Freelance journalist (w/ BBC, Radio France, magazines), passionate about Africa, Europe, literature, music, arts, I work with Raoul Peck on his next film projects. Born in Paris, I have been based in Prague, Miami, London, Nairobi (covering Kenya, Uganda, Ethiopia, Somalia) and Bristol, UK. Travelled to Italy, Haiti, Balkans/Caucasus, Tunisia, Liberia, South Africa, India, Mexico, Niger, Turkey, Iraq... This blog is to share thoughts and cultural discoveries from around the world.
Algiers, live in Seattle, 2015
Special thought for my friend Marjorie and her amazing show on British music, UK Beats.
Algiers - Full Performance Live on KEXP
Published on 16 Jul 2015
http://KEXP.ORG presents Algiers performing live in the KEXP studio. Recorded June 19, 2015.
Blood But She Was Not Flying Black Eunuch Games
And an interview!
Host: Cheryl Waters Audio Engineer: Kevin Suggs Cameras: Jim Beckmann, Scott Holpainen & Justin Wilmore Editor: Jim Beckmann
Listener-powered KEXP is a nonprofit radio station based in Seattle. Every day, tens of thousands of music lovers discover music with us at 90.3FM, online at KEXP.ORG and via mobile devices. These videos are made possible by music lovers like you.
- More on the band: Algiers mix the soul-powered activism of early '70s Motown with the proto-punk fury of the MC5, the synth primitivism of Suicide, and the Biblically charged drama of the Bad Seeds. On their Matador debut, they project the righteous indignation required of all great protest music. (Pitchfork) http://pitchfork.com/reviews/albums/20412-algiers-algiers/ -
Algiers announce new album, The Underside of Power, share video for title track — watch
Soulful rock track sets the political tone for the band's forthcoming sophomore album
Soulful experimental rock outfit Algiers have announced the impending release of their sophomore album, The Underside of Power. The follow-up to the multinational band’s 2015 self-titled debut is out June 23rd via Matador Records.
Like the band’s past material, the new record is fiercely and unapologetically political. Writing for the record began while Brexit was first becoming a reality and concluded during the US presidential election’s unexpected outcome. “This album was recorded in a political environment that collapses the late 70s economic crisis and the looming onslaught of arch-conservative neoliberalism, via Thatcher and Reagan, into the late 1930s, a world riven by fascist nationalism and white power fantasies in the US and abroad,” bassist Ryan Mahan explained in a press release.
The Underside of Power is a rallying cry against those oppressive forces, as clearly demonstrated on the album’s title track. Over an atypically upbeat major key that sounds like ’60s soul being strained through a mesh of noise rock, frontman Franklin Fisher calls out in his powerful voice, “Because I’ve seen the underside of power/ It’s just a game that can’t go on/ It could break down any hour/ I’ve seen their faces and I’ve known them all.” Discussing the track, Fisher said,
“I heard someone say once that you don’t know what real power is until you’re on the wrong side of it. That was the inspiration for ‘The Underside of Power’. To be someone who has known first-hand, the full brunt of institutional force, the feeling of being completely vulnerable to it and powerless against it, is a bitter reality for the vast majority of people. The image of an insect being squashed by a boot comes to mind. But with that image comes a slightly hopeful paradox: just as all systems have inherent flaws, so does the proverbial boot, which leaves the slight possibility for the insect to creep through and bite back…”
The Underside of Power was produced by Adrian Utley and Ali Chant of Portishead, with mixing handled by Randall Dunn (SunO)))) and post-production coming from Ben Greenberg (The Men, Hubble). Pre-orders are going on here, and you can find the full album details below.