as a young child when his mother was offered a better job in the capital.
Educated in Acton and Greenwich, he now drives London buses and said he sees the UK as “home” and feels like more of a “tourist” in Poland.
“I enjoy the diversity of people and culture here – nothing and no one is the same, I have made many friends from all over the world,” Lukasz told The Independent. “I love the UK.”
In the period following the EU referendum, which saw a spike in hate crime including a student being stabbed in the neck “for speaking Polish”, he started feeling unwelcome.
“Someone sprayed ‘GO HOME’ on a Polish shop near me,” Lukasz said.
“Racism has shot up, I started noticing at work … I had few passengers arguing between each other.
“My mum had an incident where she was on a bus with my two-year-old sister, where a guy said ‘f**k off, go back to your country you b****, if not I will stab you’. 
“Maybe this guy was not mentally stable, and it was reported to the police, but in 20 years of living in the UK I never heard anyone be racist to me or my family. Since the referendum it has all come out. “
Lukasz now feels his 20 years of effort to fit into Britain’s way of life is “wasted” and is saving up to leave the country shortly before the deadline for Brexit.
He said he will miss his life-long friends, the food and the diversity of London, but fears that the UK is “isolating itself”, adding: “It’s like the world is going backwards now and everyone wants to shut its doors.”
Matteo Mencarelli, a 30-year-old Italian man, has moved from the UK to Bulgaria in the wake of Brexit.
He arrived in London for a master’s degree at the School of Oriental and African Studies (SOAS) in 2010 and has since been working at the UK office of the European Council on Foreign Relations.
Mr Mencarelli described his years in the British capital as “priceless” and a “completely different world” from his previous homes in Rome and Toronto.
Like many Europeans living in largely Remain-voting London, he was shocked by the referendum result.
“Perhaps my friends, colleagues and I were too naive and didn’t think it would actually happen but once it did, it had a huge impact on us,” he said. “For the first time we felt unwelcome here.”
Mr Mencarelli said the vote to leave the EU acted as a “catalyst” for him to pursue a career working for international organisations in the Middle East and is planning his future while living with his partner in Sofia.
“I miss living in London and I am extremely concerned for its future,” he added.
“I am hopeful that once the dust settles and a reasonable deal is struck with the EU, freedom of movement will be preserved and us Europeans will still be able to freely work and live in the United Kingdom. I do hope to be able to move back in a few years.”
Eva Scheffer, a Dutch aid worker, has already left the UK because of the potential impact of Brexit and now fears for her friends.
“I was offered a job in my field in the Middle East, and the uncertainty of whether or not I would be able to build a life in the UK after Brexit was definitely part of the decision to accept,” the 29-year-old said.
“I am very worried for my friends who are still there, both EU citizens and UK citizens. 
“The EU citizens are in a very insecure position at the moment, as most of them haven’t been there for five years, so might be told to leave after Brexit – the same situation I faced when I was there. 
“For UK citizens, especially many very international oriented ones, Brexit will cost them opportunities to work and study abroad.”
ONS figures show the vote to leave the EU is having a dramatic effect on migration even before any new laws are introduced.
Net migration has fallen by a quarter to 246,000, while EU net migration was down 51,000.
The ONS said the change was mostly caused by plummeting arrivals from the EU, as the number of European citizens leaving Britain rose by 33,000.
“These results indicate that the EU referendum result may be influencing people’s decision to migrate into and out of the UK, particularly EU and EU8 citizens,” said Nicola White, the head of international migration statistics. 
“It is too early to tell if this is an indication of a long-term trend.”
Seamus Nevin, the head of employment and skills policy at the Institute of Directors, said the exodus could cause an “acute labour shortage” in vital industries. 
But the Government is continuing plans to cut net migration to a target of 100,000 a year and said it was “encouraged” by Thursday’s figures.
“There is still more work to do to bring net migration down further to sustainable levels,” said immigration minister Brandon Lewis. 
“People who come to our country to work bring significant benefits to the UK, but there is no consent for uncontrolled immigration.”
Ian Murray, the Labour MP for Edinburgh South, said the UK was facing a “Brexodus” that would damage the economy, universities and public services.
“When EU nationals with every right to be here are being sent letters telling them they will be deported, it is small wonder that increasing numbers of them are choosing to move away from Britain,” he added, referring to a Home Office blunder that saw 100 Europeans sent deportation notices “in error”.
Campaign group the3million, which represents EU citizens in the UK, said it was “little wonder” that so many were fleeing Britain.
“All we want is the assurance that we can continue our lives here as normal after Brexit,” added co-chair Nicolas Hatton.
“The UK Government must strike a deal with the EU which guarantees EU citizens’ current rights in full, permanently under the ECJ, and independently of the main Brexit agreement.
“Only then can we have the certainty we need that our future is in the UK, a country we love and which we want to continue to call home.”
-
Are you considering leaving the UK because of Brexit? Contact us by emailing lizzie.dearden@independent.co.uk


"The essay is powerful again. We’re in a golden age"


 I cannot say I'm not overwhelmed with joy to read this after a very saddening year for my experiencing of the publishing world...




Rebecca Solnit: ‘The essay is powerful again. We’re in a golden age’

The US writer on her new collection of essays on ‘further feminisms’, the Trump ‘horrorshow’, and the joy of being an aunt

Sunday 27 August 2017



By her own account, the writer Rebecca Solnit has never been an optimist. But this is not to say that she isn’t hopeful. “An optimist thinks everything will be fine no matter what, and that justifies doing nothing,” she tells me, just back from her early morning row in San Francisco bay. “But hopefulness as I define it means that we don’t know what is going to happen, and in that uncertainty there is room to act.
Action, moreover, may take many forms in this, the age of Trump, some of them very subtle. “How the American public responds to this unprecedented crisis has everything to do with what happens [next], which is why I feel like my job is trying to remind people we do have [some] power,” she says. “I see the well-justified fear among immigrants, trans people, Muslims. But I also think this will end badly for the administration, which is in free fall. He’s freaked out. He’s thrashing in panic.”
Her voice, which sounds almost merry, drops a little. “To use a Clockwork Orangeword, this is a horrorshow.”
Such hopefulness is not only a matter of temperament. How could Solnit fail to be encouraged by the fact that, seemingly against the odds, the essay has made a surprise return to the near-centre of intellectual life, particularly as it is lived online? However much she dislikes the narrative that has her toiling away in obscurity “knitting socks for wild geese in my lean-to on the prairie” until 2008, when her piece Men Explain Things to Me suddenly went viral – “I was plenty visible before,” she writes to me in an email the day after we speak via Skype – it is an undeniable truth that she is now more in demand than ever. “When I started [Solnit is 56], the essay was belles-lettres, decorative. Essays by women, particularly, tended to be treated as memoir even when they were not. Now they’re seen as powerful and compelling again. We’re in a golden age.”
Her work has an impact she could once have only dreamed of. Last May a piece she wrote about Trump for Harper’s – “once upon a time, a child was born into wealth and wanted for nothing” – had a million hits online in just three days.
Solnit’s latest collection of essays, The Mother of All Questions, works as a companion to Men Explain Things To Me, the slim volume that preceded it in 2014 (Solnit did not invent the term mansplaining, but having been coined shortly after this book’s title essay appeared, it will now forever be associated with her name). Mostly, the new book, subtitled Further Feminisms, is about violence against women, and the various forms this takes, including the many ways in which they are silenced. But there are two essays involving books, among them 80 Books No Woman Should Read, Solnit’s response to a notorious (and notoriously male) reading list put together by Esquire magazine; a piece about the 1956 movie Giant, starring Elizabeth Taylor; and, finest of all, the title essay, a deft and quietly furious polemic that chips away once again at the idea of motherhood as the sole key to feminine identity (Solnit, who has never married, is childless).
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“Yes, the having-children dilemma,” she says, giving the finger to an imaginary interlocutor. “It’s about what makes a worthwhile life. The person who asks you that question – why don’t you have children? – doesn’t want to know you more deeply. In fact, it’s not a question. It’s an accusation. What they’re saying is: I’ve judged you, and found you wrong, weird, insufficiently feminine. What’s so maddening is this assumption that children fulfil a woman – as though we’ve never seen an unhappy mother. It’s the same with marriage. Guess what? There are unhappy marriages: I even saw a movie about one, once. These people see love as a commodity that is there to be gathered. It’s a very aspirational, even capitalist, view of love.”
She likes to tell her friends with children that she’s here to “de-nuclearise” the family, the idea being that in the 21st century, just as in centuries past, aunts and uncles, cousins and friends matter just as much (she loves being an aunt).
Isn’t it wearying still to be dealing with this stuff? Mightn’t we have expected more progress by now in the matter of equality? “I do come up against that frustration,” she says. “And yes, it would have been wonderful if as soon as we introduced the radical idea that women are people and have inalienable rights, everyone had just agreed and we could have moved on.
“But the patriarchy is rooted in the Old Testament: the fact that it didn’t get dismantled in a few decades doesn’t dismay me. When I look at how much things have changed since my birth and today, it’s pretty amazing.”
A new generation of women is, she believes, simply not going to take it any more when it comes to rape and gender violence. Sure, Silicon Valley was “built by white men in their own image”; it dismays her that these same men talk in terms of what women can do to avoid threats online rather than dealing with the attacks themselves, as if the victims were responsible (a state of affairs that harks back to the way rape used widely to be regarded). Nevertheless, she thinks of social media as “a Greek chorus of a million women reinforcing the message that we are not going to let this [violence] be erased or excused”.
Bewitched by stories, Solnit wanted to be a writer almost from the moment she learned to read. The third of four siblings – she is the only girl – she grew up in San Francisco. Her parents were leftists who marched against the Vietnam war, but her father, a town planner, was violent – she has written that he once woke her in the night by throwing chocolate milk in her face – and her parents eventually divorced, an event that cast a prolonged shadow over her teenage years.
When she left school she enrolled at the American University in Paris, after which she studied English at Berkeley, California, where she also enrolled as a graduate journalism student: “Journalism was the only model for nonfiction then, and I still feel lucky that I didn’t end up in some MFA [master of fine arts] programme with a bunch of white kids writing memoirs about their suffering.” Afterwards she worked as an art critic until, under the influence of her brother, David, with whom she first visited the Nevada nuclear test site, she gradually became more interested in green issues.
Her frame of reference grew ever wider, and her writing more singular. Among her books are River of Shadows, an award-winning study of the pioneering photographer Eadweard Muybridge; Wanderlust: A History of Walking; and The Faraway Nearby, which partly tells the story of her mother’s decline into Alzheimer’s and Solnit’s efforts to reconcile with her (their relationship was difficult, the mother having been envious of the daughter), but whose broader themes, as explored in essays on such subjects as Iceland and Mary Shelley’s Frankenstein, have to do with questions of empathy and human solidarity.
“Lots of people want to be me now,” she says. “But they didn’t 15 years ago, when I was paying my dues. I lived like a graduate student for a long time after I was one, and I still have fairly frugal habits.” Still, even in the leaner times, she never thought of giving up. “I’m an introvert who loves staying home alone, and it wasn’t as if I was yearning to be super-famous. I didn’t want to be the Stephen King of feminist prose style, or something.”
Grateful as she is to those who read her, she now worries about burnout: “So many people want so many things from me, and that makes it hard to clear the space to be deeply thoughtful, to have the unbroken time in which the best writing takes place.”
Carefully, she lifts a hank of her long hair and pushes it over her shoulder. “It’s not that I feel sorry for myself. These are Cadillac problems. But I’m not sure what great rebellion will give me the time in which I might do pretty good work.” She sounds almost wistful. “In a way, my golden age was 20 years ago, a young woman with a pick-up truck, travelling across the American west, participating in land right struggles. There was no internet, which gave me a certain quality of time. The writing was going somewhere, and I was making a modest living. It was a great adventure.”
-
 The Mother of All Questions by Rebecca Solnit is published by Granta (12.99) on 7 September. To order a copy for £21.25 go to guardianbookshop.com or call 0330 333 6846. Free UK p&p over £10, online orders only. Phone orders min p&p of £1.99

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Link: https://www.theguardian.com/books/2017/aug/27/rebecca-solnit-interview-essays-feminism-trump-the-mother-of-all-questions


26/08/2017

Young Fathers - "I Heard"


 Did I say again that Saturday is music day? All days are for music, but Saturdays are especially good to indulge into it and disappear :) Don't you think?

This beautiful and peaceful song reappeared today when I was offering myself a gift to cheer me up after this long, repetitive and sunless month... And it brightened the day. Gratitude.



Young Fathers - "I Heard"





Published on 24 Apr 2013


Lyrics



SCIENCE IS EERIE WHEN YOU'RE STILL AROUND
KILLING YA BODY COS THEY FOUND YOU OUT. 
CALLING THE SHOTS AND I'M FALLING DOWN. 
LOOK AT THE DUST EXPLODE ON THE GROUND.

I'M THERE, I'M THERE, I'M THERE, I'M THERE, I'M THERE, I'M THERE, UNDER, I'M THERE,
I'M THERE, I'M THERE, UNDER, I'VE HEARD
I'VE HEARD, I'VE HEARD,
I'VE HEARD, I'VE HEARD,

INSIDE I'M FEELING DIRTY,
INSIDE I'M FEELING DIRTY,
INSIDE I'M FEELING DIRTY,
IT'S ONLY COS I'M HURTING.

TELEPHONE THE FATHER SAT ON THE ARM CHAIR WITH A PINT AND A SMOKE
SURE, NO MORE BACK HANDED COMPLIMENTS BUT THE DISHES ARE STILL IN THE SINK
WALK TOWARDS THE DOOR THERE'S AN EMPTY DRESSER, TIME TO BRING OUT THE DUSTER
LEFT WITH A BONE AND A SMILE TO LAST YOU A WHILE
REST A SHORE CAPTAIN FROM YOUR SEA OF TRAVAILS.

INSIDE I'M FEELING DIRTY,
INSIDE I'M FEELING DIRTY,
INSIDE I'M FEELING DIRTY,
IT'S ONLY COS I'M HURTING.

SCIENCE IS EERIE WHEN YOU'RE STILL AROUND KILLING YA BODY COS THEY FOUND YOU OUT. CALLING THE SHOTS AND I'M FALLING DOWN. LOOK AT THE DUST EXPLODE ON THE GROUND

I'M THERE, I'M THERE, I'M THERE, I'M THERE, I'M THERE, UNDER, I'M THERE, I'M THERE,
I'M THERE, UNDER, I'VE HEARD
I'VE HEARD, I'VE HEARD,
I'VE HEARD, I'VE HEARD,

INSIDE I'M FEELING DIRTY,
INSIDE I'M FEELING DIRTY,
INSIDE I'M FEELING DIRTY,
IT'S ONLY COS I'M HURTING.



from the EP, TAPE TWO. produced by young fathers.
limited vinyl EP / limited cassette / CD / download now available for pre-order:
anticon.com/item/tape-two

www.young-fathers.com


..."destroy all that is keeping you down"... 'Come To Me'


Feel like I just entered the school of life... And the soundtrack tolls like this:



Björk - 'Come to me'



-

Why, why, why did I not listen to my teenage instinct?

Music is life. That's all there is.

Music is poetry, rhythm, vibration, energy, meaning, emotions...
Music is the tree of life.

I was a song in another life. I'll be an instrument in my next if I lucky.

-

Lyrics:


"Come To Me"

come to me
i'll take care of you
protect you
calm, calm down
you're exhausted
come lie down
you don't have to explain
i understand

you know
that i adore you
you know
that i love you
so don't make me say it
it would burst the bubble
break the charm

jump off
your building's on fire
i'll catch you
i'll catch you
destroy all that is keeping you down
and then i'll nurse you
i'll nurse you

come to me
i'll take care of you
you don't have to explain
i understand


"My heart is sick of being in chains"


I Am Here:


Tori Amos - 'Crucify' - Live




-

Lyrics:

"Crucify"

Every finger in the room
Is pointing at me
I wanna spit in their faces
Then I get afraid of what that could bring
I got a bowling ball in my stomach
I got a desert in my mouth
Figures that my courage would choose to sell out now

I've been looking for a savior in these dirty streets
Looking for a savior beneath these dirty sheets
I've been raising up my hands
Drive another nail in
Just what God needs
One more victim

Why do we
Crucify ourselves
Every day
I crucify myself
Nothing I do is good enough for you
Crucify myself
Every day
I crucify myself
My heart is sick of being, I said, my heart is sick of being in chains, oh, oh, chains

Got a kick for a dog
Beggin' for love
I gotta have my suffering
So that I can have my cross
I know a cat named Easter
He says, "Will you ever learn?
You're just an empty cage, girl,
If you kill the bird."

I've been looking for a savior in these dirty streets
Looking for a savior beneath these dirty sheets
I've been raising up my hands
Drive another nail in
Got enough guilt to start my own religion

Why do we
Crucify ourselves
Every day
I crucify myself
Nothing I do is good enough for you
Crucify myself
Every day
I crucify myself
My heart is sick of being, I said, my heart is sick of being in chains, oh, oh, chains

Please believe
Save me
I cry

I've been looking for a savior in these dirty streets
Looking for a savior beneath these dirty sheets
I've been raising up my hands
Drive another nail in
Where are those angels when you need them?

Why do we crucify ourselves
Every day
I crucify myself
Nothing I do is good enough for you
Crucify myself
Every day
I crucify myself
My heart is sick of being, I said, my heart is sick of being in chains, oh, oh, chains

[Repeat:]
Why do we
Chains
Crucify myself

Never going back again to crucify myself again
You know never going back again to crucify myself everyday



25/08/2017

"Wapi Yo Melissa"




Ce jeune homme originaire de Kinshasa est passionné de musique et comme on le comprend!!

Nous ne nous sommes jamais rencontrés mais il a entendu ma voix sur RFI et TV5 Monde, et a entendu parlé de moi par le musicien accompli Jupiter, également originaire de Kinshasa.

Voici sa première chanson : "Wapi Yo Melissa"...




Sa présentation :


BlackMan Aka Patrick Buluku est originaire de la République du Congo de la
ville Kinshasa. Du haut de son jeune âge , il est passionné de musique dont il
deviendra par la force des choses et de travail guitariste et interprète de ses
propres compositions.
Il se fera remarquer tout d'abord en tant que guitariste et il deviendra par la suite Leader du groupe Astra Sound qui jouera sur différentes scènes locale et régionale.

En 2012 , Patrick Buluku accompagnera le groupe Ba Nkosi Music en tant que
Guitariste Choriste et Soliste, où il deviendra avec le temps leur arrangeur et
compositeur.
Entre 2013 et 2015 il se fera remarquer par la très grande artiste de la Rumba
Congolaise : Koffi Olomide** avec qui il collaborera sur scène.
En 2016, il décide de créer son propre projet "L'homme Noir" avec des
sonorités diverses et variés pour revenir à l'essence même de ses origines
africaines.
En 2017 il rencontre celui qui deviendra son pygmalion et Manager Producteur Cyril Sentino pour TGM Productions et Artistic plus [France]
qui le rebaptisera plus tard BlackMan. Il gardera son nom Buluku pour agrémenter la couleur de son projet.
Son Manager lui permettra de faire diverses rencontres enrichissantes auprès
de chanteurs , chanteuses, auteurs, compositeurs...
Il prépare avec son équipe son 1er EP de cinq titres (5) "Kinshasha Buluku" aux multiples sonorités : Electronique, Pop, World Music interpréter en Français et
en Congolais.
MANAGEMENT / PRODUCTION BOOKING : tgmprods@gmail.com

--


Patrick Buluku

Sa page Facebook:

https://www.facebook.com/BlackManBuluku/


Ecouter sur Soundcloud:

https://soundcloud.com/blackmanbuluku/wapi-yo-melissa-tgm-prods-preview

BlackMan - Wapi Yo Melissa - TGM Prods [Preview].
Auteur / Compositeur : Patrick Buluku
Arrangement : Rémi Jeancoux [Toulouse]
Production : TGM Prods [Toulouse]
Label : HP Music [Toulouse]
Tous droits réservés Copyright 2017




Vers la fin d'août


Résumé de la semaine, en image :

Un lieu magique pour un festival littéraire hors norme, dans cette belle campagne de l'Hérault, au Moulin de Faugères :






Présentation vidéo :



Published on 21 Jul 2017

Franck-Olivier Laferrère et la Communauté de Communes des Avant-Monts présentent l'édition 2017 des Transversales.

-

Merci pour l'invitation !

Mercredi 19h aux Moulins de Faugères, dernier stop du tour d'Europe : Bristol ! Avec




-

Dans le train du retour, la suite du boulot... sur le texte en anglais, chapitre 13 à 15!






"...gonna get you back to you"... 'Reindeer King'



What an amazingly divine and profound song. A deeply needed, timely message. Tori Amis is a true shaman! 

Has she ever been so on point? And what a voice, still... Amazing carrier, reaching an incredible high. 
I'm in awe.


Live version:



'Reindeer King' - Tori Amos (Live-Radio Trojska Player)






-


More on the songwriting:



Tori Amos's Spiritual and Political Reckoning in "Reindeer King" 

Last summer, on the advice of her physician sister Marie, Tori Amos set out for North Carolina’s Smoky Mountains. Her mother Mary Ellen's family hailed from the area, and Amos hoped to absorb the music of the region to inform her next record. But in November, Donald Trump was elected the 45th president of the United States, and in January, Mary Ellen suffered a debilitating stroke—and the 54-year-old musician found herself writing an entirely different record, one she has described as “a record of pain, blood, and bone.”
“It wasn’t going to be a record of division,” she wrote in a statement accompanying the release. But political and personal circumstances dictated otherwise: “I listened and watched the conflicts that were traumatizing the nation.” The result was Native Invader, Amos’s politically-charged 15th studio album out September 8. It opens with the seven-minute opus, “Reindeer King,” which premieres with an accompanying lyric video exclusively here on W.
If Native Invader is, as Amos describes it, “a record of division and conflict,” “Reindeer King” is a metaphysical introduction to those ideas. It opens with a pounding swirl of piano (and, in the video, images of a frosted landscape, quartz crystals, and prowling wolves) before Amos’s voice comes through: “Crystal core, your mind has been divided from your soul,” she sings. “Crystal core, you are the still point of the turning world, the divide, fearing death, desiring life.” The titular Reindeer King, a mythic figure, bridges this divide, urging Amos’s narrator again and again, “Gotta get you back to you.”
But as much as “Reindeer King” establishes the introspective tone of the record, it also finds inspiration in a larger perspective. Amos observed images coming in from NASA’s Cassini probe, which began darting between Saturn’s rings earlier this year and has sent home images of the rings and moons of Jupiter and Saturn since it began broadcasting more than a decade ago. These, synthesized with images of a frozen landscape, produced “Reindeer King”: “For years, people had told me about the magical atmosphere that happens when bodies of water freeze over and hundreds of people ice skate for miles and miles and miles,” she wrote via email, pointing to the track’s romantic final verse.
“You know that I would skate, skate all the way, just to hold your hand, to take away your pain,” she sings. “You know that I would skate from Scandinavia all the way to the moons of Jupiter with you ... I’ve just come from the Reindeer King.”