05/11/2017

Dan Everett's "Fragments"


Dan Everett, talented musician and instrumentalist I had the pleasure to listen to in Bristol and at WOMAD Festival is releasing a first album!

Enjoy this extracts:

Fragments

par Daniel Everett

Give It Up 00:57 / 05:37
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 01:57
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 03:14
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 05:37
11.
 05:38

crédits

paru le 4 novembre 2017

All tracks written and performed by Daniel Everett. Tracks 10 and 11 arranged by Paul Isaac.
Daniel Everett: Guitar, Bass, Voice, Keys and Percussion
Paul Isaac: Percussion and Keys
Mike Cooper: Drums
Andrew Steen: Electric Guitar on Northern Lights
James Fisher: Electric Guitar on Give It Up

Recorded in Winchester, Bristol and Stroud at Glitchy Nomad Studios. Engineered by Paul Isaac and Daniel Everett. Mixed and mastered by Paul Isaac.

Photography by Jethro Massey -  jethromassey.com Design and Artwork by Paul Isaac and Daniel Everett:  threemuses.co.uk and danieleverett.co.uk respectively.

Produced by Paul Isaac and Daniel Everett. P & C Daniel Everett 2017

No record companies were harmed during the making of this album.

licence

tous droits réservés

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Daniel Everett
Bristol, UK

Folk guitarist and songwriter, Dan Everett, lives in Bristol, England.
 He released his first EP in 2011 and is currently recording a follow-up album, due due for release November 2017. 


A year after November 2016's disaster



 Last year, while the Americans were messing around with their  presidential election - not realising how damaging it could be for the rest of the world too, I was in London, immersing myself in the painting of an artist who lived through war and exil, looking for a publisher for my book, then travelling to Belfast to report on the consequences of Brexit on Northern Ireland... 

Such a hard twelve-month period since then. 

But we are making a lot of progress (look at the previous post).

As all the thinkers, writers, artists, who lived through dark times, I could add, as James Baldwin used to say: "I cannot be a pessimist, because I'm alive". 

Some are not so lucky. 

May the rest of us realize we need to gather our strength and make this world a better place.


Paradise Papers


Sunday revelations.
Journalists mostly knew, but here are the links and details.
Now, let's change this.

Tax evasion is a major flow in our economic system. If tackled, it could eliminate poverty in a few years. In the west but also on other continents. We have responsibilities and must act for this appalling situation to be stopped.



What are the Paradise Papers?


By the Guardian



Published on 5 Nov 2017

A massive leak of more than 13m files reveals the hidden wealth of some of the world’s richest people including sports stars, celebrities and heads of state. The Paradise Papers show how complex schemes set up in offshore islands can help the super-rich avoid billions in tax


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All the articles here:



The Paradise Papers is a special investigation by the Guardian and 95 media partners worldwide into a leak of 13.4m files from two offshore service providers and 19 tax havens' company registries

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Paradise Papers leak reveals secrets of world elite's hidden wealth

Files from offshore law firm show financial dealings of the Queen, big multinationals and members of Donald Trump’s cabinet



The world’s biggest businesses, heads of state and global figures in politics, entertainment and sport who have sheltered their wealth in secretive tax havens are being revealed this week in a major new investigation into Britain’s offshore empires.
The details come from a leak of 13.4m files that expose the global environments in which tax abuses can thrive – and the complex and seemingly artificial ways the wealthiest corporations can legally protect their wealth.
The material, which has come from two offshore service providers and the company registries of 19 tax havens, was obtained by the German newspaper Süddeutsche Zeitung and shared by the International Consortium of Investigative Journalists with partners including the Guardian, the BBC and the New York Times. 
The project has been called the Paradise Papers. It reveals:
The disclosures will put pressure on world leaders, including Trump and the British prime minister, Theresa May, who have both pledged to curb aggressive tax avoidance schemes.
The publication of this investigation, for which more than 380 journalists have spent a year combing through data that stretches back 70 years, comes at a time of growing global income inequality.
Meanwhile, multinational companies are shifting a growing share of profits offshore – €600bn in the last year alone – the leading economist Gabriel Zucman will reveal in a study to be published later this week.
“Tax havens are one of the key engines of the rise in global inequality,” he said. “As inequality rises, offshore tax evasion is becoming an elite sport.”
At the centre of the leak is Appleby, a law firm with outposts in Bermuda, the Cayman Islands, the British Virgin Islands, the Isle of Man, Jersey and Guernsey. In contrast to Mossack Fonseca, the discredited firm at the centre of last year’s Panama Papers investigation, Appleby prides itself on being a leading member of the “magic circle” of top-ranking offshore service providers.
It acted for the establishment offshore, providing the structures that helped to legally reduce their tax bills.
Appleby says it has investigated all the allegations, and found “there is no evidence of any wrongdoing, either on the part of ourselves or our clients”, adding: “We are a law firm which advises clients on legitimate and lawful ways to conduct their business. We do not tolerate illegal behaviour.”





About philanthropists’ money


Interesting read:

Money still overcomes morality when it comes to philanthropists’ wealth 


Inews
By Ian Birrell 
Sunday November 5th 2017


Colston’s Girls’ School in Bristol has decided not to ditch its name, despite bearing the moniker of a 17th-century merchant who made a fortune by shipping slaves from Africa to the Americas. 

In a letter last week to parents, the headteacher insisted it was “not appropriate” to disassociate the school from Edward Colston and saw no benefit from “denying” its financial origin and “obscuring history”. 

But Colston Hall has taken a different tack after a boycott from local band Massive Attack. The music venue is changing its “toxic” name since it does not believe this offers the right image for a progressive arts organisation in a multiracial city. A bronze statue commemorating Colston remains in Bristol, however, even claiming to be “a memorial of one of the most virtuous and wise sons of their city”. 

“These controversies arise from bountiful legacies of buccaneering businessmen who, having made fortunes in dubious style, sought to spruce up their image with charitable donations.” Many might disagree with such an inscription, given the deaths and misery caused by the transatlantic slave trade. Yet this debate in Bristol, with prominent institutions coming to different conclusions, shows some difficulties caused by philanthropy from past times. 

These controversies arise from bountiful legacies of buccaneering businessmen who, having made fortunes in dubious style, sought to spruce up their image with charitable donations. Note how in Oxford students still demonstrate over a statue of Cecil Rhodes outside Oriel College. 

Money still overcomes morality 

There are valid arguments on both sides of these debates – although sometimes it feels the ferocity of argument over symbols from history serves to displace more important modern debates. Yet you might have hoped all this anger over past donations would, at very least, place modern institutions on guard over pocketing stained cash. 

Sadly, however, this does not seem the case. Money still overcomes morality for many of Britain’s most famous places. 

Look at the Victoria and Albert Museum. If you have been recently, you might have seen the stunning Sackler Courtyard, with thousands of hand-made porcelain tiles in various patterns shimmering over an area the size of six tennis courts. The Duchess of Cambridge went “Wow” when she went to open this amazing creation earlier this year. It joins their Sackler Centre for arts education and Sackler annual lecture. The Sackler Trust has even selected some acquisitions. 

Who are these people spraying their cash around? 

The Sacklers are among the world’s wealthiest families, worth an estimated £10bn, and clearly very generous philanthropists. Their name is scattered across other prominent British institutions, with one senior arts world figure telling me they are “unbelievably supportive” patrons. 

There is a Sackler Wing at the Royal Academy, a Sackler Gallery at the Serpentine and Sackler Library behind Oxford’s Ashmolean. There is the Sackler Crossing at Kew Gardens, Sackler Centres at universities from Edinburgh to Sussex, even a Sackler escalator at Tate Modern. 

Yet who are these people, so public-spirited they spray cash around the planet on good works yet so little-known? The family has endowed academic posts, funded medical research and placed its name on new buildings from the Louvre in France to Harvard University in the United States. 

“This family’s fortune comes from the sale of the opioid painkillers blamed for America’s devastating heroin epidemic.” Clan members talk regularly about their philanthropy, although rarely on how they accumulated their great wealth with such rapidity. For the reason is simple: this family’s fortune comes from the sale of the opioid painkillers blamed for America’s devastating heroin epidemic. 

Much of the family cash came from a drug called OxyContin. This potent painkiller, released in 1995, is one of the most lethal products sold on mass scale. Its active ingredient is a chemical cousin of heroin stronger than morphine. 

Although easily abused by addicts, it was promoted hard for pain relief by a firm that later admitted exploiting doctors’ misconceptions over its strength; it then dominated the market for long-lasting opioids. 

In Ohio, which I visited three months ago, nearly 800 million doses were sold in 2012 – enough to give 68 pills to each person there. Now this state leads the nation in drug overdose deaths. 

The legacy of this business is people dying 

This was capitalism at its crudest and least ethical. Ohio’s attorney general told me of seeing a doctor – with “no nurse, no receptionist, just him sitting at a table” – who had issued 43 prescriptions at $200 a pop by 11.15am. 

But when supplies stopped, or prices rose more than alternatives, addicted patients turned to street heroin. Now you can hear gangsters shout the names of prescription opioids while selling heroin and its super-strong synthetic cousin, fentanyl. 

The legacy of this family’s business is 142 dead Americans each day– or what New Jersey governor Chris Christie memorably called “September 11 every three weeks”. 

No wonder the Sacklers do not boast about how they made those tainted billions. Perhaps a psychologist would suggest this dark history explains the desire to link their name to places of culture and learning. 

Yet have all those university chiefs and museum bosses really learned nothing from history? Have they missed the fuss over historic donors, forgotten the furore over a Libyan dictator’s gifts to the London School of Economics? 

“It’s really complicated,” said one, pointing to how Alfred Nobel, who endowed the world’s most famous peace prize, was an arms dealer. 

Charity is used to clean reputations 

But it is not complicated. From slave traders to corporate drug pushers, charity is used to clean reputations. 

The Sacklers made billions from firms that, intentionally or otherwise, sparked a deadly storm of drug addiction ripping apart other families, communities and cities across America. 

If there was any justice, these people would be stripped of their cash and spend days volunteering in treatment centres. Instead they are feted as patrons of arts and education. 

And to our national shame, Britain’s most famous public institutions are helping them shine up the family name.

Read on iNews at: https://inews.co.uk/opinion/money-still-overcomes-morality-comes-philanthropists-wealth/



02/11/2017

"Does it trouble your mind the way you trouble mine?"


 Seeing The National tonight in Paris.

I found this song a few months ago, randomly on YouTube, as I like it.
I like this lyrics too.

"Have you given up?"

"Does it trouble your mind the way you trouble mine?"

"Did you fall for the same empty answers again?"...

Oh Exile. Felt exiled since I was born.


"Exile Vilify"

Exile
It takes your mind again
Exile
It takes your mind again
You've got suckers' luck
Have you given up?

Does it feel like a trial?
Does it trouble your mind the way you trouble mine?

Exile
It takes your mind again
Exile
It takes your mind again
Oh, you meant so much
Have you given up?

Does it feel like a trial?
Does it trouble your mind the way you trouble mine?
Does it feel like a trial?
Now you're thinking too fast
You're like marbles on glass

Vilify
Don't even try
Vilify
Don't even try

You've got suckers' luck
Have you given up?
Does it feel like a trial?
Does it trouble your mind the way you trouble mine?
Does it feel like a trial?
Did you fall for the same empty answers again?

Vilify
Don't even try
Vilify
Don't even try
Vilify...





The National - 'Exile Vilify'


Published on 19 Apr 2011

Song from Portal 2 soundtrack and one of my favorite bands! Don't own any rights to this, just I'm sure others been trying to look for this on youtube just as I was. Enjoy :)
I got my download from http://stereogum.com/688961/the-natio...
just play the song then right click the player and open in a new tab. It should download the file.
Sheet Music by request:

Young Fathers - 'Lord'


New song. New album coming soon.


Young Fathers - 'Lord'






Published on 31 Oct 2017

‘Lord’ Out Now -
Ninjashop / Stream / Download: https://YoungFathers.lnk.to/lordYT

Taken from ‘Lord’ released 31st October 2017 via Ninja Tune.

Follow Young Fathers -
Spotify: http://found.ee/youngfathers-sp
Apple Music: http://found.ee/youngfathers-am
Facebook: http://found.ee/youngfathers-fb
Twitter: http://found.ee/youngfathers-tw
Soundcloud: http://found.ee/youngfathers-sc


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Young Fathers - Lord (Official Video)


New video posted on Nov. 21st






Published on 21 Nov 2017

‘Lord’ Out Now -
Ninjashop / Stream / Download: https://YoungFathers.lnk.to/lordYT

UK TOUR MARCH 2018:  http://po.st/YoungFathersTOUR

Taken from ‘Lord’ released 31st October 2017 via Ninja Tune.

DIR. Rianne White
PROD. Rianne White & Freak Films
DOP. Archie Short
1AD. Evangelos Polychronopoulos
GAFFER. Nuno Rodrigues
PROD ASST. Izzy Gibbs
EDIT. Rianne White
COLOUR. Archie Short
AERIAL. Sam Short
HORSE WRANGLER. Mandy Peden
RAIN DESIGN & PROD. Great Brink
BTS. Mark Chong

Follow Young Fathers -
Spotify: http://found.ee/youngfathers-sp
Apple Music: http://found.ee/youngfathers-am
Facebook: http://found.ee/youngfathers-fb
Twitter: http://found.ee/youngfathers-tw
Soundcloud: http://found.ee/youngfathers-sc


01/11/2017

Bristol named a UNESCO Creative City of Film


Great news all over for my favourite people and places this week!

Here is to Bristol's artistic glory.

Darling, once the UK has sorted its blocks and errors illustrated by "Brexit", we'll meet again, I'm sure...



Image: Lloyds Amphitheatre, Bristol, credit Colin Smith


Two UK cities join prestigious UNESCO Creative Cities Network



The cities of Manchester and Bristol have been named UNESCO Creative Cities in global recognition of their outstanding contributions to culture and creativity.
Bristol has been named a UNESCO Creative City of Film, and Manchester a UNESCO Creative City of Literature.
The UNESCO Global Creative Cities Network is a global network of cities working towards the joint mission of placing creativity and cultural industries at the core of their urban development to make their cities safe, resilient, inclusive and sustainable. Made up of 180 Members globally, UNESCO Creative Cities specialise in seven fields: Crafts & Folk Art, Design, Film, Gastronomy, Literature, Music and Media Arts.
Parliamentary Under Secretary of State for Arts, Heritage and Tourism at the Department for Digital, Culture, Media and Sport, John Glen MP said:
“This is fantastic news for both Bristol and Manchester and recognition of their global significance to film and literature. This UNESCO designation will enhance their reputation around the world and help forge strong partnerships with other nations.”
Chair of the UK National Commission for UNESCO, Dr Beth Taylor, said:
“Many congratulations to Bristol and Manchester on becoming UNESCO Creative Cities. Winning UNESCO accreditation is a real accolade, reflecting the strength in depth of your communities in the areas of film and literature. A UNESCO Creative City is not a one-year-only title, but represents a lasting commitment and a long-term opportunity to benefit from membership of the global UNESCO family, working in partnership with colleagues around the world.”
Bristol is home to world-leading media. Aardman Animations set up studios in Bristol in 1976, finding fame with Wallace and Gromit, Chicken Run and Shaun the Sheep, among many others. BBC Bristol produces globally recognised radio, drama, factual and wildlife television, and is home to the largest production facility in the West of England, Bottle Yard Studios, whose productions include Poldark, Broadchurch, and Wolf Hall. BBC Bristol also houses the globally significant Natural History Unit, spawning ‘Green Hollywood’, the world’s largest concentration of firms producing wildlife content. With 11 community-driven international festivals dedicated to film annually, 10 cinemas, and 2 major universities (University of the West of England and University of Bristol) providing 28 film related degrees, Bristol will play a central role in this global network of like-minded cities.
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Manchester and Bristol join 10 UK UNESCO Creative Cities: Glasgow and Liverpool(Music), Dundee (Design)Bradford (Film), York (Media Arts), NorwichNottinghamand Edinburgh (Literature).
Becoming a UNESCO Creative City does not just celebrate the City’s creative output, it also means that Bristol and Manchester must have plans in place to improve access to and participation in cultural life across their cities, especially for marginalised or vulnerable groups and individuals.
Bristol hopes to use film as a way to reduce inequalities and barriers, and promote inclusivity and unite Bristol’s currently fragmented film sector.
Marvin Rees, Mayor of Bristol, said:
“This is fantastic news and a ringing endorsement of Bristol’s position as a world leader in film culture. Our reputation as a diverse and creative city has long helped to attract productions across film, TV drama, animation and of course natural history. I hope this recognition will be a catalyst for bigger opportunities for the city and Bristolians to showcase Bristol as a centre for film.
Manchester intends to use its new international status to provide an opportunity to build on the city’s unique and diverse literary heritage by using reading and writing to bring communities together, support skills development and to cultivate pride and belonging, while building self-reliance and mental wellbeing.

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A few words from the Watershed Cinema, a film house and so much more:

Bristol named UNESCO City of Film

Posted on Wed 1 Nov 2017





Great news – we are proud that Bristol has been named UNESCO Creative City of Film, a global recognition of the city’s outstanding contribution to film culture and creativity.
The announcement was made yesterday by the Director-General of UNESCO (United Nations Educational, Scientific and Cultural Organisation). Bristol now joins the UNESCO Creative Cities Network, a network of cities working towards a common mission for cultural diversity and sustainable urban development.
Watershed’s Cinema Curator Mark Cosgrove said:
“This award is excellent news for Bristol. Film is an important feature of the city’s vibrant cultural provision and it is great that this area of work and activity is getting such prestigious – and international – recognition.
“It will create more awareness of the city’s excellence in this area and here at Watershed we are looking forward to working with partners to engage everyone in the past, present and future of cinema through events such as Cinema Rediscovered and Filmic and talent development initiatives like BFI Film Academy Bristol and Depict, part of Encounters Short Film & International Festival.”
We are proud to be part of a strong film and television culture in the city. This award is shared with our friends and partners like Aardman Animations, BBC Bristol, Bottle Yard Studios, Bristol Film Office, the University of Bristol and University of the West of England, Knowle West Media Centre, Calling The Shots, Encounters Short Film & Animation Festival and more.
The award is a designation for the city – meaning that it’s not just enjoyed for a single year. It will be known as a city of film for many more years to come. We’ll raise a toast to that!

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