30/08/2016

About my book


Hello people.

Since I'll be in England soon, I thought I'd post some information about my book here in English.






En dehors de la zone de confort
By Melissa Chemam





            Introduction
            What happened in Bristol with the release of Blue Lines, Massive Attack’s first album, in 1991, had not been seen in the UK since the end of the punk movement. A new cultural era was born, grown out of the Thatcher 1980s, in the West Country. A mix of influences, from Jamaican music to hip-hop new trends, from street art to new music venues, the 80s have completely changed Bristol’s social and cultural expressions, with the birth of a number of artists and musicians both revolutionary and fed by a few decades of social change in the city, with the arrivals of a new surge of migrants from the Caribbean and Africa and the effect of the austerity measures and the toughest conservative government the UK had know in the whole century, under Mrs Margaret Thatcher.
A record like Blue Lines epitomised all of this and more. It embodied a home-grown sound immerged in reggae, soul and a sound system culture very typical of Bristol but also offered new wonderful ventures into new territories, musically and visually, along with a new way of writing lyrics, between rap and punk styles, a fantastic input into the art of music video, and atmospheres that, as all critics agreed to write, revolutionised dance music. Blue Lines and Massive Attack suddenly put Bristol on the UK’s cultural map, but few could predict at the time how the band would deeply evolve, taking its time to move forward sonically and artistically. With it also grew a sense of a reflexive art, always aware of its context around it, included direct references to their many influences – almost as painters would do in paying homage to masters of the brush in a new canvas, or modern writers would start a new book from the ashes of a masterpiece. Blue Lines can be seen as a sort of Ulysses of the music scene, a palimpsest, using sampling techniques as a way to grow music out of music itself. At the time of the record’s re-release in 2012, remastered, the French magazine Les Inrockuptibles therefore defined the album as the “first post-modern masterpiece”.




            Book presentation
  
Out Of The Comfort Zone
From Massive Attack to Banksy -
 The story of Bristol, of a group of unique artists and of their revolutions
By Melissa Chemam

In tracing the history of Massive Attack, this book draws the portrait of their city, Bristol, in an investigation that combines music, art and politics.

From post-punk and reggae movements – born in the 1970s – to trip-hop and the revolutionary Banksy, the author retells the destinies of Mark Stewart and the Pop Group, Smith & Mighty, Portishead, Tricky, the Insects, Inkie and, of course, Massive Attack – whom she spent months interviewing.

In 1983, while young Anglo-Italian graffiti artist Robert Del Naja signs of his pseudonym - 3D - his first work on the city’s walls, the original West Indian DJs Grant Marshall and Miles Johnson are detonating their collective, The Wild Bunch. They quickly call 3D to join them. D and Grant then form Massive Attack in 1988 with the young Andrew Vowles and experience a dazzling success with their first album, Blue Lines. The group becomes the embodiment of miscegenation in the UK. From 1998, inspired by 3D, Banksy seizes Bristol’s walls, while Massive Attack change their tone with their album Mezzanine. And the city itself seems to fit more and more with their tone, committed, militant and revolutionary.

Bristol, as Liverpool, Detroit or Nashville, thus began to shine in the world as the birthplace of a great creative movement. This book brings the readers through a special journey, with a band that developed its art in three dimensions, sonically, visually and politically, and with their friends and collaborators. 

The author went to meet Bristol’s artists for over a year, interviewing its best musicians, renowned graffiti artists and their close collaborators. From Massive Attack's studio to Banksy’s Dismaland, via art galleries and concert halls, in Bristol and elsewhere, she asked them to retell their own story and to return to their inspirations, motivations and commitments.

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Journalist since 2004, Melissa Chemam lived in Paris, Prague, Miami, London, Nairobi and Bangui. She travelled to over 40 countries. She has collaborated with the BBC, RFI and France Culture, among other media houses.

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En dehors de la zone de confort will be out in French first, on the the 6th of October 2016, in France, Belgium and Switzerland.

Link to the publisher's page: 


Link to the book's Facebook page: 


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