Conflict, Time, Photography
Tate Modern: Exhibition
26 November 2014 – 15 March 2015
The Eyal Ofer Galleries
Richard Peter
Dresden After Allied Raids Germany 1945© SLUB Dresden / Deutsche Fotothek / Richard Peter, sen.
From the seconds after a bomb is detonated to a former scene of battle years after a war has ended, this moving exhibition focuses on the passing of time, tracing a diverse and poignant journey through over 150 years of conflict around the world, since the invention of photography.
In an innovative move, the works are ordered according to how long after the event they were created from moments, days and weeks to decades later. Photographs taken seven months after the fire bombing of Dresden are shown alongside those taken seven months after the end of the First Gulf War. Images made in Vietnam 25 years after the fall of Saigon are shown alongside those made in Nakasaki 25 years after the atomic bomb. The result is the chance to make never-before-made connections while viewing the legacy of war as artists and photographers have captured it in retrospect.
The immediate trauma of war can be seen in the eyes of Don McCullin’s Shell-shocked US Marine 1968, while the destruction of buildings and landscapes are documented by Simon Norfolk’s Afghanistan: Chronotopia 2001.
Different conflicts will also reappear from multiple points in time throughout the exhibition. The Second World War for example is addressed in Jerzy Lewczynski’s 1960 photographs of the Wolf’s Lair / Adolf Hitler’s War Headquarters, Shomei Tomatsu’s images of objects found in Nagasaki, Kikuji Kawada’s epic project The Map made in Hiroshima in the 1960s, Michael Schmidt’s Berlin streetscapes from 1980 and Nick Waplington’s 1993 close-ups of cell walls from a Prisoner of War camp in Wales.
The exhibition is staged to coincide with the 2014 centenary and concludes with new and recent projects by British, German, Polish and Syrian photographers which reflect on the First World War a century after it began.
Organised by Tate Modern, London in association with Museum Folkwang, Essen and Staatliche Kunstsammlungen Dresden
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Adult £14.50 (without donation £13.10)
Concession £12.50 (without donation £11.30)
Help Tate by including the voluntary donation to enable Gift Aid
Additional booking fee of £1.75 (£2 via telephone) per transaction applies
Under 12s go free (up to four per parent or guardian)
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V & A
Disobedient Objects: About the Exhibition
26 July 2014 – 1 February 2015: From Suffragette teapots to protest robots, this exhibition is the first to examine the powerful role of objects in movements for social change. It demonstrates how political activism drives a wealth of design ingenuity and collective creativity that defy standard definitions of art and design.
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Event
30 Jan - 27 Mar
For Ballets in London, performed throughout January, February and March 2015, performers carry colourful striped placards to create an abstract protest at landmarks across London. The events are a re-staging of Daniel Buren’s iconic performance Seven Ballets in Manhattan first staged in New York in 1975.
Friday 30 Jan, 3pm
Whitechapel Gallery, Whitechapel High Street E1
Whitechapel Gallery, Whitechapel High Street E1
Friday 13 Feb, 3pm
Oxford Street, London W1
Oxford Street, London W1
More locations to be announced.
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If you have more ideas, don't hesitate to share them with me!! Especially in East London.
Cheers, and see you soon,
M
M
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